AMBROSE, Trevor

Total Page:16

File Type:pdf, Size:1020Kb

AMBROSE, Trevor TREVOR AMBROSE EDITOR www.imdb.com/TrevorAmbrose TELEVISION SCHITT’S CREEK (Seasons 1-6) CBC/Netflix Prod: Colin Brunton, Dan Levy, Dir: Paul Fox, T.W. Peacocke, *Emmy Nomination – 2019 Outstanding Comedy Series Eugene Levy Jerry Ciccoritti *Winner – 2019 CSA Best Comedy Series *Winner – 2018 CCE Best Editing in ½ Hour Scripted *CSA Nomination - 2017 Best Picture Editing in a Comedy Program or Series *CCE Nomination - 2015 Best Editing in 1/2 Hour Broadcast Short Form YOUNG DRUNK PUNK (Season 1) CityTV Prod: Bruce McCulloch Dir: Ron Murphy, Kelly Makin, *CSA Nomination - 2016 Best Picture Editing in a Comedy Program or Series Bruce McCulloch REPUBLIC OF DOYLE (Seasons 4 & 5) CBC Prod: Allan Hawco Dir: Stefan Scaini, John Vatcher BUT I’M CHRIS JERICHO (Season 1) ACTION TV / Insight Prod: Chris Jericho Dir: Mike Fly Fleischhaker GOOD GOD (Season 1) HBO Prod: Jan Peter Meyboom, Dir: Ken Kinkleman *CSA Nomination – 2013 Best Comedy Editing Marc Dassas REALLY ME (Season 1) Fresh TV Prod: Manny Danelon, Brian Irving Dir: Marta Borowski, Brian Roberts MEN WITH BROOMS (Season 1) eOne Prod: Paul Mather Dir: Kelly Makin *Gemini Nomination – 2012 Best Comedy Editing LITTLE MOSQUE ON THE PRAIRIE CBC Prod: Colin Brunton, Brian Dennis, Dir: Various (Seasons 1-4) Michael Snook *Winner – DGC Team Comedy Award THE GOOD GERMANY CBC / Frantic Films Prod: Jamie Brown Dir: Michael Kennedy (TV Movie) AN AMERICAN IN CANADA CBC Prod: Howard Busgang, Dir: Shawn Thompson, (Season 2) Colin Brunton Reid A. Dunlop THE TRUE MEANING OF CHRSITMAS CBC Prod: Dave Foley, Merilyn Read, Dir: Dave Foley (TV Movie) David Himelfarb I WAS A SIXTH GRADE ALIEN (Season 1) Winklemania Productions Prod: Claire Welland Dir: Craig Pryce *Gemini Nomination – 1999 Best Comedy Editing SATURDAY NIGHT LIVE (Season 20) NBC/Broadway Video Prod: Lorne Michaels Dir: Bruce McCulloch (Film Segments) THE KIDS IN THE HALL (Season 5) HBO Prod: Lorne Michaels Dir: John Blanchard *Gemini Nomination – 1995 Best Comedy Editing FEATURES DRACULA IN LOVE Hand ‘n’ Hand Films Prod: Michael Bockner, Dir: Izidore Musallam Izidore Musallam THE BINGO ROBBERS Bingo Hall Robbers Inc. Prod: Dana Warren Dir: Lois Brown VIOLET Alliance / Atlantis Prod: Mary Sexton Dir: Rosemary House DOG PARK Accent Entertainment Prod: Susan Cavan Dir: Bruce McCulloch (Music Editor) THE WRONG GUY Hollywood Pictures Prod: Jon Slan Dir: David Steinberg (Additional Editor) GARAGE Darius Films Prod: Nicholas Tabarrok Dir: Edmund Chan *Best Feature – Calgary Film Festival KIDS IN THE HALL: BRIAN CANDY Paramount Pictures Prod: Lorne Michaels Dir: Kelly Makin (Additional Editor) STEPPING RAZOR: RED X Bush Doctor Films Prod: Edgar Egger Dir: Nicholas Campbell *Genie Nomination – Best Feature Documentary 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com .
