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Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
South Park and Absurd Culture War Ideologies, the Art of Stealthy Conservatism Drew W
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2009-01-01 South Park and Absurd Culture War Ideologies, The Art of Stealthy Conservatism Drew W. Dungan University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Mass Communication Commons, and the Political Science Commons Recommended Citation Dungan, Drew W., "South Park and Absurd Culture War Ideologies, The Art of Stealthy Conservatism" (2009). Open Access Theses & Dissertations. 245. https://digitalcommons.utep.edu/open_etd/245 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. South Park and Absurd Culture War Ideologies, The Art of Stealthy Conservatism Drew W. Dungan Department of Communication APPROVED: Richard D. Pineda, Ph.D., Chair Stacey Sowards, Ph.D. Robert L. Gunn, Ph.D. Patricia D. Witherspoon, Ph.D. Dean of the Graduate School Copyright © by Drew W. Dungan 2009 Dedication To all who have been patient and kind, most of all Robert, Thalia, and Jesus, thank you for everything... South Park and Absurd Culture War Ideologies. The Art of Stealthy Conservatism by DREW W. DUNGAN, B.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department of Communication THE UNIVERSITY OF TEXAS AT EL PASO May 2009 Abstract South Park serves as an example of satire and parody lampooning culture war issues in the popular media. -
Video Game Archive: Nintendo 64
Video Game Archive: Nintendo 64 An Interactive Qualifying Project submitted to the Faculty of WORCESTER POLYTECHNIC INSTITUTE in partial fulfilment of the requirements for the degree of Bachelor of Science by James R. McAleese Janelle Knight Edward Matava Matthew Hurlbut-Coke Date: 22nd March 2021 Report Submitted to: Professor Dean O’Donnell Worcester Polytechnic Institute This report represents work of one or more WPI undergraduate students submitted to the faculty as evidence of a degree requirement. WPI routinely publishes these reports on its web site without editorial or peer review. Abstract This project was an attempt to expand and document the Gordon Library’s Video Game Archive more specifically, the Nintendo 64 (N64) collection. We made the N64 and related accessories and games more accessible to the WPI community and created an exhibition on The History of 3D Games and Twitch Plays Paper Mario, featuring the N64. 2 Table of Contents Abstract…………………………………………………………………………………………………… 2 Table of Contents…………………………………………………………………………………………. 3 Table of Figures……………………………………………………………………………………………5 Acknowledgements……………………………………………………………………………………….. 7 Executive Summary………………………………………………………………………………………. 8 1-Introduction…………………………………………………………………………………………….. 9 2-Background………………………………………………………………………………………… . 11 2.1 - A Brief of History of Nintendo Co., Ltd. Prior to the Release of the N64 in 1996:……………. 11 2.2 - The Console and its Competitors:………………………………………………………………. 16 Development of the Console……………………………………………………………………...16 -
ENDE – Mediale Inszenierungen Von Tod Und Sterben 2008
Repositorium für die Medienwissenschaft Petra Missomelius (Hg.) AugenBlick. Marburger Hefte zur Medienwissenschaft. Heft 43: ENDE – Mediale Inszenierungen von Tod und Sterben 2008 https://doi.org/10.25969/mediarep/2118 Veröffentlichungsversion / published version Teil eines Periodikums / periodical part Empfohlene Zitierung / Suggested Citation: Missomelius, Petra (Hg.): AugenBlick. Marburger Hefte zur Medienwissenschaft. Heft 43: ENDE – Mediale Inszenierungen von Tod und Sterben (2008). DOI: https://doi.org/10.25969/mediarep/2118. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above. anderweitig nutzen. Mit der Verwendung dieses Dokuments erkennen Sie die Nutzungsbedingungen an. -
The Theology of South Park As Much As They Hate Each Other, the One Thing That Osama Bin Laden and George W
