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Trying to Live Now Chronotopic Figures in Jenny Watson’S a Painted Page Series
Vol 3, No 1 (2014) | ISSN 2155-1162 (online) | DOI 10.5195/contemp.2014.98 http://contemporaneity.pitt.edu Trying to Live Now Chronotopic Figures in Jenny Watson’s A Painted Page Series Chris McAuliffe Abstract Between late 1979 and early 1980, Australian artist Jenny Watson painted a sequence of six works, each with the title A Painted Page. Combining gridded, painted reproductions of photographs, newspapers and department store catalogues with roughly painted fields of color, the series brought together a range of recent styles and painterly idioms: pop, photorealism, and non-objective abstraction. Watson’s evocation of styles considered dated, corrupted or redundant by contemporary critics was read as a sign of the decline of modernism and the emergence of a postmodernism inflected with irony and a cool, “new wave” sensibility. An examination of the Painted Pages in the context of Watson’s interest in autobiography and her association with the women’s art movement, however, reveals the works to be subjective, highly personal reflections on memory, self and artistic aspiration. Drawing on Bahktin’s model of the chronotope, this paper argues for a spatio-temporal reading of Watson’s Painted Pages rather than the crude model of stylistic redundancy and succession. Watson’s source images register temporal orders ranging across the daily, the seasonal and the epochal. Her paintings transpose Bahktin’s typology of quotidian, provincial and “adventuristic” time into autobiographical paintings of teenage memories, the vicissitudes of the art world and punk subcultures. Collectively, the Painted Pages established a chronotopic field; neither an aggregation of moments nor a collaged evocation of a period but a point at which Watson closed off one kind of time (an art critical time of currency and succession) and opened up another (of subjectivity and affective experience). -
Romanticism and Evangelical Christianity in William Cowper's the at Sk Carol V
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1976 Romanticism and Evangelical Christianity in William Cowper's The aT sk Carol V. Johnson Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Johnson, Carol V., "Romanticism and Evangelical Christianity in William Cowper's The askT " (1976). Masters Theses. 3394. https://thekeep.eiu.edu/theses/3394 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. ROMANTICISM AND EVANGELICAL CHRISTIANITY I N WILLIAM COWPER'S THE TASK (TITLE) BY CAROL V. JOHNSON B. A., Eastern I llinois University, 1975 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS I HEREBY RECOMMEND THIS THESIS BE ACCEPTED AS FULFILLING THIS PART OF THE GRADUATE DEGREE CITED ABOVE DATE PAPER CERTIFICATE #2 TO: Graduate Degree Candidates who have wr i tten formal theses. SUBJECT: Permission to reproduce theses. • The University Library is receiving a number of requests from other institutions asking permission to repr oduc e dissertations for inclusion in their library hold ings . Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a. -
"The Story of a Dead Man" Was Published in the 1978 Short Story Collection, Elbow Room by James Alan Mcpherson
"The Story of a Dead Man" was published in the 1978 short story collection, Elbow Room by James Alan McPherson. That collection won the 1978 Pulitzer Prize for fiction the first awarded to an African American for fiction writing. Prof. McPherson taught at the prestigious Iowa Writer's Workshop at U of IA for decades, where he mentored some of our best living writers. He died in the summer of 2016. Please be aware: This story contains strong language, both racist and misogynistic. The story contains a degree of violence and criminality. Nonetheless, the story is profoundly humorous and humane. Please pay special attention to the way McPherson is using class distinctions in his story. -rgk The Story of a Dead Man 33 The Story way back from Harvey after reclaiming a defaulted of a Dead Man Chevy. Neither is it true, as certain of his enemies have maintained, that Billy's left eye was lost during a rumble with that red-neck storekeep outside Limehouse, South '- Carolina. That eye, I now have reason to believe, was lost during domestic troubles. That is quite another story. But I have this full account of the Limehouse difficulty: Billy had stopped off there en route to Charleston to repossess another defaulting car for this same Mr. Floyd Dil lingham. He entered the general store with the sole inten tion of buying a big orange soda. However, the owner of the joint, a die-hard white supremacist, refused to execute I T is not true that Billy Renfro was killed during that the transaction. -