Recommended publications
  • The Last Comedy
    v*? - at \ The Banff Centre for Continuing Education T h e B a n f f C e n t r e As The Banff Centre embarks on its seventh decade, it carries with it a new image as an internationally renowned centre of creativity. presents The Centre continues to stress the imagina­ tion's role in a vibrant and prosperous soci­ ety. It champions artists, business leaders and their gift of creativity. It brings profes­ The Last sionals face to face with new ideas, catalyses achievement, experiments with disciplinary boundaries. It takes Canadians and others to the cutting edge - and beyond. Comedy The Banff Centre operates under the authority of The Banff Centre Act, Revised by Michael Mackenzie Statutes of Alberta. For more information call: Arts Programs 762-6180 Gallery Information 762-6281 Management Programs 762-6129 Directed by - Jean Asselin Conference Services 762-6204 Set and Costume Design by - Patrick Clark Lighting Design by - Harry Frehner Set and Costume Design Assistant - Julie Fox* Lighting Design Assistant - Susann Hudson* Arts Focus Stage Manager - Winston Morgan+ Our Centre is a place for artists. The Assistant Stage Manager - Jeanne LeSage*+ Banff Centre is dedicated to lifelong Production Assistant - David Fuller * learning and professional career develop­ ment for artists in all their diversity. * A resident in training in the Theatre Production, We are committed to being a place that Design and Stage Management programs. really works as a catalyst for creative +Appearing through the courtesy of the Canadian activity — a place where artistic practices Actors' Equity Association are broadened and invigorated. There will be one fifteen minute intermission Interaction with a live audience is an important part of many artists’ profession­ al development.
    [Show full text]
  • 'Like an American, but Without a Gun'?: Canadian National Identity
    . Volume 17, Issue 2 November 2020 ‘Like an American, but without a gun’?: Canadian national identity and the Kids in the Hall Melissa Beattie, Independent Scholar, USA Abstract: Media representation of national identity can be complex and utilise many potential mechanisms for conveying said identity onto both diegeses and series. This paper analyses the mechanisms by which the corpus of texts produced by comedy troupe the Kids in the Hall (KITH) represents and constructs a Canadian national identity for domestic and foreign audiences. Utilising both textual analysis and audience research, this paper examines the banal diegetic nationalism (Beattie 2017a, b) of the corpus as well as how the Canadianness of the series is perceived. Keywords: Canadian national identity and media, Discursive national identity, Fan studies, Representation, Audiences Introduction and literature review Media representation of national identity can be complex and utilise many potential mechanisms for conveying said identity onto both diegeses and series. This paper analyses the mechanisms by which the corpus of texts produced by comedy troupe the Kids in the Hall (KITH) represents and constructs a Canadian national identity for domestic and foreign audiences. Utilising both textual analysis and audience research, this paper examines the banal diegetic nationalism (Beattie 2017a, b) of the corpus as well as how the Canadianness of the corpus is perceived. This is relevant when viewed in context of Edwardson’s (2008) work on the development of Canadian national identity through its cultural industries. Though his book looks at all of the cultural industries, Edwardson’s negative view of globalisation with regard Page 3 Volume 17, Issue 2 November 2020 to television in particular views the push for transnational television success as leading to the diminishing of Canadian-focused content in favour of what would appeal to a predominantly-American audience.