The Theology of South Park As much as they hate each other, the one thing that Osama bin Laden and George W. Bush have in common is a theological understanding of a world being divided between the forces of good and evil with each believing he is clearly on the side of good. President Bush sees himself as most strongly influenced by Jesus Christ, a compassionate conservative who responds to what he sees as a completely unprovoked attack with a mixture of care packages and bombs. Bin Laden, who considers himself one of the true followers of Mohammed, believes that he is clearly on a mission to cleanse the infidels who have disrespected sacred monuments, supported oppressive governments, and kept his people in extreme poverty. Neither they nor their followers can see any shades of gray. You're either for us or against us; for freedom or tyranny; with the infidels or the pious. And both lay a strong claim of having God's blessings. This, of course, is not a new rhetorical strategy; throughout time, many countries have tried to legitimize their interests by calling forth God as a sponsor. Voltaire calls this practice into question throughout Candide as does Mark Twain in his short story, "The War Prayer." The absurdity of believing too fully in a system that draws clear lines between good and evil was also evident to Eugene Ionesco when, during the second world war, he witnessed the consequences of a blind faith in fascism, a system that fully aligned itself with God's blessing and thus did not allow for uncertainty, shades of gray, or a sense of humor. -
Mr Bump Free Ebook
FREEMR BUMP EBOOK Roger Hargreaves | 32 pages | 23 Mar 1998 | Penguin Putnam Inc | 9780843178388 | English | New York, United States Mr. Bump: Lights, Camera, Bump! Mr. Bump is accident prone. He has so much in common with my nephew. The boy is a walking accident. He is not present and does not pay attention to his surroundings, just like Mr. Bump. MR MEN: "MR BUMP". The colorful illustrations in Roger Hargreaves' Little Men series are adorable. Mr. Bump gets into all kinds of trouble. My favorite part is when he is a bus driver and he falls off the bus. So cute. MR MEN: "MR BUMP". In the TV series The Mr. Men Show, Mr. Bump is the show's de facto mascot, appearing on the series' title card and making an appearance in every single episode. Accident-prone Haphazard Liability An accident waiting to happen! Poor Mr. Bump just can’t stop having accidents. If there was something for Mr. Bump to bump into, he'd bump into it all right. In the TV series The Mr. Men Show, Mr. Bump is a regular character. He kept his looks except one of his bandages is gone and is always having accidents, more often than not non-bump-related ones such as accidentally being cleaned in a car wash. Bump the Elephant (Namesake series, both are blue, accident-prone and have the same names), Kenny McCormick (South Park, both get hurt. Although Kenny dies a lot while Mr. Bump does not), Bubble (Battle for Dream Island, both are blue, round, and accident-prone). -
TCN GO Sun Aug 28, 2011
Schedule Program Guide For TCN/GO Sun Aug 28, 2011 06:00 THUNDERBIRDS Repeat WS G Terror in NYC Follow the adventures of the International Rescue, an organisation created to help those in grave danger in this marionette puppetry classic. 07:00 KIDS WB SUNDAY WS G Hosted by Lauren Phillips and Andrew Faulkner. 07:05 THE FLINTSTONES Repeat G Rooms For Rent Fred and Barney's peaceful homes are jeopardized when Betty and Wilma rent rooms to two bongo-playing college students. 07:30 SMURFS Repeat G Soothsayer Smurfette A fortune teller's magical doll dress ends up being Smurfette's new dress of Baby Smurf's birthday party. 08:00 LOONEY TUNES CLASSICS G Adventures of iconic Looney Tunes characters Bugs Bunny, Daffy Duck, Tweety, Silvester, Granny, the Tasmanian Devil, Speedy Gonzales, Marvin the Martian Wile E. Coyote and the Road Runner. 08:30 CAMP LAZLO Repeat WS G Weakest Link/ Lumpy Treasure The campers send the Jelly Beans on a "wild goose chase" so they won't bungle the camp inspection! 09:00 SYM-BIONIC TITAN Repeat PG The Ballad of Scary Mary While attending to a "Scary Mary" party, Lance, Ilana and Octus soon find themselves battling against a chameleon-like Mutraddi that can morph into anyone. Cons.Advice: Some Violence 09:30 BEN 10 Repeat WS PG Secret of the Omnitrix During a battle with Animo, a headstrong Ben in hero mode, doesn't listen to reason from Max and Gwen, and gets engulfed in a weird energy light. Cons.Advice: Mild Violence 11:00 POWER RANGERS SAMURAI WS PG Ive Got a Spell on Blue Cons.Advice: Some Violence 11:30 WACKY RACES Repeat G Speeding for Smogland / Race Rally to Raleigh On the set of a medieval-themed movie, Dastardly attempts to trap the racers with the castle gate and drawbridge. -
South Park: (Des)Construção Iconoclasta Das Celebridades
PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO Programa de Estudos Pós-Graduados em Comunicação e Semiótica ÉRICO FERNANDO DE OLIVEIRA South Park: (des)construção iconoclasta das celebridades São Paulo Agosto de 2012 2 PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO Programa de Estudos Pós-Graduados em Comunicação e Semiótica ÉRICO FERNANDO DE OLIVEIRA South Park: (des)construção iconoclasta das celebridades Dissertação de mestrado apresentada ao Programa de Estudos Pós-Graduados em Comunicação e Semiótica da PUC-SP Orientador: Prof. Dr. José Luis Aidar Prado São Paulo Agosto de 2012 3 PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO Programa de Estudos Pós-Graduados em Comunicação e Semiótica ÉRICO FERNANDO DE OLIVEIRA South Park: (des)construção iconoclasta das celebridades Dissertação de mestrado apresentada ao Programa de Estudos Pós-Graduados em Comunicação e Semiótica da PUC-SP Orientador: Prof. Dr. José Luis Aidar Prado Comissão examinadora: __________________________________________ __________________________________________ __________________________________________ __________________________________________ __________________________________________ __________________________________________ São Paulo Agosto de 2012 4 AGRADECIMENTOS À CAPES, pelo financiamento parcial da pesquisa. Ao Prof. Dr. José Luis Aidar Prado pela paciência e disponibilidade. Aos meus pais, irmãos e amigos, pela compreensão diante de minhas recusas. Aos meus colegas de curso, em especial, André Campos de Carvalho, Cynthia Menezes Mello e Fabíola Corbucci, Pela amizade e inestimável incentivo. Aos professores integrantes das bancas de qualificação e defesa, pelas orientações e disponibilidade. À Celina de Campos Horvat, por todos os motivos descritos acima. Toda piada é uma pequena revolução. (George Orwell) 5 Resumo O intuito desta pesquisa é estudar a construção social contemporânea das celebridades, bem como o papel que ela exerce na civilização midiática. -
Mitsos, T. WRT 150 CA 10/30/2005 Goin' Down to South Park When Many People Think of the Television Show South Park, They Think
Mitsos, T. WRT 150 CA 10/30/2005 Goin’ Down to South Park When many people think of the television show South Park , they think of foul- mouth fourth graders who get all of their laughs from swearing and/or raunchy jokes. Believe it or not, almost, if not every South Park episode has some sort of message in it. However, the creators use a different kind of way to express their message. If there is a controversial debate that is going on in the country, they will make the town of South Park go through the same debate, but incorporate comedy and satire into the script to make it more enjoyable to someone who may not normally follow the news. There is one episode of South Park that looks at one major recent issue that the country debated. It changed my opinion about the topic. In early 2005, the debate of whether Terri Schiavo should be kept alive with a feeding tube was what everyone was talking about. “Schiavo experienced cardiac arrest and collapsed in her home in early 1990, incurring massive brain damage. She remained in a coma for ten weeks. Within three years, she was diagnosed to be in a persistent vegetative state (PVS) with little chance of recovery” (Terri Schiavo). Terri’s husband, Michael wanted the feeding tube removed, however Terri’s parents Robert and Mary Schindler fought to keep the feeding tube in. Eventually, the courts ordered that since Terri had no chance of recovery, she would want to no longer be on life support. -
Analysis of Gender and Queer Representation in Outlast II Margret
Outlasting the Binary: Analysis of Gender and Queer Representation in Outlast II Margret M. Murphy Department of Sociology SOC 401: Research Dr. Oluwakemi “Kemi” Balogun March 20, 2020 OUTLASTING THE BINARY 2 Abstract The components within Horror Media has been a topic of study for decades. A major gap in the scholarship is how representations within horror media impacts marginalized communities negatively. Using the first-person survival horror game Outlast II, I ask how these tropes accentuate the archetypes of hegemonic masculinity and emphasized femininity as well as how they conventionalize individuals that challenge the gender binary. The cutscenes, dialogue, documents, and recordings collected will be analyzed, providing evidence for the forthcoming discussions about the representation of gender and queer communities within this game. Results show that the game emphasizes similar themes commonly found