Stuartdybekprogram.Pdf
1 Genius did not announce itself readily, or convincingly, in the Little Village of says. “I met every kind of person I was going to meet by the time I was 12.” the early 1950s, when the first vaguely artistic churnings were taking place in Stuart’s family lived on the first floor of the six-flat, which his father the mind of a young Stuart Dybek. As the young Stu's pencil plopped through endlessly repaired and upgraded, often with Stuart at his side. Stuart’s bedroom the surface scum into what local kids called the Insanitary Canal, he would have was decorated with the Picasso wallpaper he had requested, and from there he no idea he would someday draw comparisons to Ernest Hemingway, Sherwood peeked out at Kashka Mariska’s wreck of a house, replete with chickens and Anderson, Theodore Dreiser, Nelson Algren, James T. Farrell, Saul Bellow, dogs running all over the place. and just about every other master of “That kind of immersion early on kind of makes everything in later life the blue-collar, neighborhood-driven boring,” he says. “If you could survive it, it was kind of a gift that you didn’t growing story. Nor would the young Stu have even know you were getting.” even an inkling that his genius, as it Stuart, consciously or not, was being drawn into the world of stories. He in place were, was wrapped up right there, in recognizes that his Little Village had what Southern writers often refer to as by donald g. evans that mucky water, in the prison just a storytelling culture. -
BTC Catalog 172.Pdf
Between the Covers Rare Books, Inc. ~ Catalog 172 ~ First Books & Before 112 Nicholson Rd., Gloucester City NJ 08030 ~ (856) 456-8008 ~ [email protected] Terms of Sale: Images are not to scale. All books are returnable within ten days if returned in the same condition as sent. Books may be reserved by telephone, fax, or email. All items subject to prior sale. Payment should accompany order if you are unknown to us. Customers known to us will be invoiced with payment due in 30 days. Payment schedule may be adjusted for larger purchases. Institutions will be billed to meet their requirements. We accept checks, VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PayPal. Gift certificates available. Domestic orders from this catalog will be shipped gratis via UPS Ground or USPS Priority Mail; expedited and overseas orders will be sent at cost. All items insured. NJ residents please add 7% sales tax. Member ABAA, ILAB. Artwork by Tom Bloom. © 2011 Between the Covers Rare Books, Inc. www.betweenthecovers.com After 171 catalogs, we’ve finally gotten around to a staple of the same). This is not one of them, nor does it pretend to be. bookselling industry, the “First Books” catalog. But we decided to give Rather, it is an assemblage of current inventory with an eye toward it a new twist... examining the question, “Where does an author’s career begin?” In the The collecting sub-genre of authors’ first books, a time-honored following pages we have tried to juxtapose first books with more obscure tradition, is complicated by taxonomic problems – what constitutes an (and usually very inexpensive), pre-first book material. -
REALISM Realism Is As Old As the Human Race. No Doubt Primeval
REALISM Realism is as old as the human race. No doubt primeval hunters returning from their adventures told stories with rhetoric and gestures intended to evoke an “illusion of real life,” in the phrase of Henry James. Realism is relative, with visions of reality varying from teller to teller, culture to culture and generation to generation. It must be defined in historical context by intention, subject, themes, focus, techniques and style. The Realist movement in American fiction after the Civil War refers to shared intentions of writers as different as Twain and James, opposite poles of sensibility who were contemptuous of each other. Due to