    [Show full text]
  • Comedy: Stand-Up, Gay Male by Tina Gianoulis Actor and Comic Jason Stuart
    Comedy: Stand-Up, Gay Male by Tina Gianoulis Actor and comic Jason Stuart. Encyclopedia Copyright © 2015, glbtq, Inc. Courtesy JasonStuart. Entry Copyright © 2002, glbtq, Inc. com. Reprinted from http://www.glbtq.com Stand-up comedy is a form of entertainment where one performer stands in front of an audience and tries to make common cause with that audience by pointing out the ridiculous and humorous in the universal problems of everyday life. Stand-up comics balance on a fine edge between the funny and the offensive. They can be social critics, prodding audiences to look at the unfairness and inequality in life and to rise above them with a laugh. They can also be part of that unfairness by using humor to make fun of women, gays, and ethnic groups, allowing some members of their audiences to feel superior to those who are the butts of the joke. The dilemma is well expressed by Henry Machtey on the Gay Comedy Links website: "Stand-up comedy. Cracking jokes. Are you going to aim those jokes at people who are less powerful? or people who are more powerful?" Too often, gay men have been the objects of hostile humor. Queer jokes, like female jokes and ethnic jokes, have long been a staple of straight stand-up comics looking for an easy laugh from audiences eager to assert their own heterosexuality in a world where it is often dangerous to be gay. At the same time, however, perhaps long before the all-male Greek theater of the fourth century B.C.E., audiences have also had a fascination with gender-bending.
    [Show full text]
  • Wes Carpenter's Foreign Movies
    This Issue’s Extravaganza: Wes Carpenter’s Foreign Movies November/December 2015 • Issue 58 • $10 USD pandamagazine.com From the Editor Issue 57 Completists #AAA Aardvarks (Rich Bragg, Jonathan McCue) • A Seer Who We’ve lost a number of prominent puzzle people this Argues (Adrian, Casey, Catherine, David, Eli, Rob) • Alison year. Henry Hook is one of the constructors, along with Muratore, Audrey Muratore, Eric Suess • J.H. Andersson • Mike Selinker and Patrick Berry, that helped inspire Ben Lowenstein • Black Fedora Group (Herman Chau, Lennart P&A Puzzle Magazine. Their work in Games Magazine Jansson, Nick Wu, Moor Xu, Eric Yu) • Joe Bohanon • Robert and Henry Hook’s $10,000 Trivia Contest gave me the Bosch • Nick Brady • Buzz Lime Pi (Jay Lorch, Jonathan desire to write interconnected puzzle suites. Henry Hook Anderson, Josie Naylor, Michelle Teague, Robb Effinger, Sarah passed away in October at 60, far too young. Caley, Sean McCarthy, Sean Osborn) • Jeremy Conner • Dan Katz, Jackie Anderson, & Steve Katz • Das Zauberboot (Mike, Big thanks to Joe Cabrera for the cover, and for the new Catherine, Dan, Donna, Becky) • DelphiRune (Steve & Anita) cover layout. • Joseph DeVincentis • Martin Doublesin • Doug Orleans & Paula Wing • david edwards • Joe Fendel • Dustin Foley • Foggy Brume Nathan Fung • Lily Geller • GUToL (Angel Bourgoin, Keith Bourgoin, Dan Moren, Evan Ritt) • Mark Halpin • Chris Harris Issue 57 Top Ten • David Harris • Paul Hlebowitsh • Brent Holman • Illegal Phlogizote (Ben Smith, Brie Frame, Joe Cabrera, Jenny Gutbezahl,
    [Show full text]
  • Tthhheee Tttaaattttttooooo
    A9 | Monday, April 11, 2005 The Bristol Press TTHHEE TTAATTTTOOOO BRISTOL PRESS MAKING A PERMANENT IMPRESSION SINCE 1994 VOLUME 11 No. 11 ‘Hollow Men’ fill Iraq War protesters feel lucky By STEVEN DUREL University senior involved with the world, many calling for a and food from various organi- The Tattoo the Progressive Student timetable for the removal of zations. The Tent People even a TV humor void Alliance. American troops from Iraq, a entertained local religious lead- Amidst the ocean of green Marching in front of the nation which now possesses its ers who stopped by to let the By STEFAN KOSKI hats and balloons of St. Capitol at noon, the demon- own multi-ethnic government protesters know that their The Tattoo Patrick’s Day in Hartford last strators chanted and carried and military. Many Coalition efforts were much appreciated. month, there were also banners signs condemning the invasion. countries, most notably Spain, Despite the overall sense of Ever since “Saturday Night Live” premiered on NBC in 1975, a and cries of discontent. Rallying together an hour have removed their forces from solidarity among the anniver- host of other sketch comedy shows have been launched with Gathering around the state later, the protesters denounced Iraq and others, like Italy and sary demonstrations, the pro- mixed success. The most notable of these include Fox’s “Mad TV” Capitol, dozens of dissatisfied the war, making reference to the Ukraine, have recently testers themselves seemed less and Canada’s “The Kids in the Hall.” protesters marked the second the more than 100,000 lives lost made requests to leave the area than optimistic about how the Comedy Central has introduced many of these sketch comedy anniversary of the invasion of in the past two years.