in horror media. These include: the “male protector” and “damsel in distress” archetypes, the violent mistreatment of women, framing sexually transmitted diseases (STD’s) as grotesque, exclusion of primary female characters, stereotyping queer characters, and emphasis on hegemonic masculinity, a term coined by Connell (1987). This case study will provide further evidence for ongoing research on horror media and its use of the gender binary, stereotypical male/female roles, and exclusion of non- stereotypical gender non-conforming or queer characters. Keywords: videogames, horror, gender binary, hegemonic masculinity, emphasized femininity, queer representation OUTLASTING THE BINARY 3 Dedications and Acknowledgements A huge thank you to my advisor, Professor Oluwakemi “Kemi” Balogun! Thank you for giving me criticisms, advice, and ideas that were nothing but helpful in making this the best it can possibly be. -
Gruda Mpp Me Assis.Pdf
MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM SOUTH PARK ASSIS 2011 MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM SOUTH PARK Dissertação apresentada à Faculdade de Ciências e Letras de Assis – UNESP – Universidade Estadual Paulista para a obtenção do título de Mestre em Psicologia (Área de Conhecimento: Psicologia e Sociedade) Orientador: Prof. Dr. José Sterza Justo Trabalho financiado pela CAPES ASSIS 2011 Dados Internacionais de Catalogação na Publicação (CIP) Biblioteca da F.C.L. – Assis – UNESP Gruda, Mateus Pranzetti Paul G885d O discurso politicamente incorreto e do escracho em South Park / Mateus Pranzetti Paul Gruda. Assis, 2011 127 f. : il. Dissertação de Mestrado – Faculdade de Ciências e Letras de Assis – Universidade Estadual Paulista Orientador: Prof. Dr. José Sterza Justo. 1. Humor, sátira, etc. 2. Desenho animado. 3. Psicologia social. I. Título. CDD 158.2 741.58 MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM “SOUTH PARK” Dissertação apresentada à Faculdade de Ciências e Letras de Assis – UNESP – Universidade Estadual Paulista para a obtenção do título de Mestre em Psicologia (Área de Conhecimento: Psicologia e Sociedade) Data da aprovação: 16/06/2011 COMISSÃO EXAMINADORA Presidente: PROF. DR. JOSÉ STERZA JUSTO – UNESP/Assis Membros: PROF. DR. RAFAEL SIQUEIRA DE GUIMARÃES – UNICENTRO/ Irati PROF. DR. NELSON PEDRO DA SILVA – UNESP/Assis GRUDA, M. P. P. O discurso do humor politicamente incorreto e do escracho em South Park. -
Challenges for Game Designers Brenda Brathwaite And
CHALLENGES FOR GAME DESIGNERS BRENDA BRATHWAITE AND IAN SCHREIBER Charles River Media A part of Course Technology, Cengage Learning Australia, Brazil, Japan, Korea, Mexico, Singapore, Spain, United Kingdom, United States Challenges for Game Designers © 2009 Course Technology, a part of Cengage Learning. ALL RIGHTS RESERVED. No part of this work covered by the copyright Brenda Brathwaite and Ian Schreiber herein may be reproduced, transmitted, stored, or used in any form or by any means graphic, electronic, or mechanical, including but not limited to photocopying, recording, scanning, digitizing, taping, Web distribution, Publisher and General Manager, information networks, or information storage and retrieval systems, except Course Technology PTR: as permitted under Section 107 or 108 of the 1976 United States Copyright Stacy L. Hiquet Act, without the prior written permission of the publisher. Associate Director of Marketing: For product information and technology assistance, contact us at Sarah Panella Cengage Learning Customer & Sales Support, 1-800-354-9706 For permission to use material from this text or product, Content Project Manager: submit all requests online at cengage.com/permissions Jessica McNavich Further permissions questions can be emailed to [email protected] Marketing Manager: Jordan Casey All trademarks are the property of their respective owners. Acquisitions Editor: Heather Hurley Library of Congress Control Number: 2008929225 Project and Copy Editor: Marta Justak ISBN-13: 978-1-58450-580-8 ISBN-10: 1-58450-580-X CRM Editorial Services Coordinator: Jen Blaney eISBN-10: 1-58450-623-7 Course Technology Interior Layout: Jill Flores 25 Thomson Place Boston, MA 02210 USA Cover Designer: Tyler Creative Services Cengage Learning is a leading provider of customized learning solutions with office locations around the globe, including Singapore, the United Kingdom, Indexer: Sharon Hilgenberg Australia, Mexico, Brazil, and Japan.