such diversity, the only major American writer whose work as a whole could illustrate standard or typical “Realism” as defined by prevailing literary criticism (his own, which emphasizes the commonplace) is William Dean Howells, its characteristics well exemplified in his story “Editha” and his novel The Rise of Silas Lapham (1885). In practice, some of the best examples of pure commonplace Realism are short stories by local color writers such as Mary Wilkins Freeman. Though literary Realism is understood as the opposite of Romance, and Expressionism, the romancers developed techniques of realism to make their stories plausible. In 1826 the word realisme was used in France to describe a literary method that imitated Nature, in contrast to Classicism. However, as Realism developed, it opposed Romanticism and its aesthetics became Neoclassical. In the United States one of the first examples of Realism--realistic for the most part--is “Life in the Iron Mills” (1861) by Rebecca Harding Davis, sympathetic to workers and the lower class against the upper, in the manner of Charles Dickens. -
Indiebestsellers
Indie Bestsellers Fiction Week of 03.31.21 HARDCOVER PAPERBACK 1. Klara and the Sun 1. The Song of Achilles Kazuo Ishiguro, Knopf, $28 Madeline Miller, Ecco, $16.99 2. The Midnight Library 2. Circe Matt Haig, Viking, $26 Madeline Miller, Back Bay, $16.99 3. The Four Winds 3. The Rose Code Kristin Hannah, St. Martin’s, $28.99 Kate Quinn, Morrow, $17.99 ★ 4. The Consequences of Fear 4. The Dutch House Jacqueline Winspear, Harper, $27.99 Ann Patchett, Harper Perennial, $17 5. The Vanishing Half 5. Later Brit Bennett, Riverhead Books, $27 Stephen King, Hard Case Crime, $14.95 6. The Invisible Life of Addie LaRue ★ 6. The Book of Longings V.E. Schwab, Tor, $26.99 Sue Monk Kidd, Penguin, $17 7. Hamnet 7. Deacon King Kong Maggie O’Farrell, Knopf, $26.95 James McBride, Riverhead Books, $17 8. The Committed 8. Interior Chinatown Viet Thanh Nguyen, Grove Press, $27 Charles Yu, Vintage, $16 9. The Lost Apothecary 9. The Overstory Sarah Penner, Park Row, $27.99 Richard Powers, Norton, $18.95 10. We Begin at the End 10. The Sympathizer Chris Whitaker, Holt, $27.99 Viet Thanh Nguyen, Grove Press, $17 11. The Paris Library ★ 11. The Night Watchman Janet Skeslien Charles, Atria, $28 Louise Erdrich, Harper Perennial, $18 12. Anxious People 12. The House in the Cerulean Sea Fredrik Backman, Atria, $28 TJ Klune, Tor, $18.99 13. The Sanatorium 13. The Glass Hotel Sarah Pearse, Pamela Dorman Books, $27 Emily St. John Mandel, Vintage, $16.95 ★ 14. Eternal 14. Parable of the Sower Lisa Scottoline, Putnam, $28 Octavia E. -
Creative Writing (Iowa Writers' Workshop) 1
Creative Writing (Iowa Writers' Workshop) 1 Creative Writing (Iowa Writers' Workshop) Director • Lan Samantha Chang Graduate degree: M.F.A. in English Faculty: https://writersworkshop.uiowa.edu/people Website: https://writersworkshop.uiowa.edu/ The Creative Writing Program (Iowa Writers' Workshop) is a world-renowned graduate program for fiction writers and poets. Founded in 1936, it was the first creative writing program in the United States to offer a degree, and it became a model for many contemporary writing programs. In addition to its Master of Fine Arts program, it also offers writing courses for undergraduates. The Iowa Writers' Workshop has been home to thousands of remarkable writers, including Flannery O'Connor, Raymond Carver, Rita Dove, John Irving, James Alan McPherson, Philip Levine, Jane Smiley, Michael Cunningham, Sandra Cisneros, Denis Johnson, Jorie Graham, Ann Patchett, D.A. Powell, Nathan Englander, Yiyun Li, Eleanor Catton, Angela Flournoy, Garth Greenwell, Yaa Gyasi, and Jamel Brinkley. The program's faculty and alumni include winners of virtually every major literary award, including seventeen winners of the Pulitzer Prize (most recently Paul Harding in 2010), six recent U.S. Poets Laureate, and numerous winners of the National Book Award, MacArthur Foundation Fellowships, and other major honors. In 2003, the Iowa Writers' Workshop received a National Humanities Medal from the National Endowment for the Humanities—the first awarded to a university and only the second given to an institution rather than an individual. The Creative Writing Program offers courses for students from other programs of study; summer courses are open to undergraduate and graduate students. To learn more about the Creative Writing Program's history and faculty, visit the Iowa Writers' Workshop website.. -