    [Show full text]
  • Running Head: POPULAR PEDAGOGY in CANADIAN TELEVISION
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Brock University Digital Repository Running head: POPULAR PEDAGOGY IN CANADIAN TELEVISION Popular Pedagogy in Canadian Television: A Feminist Critical Discourse Analysis of Trailer Park Boys Andrew Haddow, B.A. (Hons.) Department of Graduate Studies in Education Submitted in partial fulfillment of the requirements for the degree of Master of Education Faculty of Education, Brock University St. Catharines, Ontario © Andrew Haddow, 2017 POPULAR PEDAGOGY IN CANADIAN TELEVISION Abstract This major research paper studied the representations of masculinity in the Canadian television program Trailer Park Boys from the perspective of public pedagogy and education. Motivated by a desire to expose how patriarchal discourses are learned through everyday practices and texts, a methodology of feminist Critical Discourse Analysis (CDA) was formulated. Trailer Park Boys is a long-running mockumentary series set in a fictional trailer park near Halifax, Nova Scotia. It focuses on a cast of male characters with exaggerated personalities, and is satirical in tone. Prior to the main analysis of this paper, a collection of relevant literature was conducted and an opportunity to address a lack of gender-focused studies of Canadian television, including Trailer Park Boys, was noted. This study used the feminist CDA method to analyze what masculinities were reinforced as normal or abnormal in Seasons 3 and 9 of the program, based on the understanding that popular culture is a site of everyday learning. After the data was collected episode-by-episode, it became apparent that the themes of family, authority, and sexuality were helpful in understanding what relationship Trailer Park Boys had with traditional representations of heteronormative masculinity.
    [Show full text]
  • Download the 2010 Press
    April 6-11, 2010 2010 a comedy odyssey PRODUCED BY FESTIVAL SPONSOR THE 2010 WINNIPEG COMEDY FESTIVAL - AN ODYSSEY NINE YEARS IN THE MAKING. February 22, 2010 (Winnipeg) – It’s nearly that time of year again, when dozens of comics from across the nation hold the city hostage with big laughs and side-splitting mirth. Running April 6-11, 2010, it’s our biggest festival yet, featuring 70 comics and 29 shows in six short nights. What makes this festival so big? Let’s start at the beginning. Tuesday, April 6th we launch the festival with a bang by hosting the Trevor Boris DVD Release/Homecoming 2010 show. When Winnipeg’s favourite farmboy-turned-Much Music-host Trevor Boris announced his intentions to return home to launch his new DVD with Warner Brothers, we decided to join forces and create a show celebrating Trevor and other fine Manitoba ex-pats Irwin Barker and Bruce Clark, as well as current Winnipeggers Al Rae and Chantel Marostica. Wednesday marks our eighth year of the fantastic Opening Night show with the Manitoba Lotteries, hosted this year by none other than the prodigal son, Trevor Boris! The show has swollen from the traditional four to six talented performers; Greg Morton, Derek Edwards, Arthur Simeon, Scott Faulconbridge and Karen O’Keefe. Next comes four nights of galas, including five recorded-for-broadcast CBC galas. We kick off on Thursday with the Edumacation Show, hosted by Gerry Dee and featuring half a dozen cerebral comics including David Hemstad and Jon Dore. Friday night we’ve got two fantastic galas.