The Failure of Sympathy in the Recent Works of J.M. Coetzee
The failure of sympathy in the recent works of JM Coetzee Warwick Ian Shapcott A thesis submitted in fulfilment of the requirements for the degree of Masters of Arts (Research) School of English University of New South Wales July 2006 ORIGINALITY STATEMENT 'I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project's design and conception or in style, presentation and linguistic expression is acknowledged.' Signed ......... Date ........................ ..~~.l.~.l~.7 ......................... COPYRIGHT STATEMENT 'I hereby grant the University of New South Wales or its agents the right to archive and to make available my thesis or dissertation in whole or part in the University libraries in all forms of media, now or here after known, subject to the provisions of the Copyright Act 1968. I retain all proprietary rights, such as patent rights. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. I also authorise University Microfilms to use the 350 word abstract of my thesis in Dissertation Abstract International (this is applicable to doctoral theses only). -
Ecologies of Contemplation in British Romantic Poetry
City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 2-2021 The Lodge in the Wilderness: Ecologies of Contemplation in British Romantic Poetry Sean M. Nolan The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4185 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE LODGE IN THE WILDERNESS: ECOLOGIES OF CONTEMPLATION IN BRITISH ROMANTIC POETRY by SEAN NOLAN A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2021 © 2020 Sean Nolan All Rights Reserved ii The Lodge in the Wilderness: Ecologies of Contemplation in British Romantic Poetry by Sean Nolan This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy _______________________ ____________________________________ Date Nancy Yousef Chair of Examining Committee _______________________ ____________________________________ Date Kandice Chuh Executive Officer Supervisory Committee Alexander Schlutz Alan Vardy Nancy Yousef THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT The Lodge in the Wilderness: Ecologies of Contemplation in British Romantic Poetry by Sean Nolan Advisor: Nancy Yousef This dissertation argues that contemplation is often overlooked in studies of British Romantic poetry. By the late 1700s, changing commercial and agricultural practices, industrialism, secularization, and utilitarianism emphasizing industriousness coalesced to uproot established discourses of selfhood and leisure, and effected crises of individuation in Romantic poetry and poetics. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
Calling William Cowper: a Visit to the Cowper and Newton Museum
Calling William Cowper: A visit to the Cowper and Newton Museum Your sea of troubles you have past, And found the peaceful shore These were the words I included in the March (Cambridgeshire) Grammar School magazine at the end of my last year there. Roman House were the champions. I was their house captain. Wonderful days! Yet it was the rest of the verse which always stuck in my mind: I tempest-toss’d and wreck’d at last, Come home to port no more. (‘To the Reverend Mr. Newton on his return from Ramsgate. October 1780’) Those words made me think more about the man himself. William Cowper, whose father, John Cowper, was chaplain to George the Third, suffered most of his life from what we know now as manic depression. The actor, Stephen Fry, has publicly shared with the media his own battle with such an affliction. When Cowper died in May, 1800, the funeral service at St. Mary Woolnoth in Lombard Street, London, was conducted by the Rev. John Newton. He said that ‘He [Cowper] could give comfort, though he could not receive any himself.’(The Life of John Newton by Richard Cecil). John Newton, author of the hymn ‘Amazing Grace’, was the curate of the church of St Peter and St Paul in Olney from 1764 to 1779. He was Cowper’s firm friend and mentor. They collaborated to write the Olney Hymns. I wanted to see for myself where Cowper lived, where he wrote his poems and letters, and what he did with his time.