    [Show full text]
  • Kids in the Hall S2 DVD SS
    “…some of the most subversive material every performed on network TV…” —Spin Populating their realm with such uniquely bizarre creations as the Chicken Lady, Cabbage Head, and Mr. Heavyfoot, THE KIDS IN THE HALL took aim at everything from corporate culture to drug culture and sexism to suburban angst, crafting one of sketch comedy’s most innovative and influential shows. Smartly twisting the conventions of mainstream comedy,the complete, acclaimed second season of THE KIDS IN THE HALL crackles with farcical brilliance—collected here on DVD by overwhelming demand. • The complete second season now on DVD—by popular demand! • Executive produced by Lorne Michaels of Saturday Night Live fame. • Season One is a DVD success—a VideoScan® Top 50 TV Seller. • Starring Mark McKinney (Saturday Night Live), Bruce McCulloch (Stealing Harvard), Dave Foley (NewsRadio), Kevin McDonald (That 70’s Show), and Scott Thompson (Dharma & Greg). • Jam-packed with Bonus Features—including never before seen footage. NOTE SPECIAL DATES: DVD PREORDER RELEASE special features: An Oral History—15 minutes with the Kids, October 12, 2004 November 16, 2004 Paul Bellini and Lorne Michaels a New Audio Commentary by the Kids a Two Season 2 Best-of Compilations Featuring Fan-Favorite Sketches a 30 More Minutes of Never-Before-Seen-On-TV Performances from the Rivoli Theater a Original KiTH Performance Poster Gallery a Cast Biographies a Interactive Menus a Scene Selection $59.95 srp U.S. Color, 4 discs, catalog no. AAE-71392 $79.95 srp Canada Approx. 8 hrs., upc 7-33961-71392-3 20 mins. + extras, isbn 0-7670-6592-1 Comedy For more information on how to order, please contact your New Video sales representative.
    [Show full text]
  • Making Meatballs: Canadian Film and Television Comedy by Monica M
    Making Meatballs: Canadian Film and Television Comedy by Monica M. Champagne A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University OTTAWA, Ontario September 13,2005 Copyright © 2005, Monica M. Champagne Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-18243-7 Our file Notre reference ISBN: 978-0-494-18243-7 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.
    [Show full text]
  • Canadian Television by Jennifer Burwell
    Canadian Television by Jennifer Burwell Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com The portrayal of gay, lesbian, bisexual, transgendered, and queer people in English Canadian television programming has been sporadic. There have been several significant appearances of glbtq characters on the Canadian Broadcasting Corporation (CBC), Canada's national public broadcasting system. The recent advent of PrideVision, a digital cable television network with a mandate to air glbtq Canadian content, will certainly lead to an increase not only in the presence of gays and lesbians on television, but also in the number of shows developed for a glbtq audience. Canadian Broadcasting Corporation Perhaps because it is a public broadcaster with a mandate to inform and enlighten as well as entertain, CBC has aired more television programs with glbtq content than Canada's other national network, CTV. CBC's Degrassi Jr. High (1987-1989), part of the youth-centered Degrassi series, dealt with abortion, single parenthood, sex, death, racism, AIDS, feminism, and gay issues as situations that the characters had to work through within the serialized narrative structures, while avoiding the "topic of the week" feel that is endemic to the genre. One episode, for example, featured the pre-adolescent character Caitlin discussing lesbianism with her English teacher, Miss Avery. A spin-off of the Degrassi series, Liberty Street (CBC, 1995-1996), featured Billy Merasty as Nathan Jones, a gay native ex-bicycle courier. The producers of Liberty Street went on to create Riverdale (CBC, 1997-2000), with gay character George Patillo. In early 2003, CBC announced that gay playwright Michel Tremblay will write Quebec's first television show to feature an on-going gay relationship, Le Coeur Découvert.
    [Show full text]
  • Final Master Script Heroes and Scoundrels
    HEROES AND SCOUNDRELS: THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE by Matthew C. Ehrlich and Joe Saltzman APPLE: CHAPTER ONE WINDOWS: CHAPTER ONE, SECTION ONE Chapter 1: History Popular culture plays an important part in shaping the public’s thinKing about history The birth of modern journalism is vividly depicted by the 1952 film Park Row Heroes and Scoundrels Edit Script 2 #1. Park Row (1952) VOICE-OVER: The film stars a character named Phineas Mitchell, who founds a paper called the Globe. SOUND FULL: VOICE-OVER: Phineas achieves it all despite fierce opposition from Charity HacKett, the female publisher of the rival Star, where Phineas used to worK. Even though the two share a mutual lust, they repeatedly clash. SOUND FULL: VOICE-OVER: HacKett’s paper, without her Knowledge, targets the Globe with goons, one of whom Phineas chases down the street and pummels against a statute of Benjamin FranKlin. SOUND FULL: VOICE-OVER: An older member of Phineas’s staff dies amid the mayhem, but not before writing his own obituary addressed to Phineas. SOUND FULL: VOICE-OVER: Somehow it all ends happily: Charity Kills the Star and joins forces with Phineas at the Globe. SOUND FULL: Another film celebrated the birth of a global wire service #2. A Dispatch from Reuters (1941) VOICE OVER: Paul Julius Reuter (played by Edward G. Robinson) passionately believes that access to information should be a universal right, and he seeKs to better the world through the quicK transmission of news. SOUND FULL: VOICE-OVER: When he is the first to report in Europe that Abraham Lincoln has been assassinated, no one believes the horrific news.
    [Show full text]
  • Hamming It up in Edmonton NEW EMAIL ADDRESS Rpm@Rpmweekly
    Volume 71 No. 21 September 25, 2000 Hamming it up in Edmonton Warner Music Canada president Garry Newman flexes his country muscle with Lace at Canadian Country Music Week. (Photo by Bill Borgwardt) NEW EMAIL ADDRESS [email protected] $3.00 ($2.80 plus .20 GST) Publication Mail Re istration No. 08141 0 LIVE ON STAGE: Aqua • b4-4 • Barenaked Ladies • Bif Naked • blink-182- • Boomtang Boys • Brendan Fehr (Roswell) • Bruce Dickinson (Iron Maiden) • Chantal Kreviazuk • Choclair • Destiny's Child • Edwin • Haydain (jacksoul) • Kardinal Offishall • Len • Lenny Kravitz • Lochlyn Munro (Scary Movie) • Love Inc. • Matthew Good Band • Moby • Members of *NSYNC • Rob Thomas &Adam Gaynor (Matchbox Twenty) • Snow • soulDecision feat.Thrust • Steven Seagal • The Guess Who • Irish Stratus and Val Venis (WWF). LIVE FROM MUCHMUSIC HEADQUARTERS TORONTO CONGRATULATIONS TO OUR MMVA NOMINEES ACKSOU CAI é IUNDERSTA BE VIDEO TOP OF THE WO HER OMES THE SUNSHINE BEST RAP VIDEO BEST DANCE VIDEO BEST POST-PRODUCTION LA VIE TI NEG BEST FRENCH VIDEO BEST INTERNATIONAL VIDEO . , . THAN LIFE PEOPLE'S CHOICE- FAVOURITE INTERNATIONAL GROUP OOPS...I DID IT AGAIN BEST INTERNATIONAL VIDEO PEOPLE'S CHOICE-FAVOURITE INTERNATIONAL VIDEO NATURAL BLUES BEST INTERNATIONAL VIDEO 410k BYE HRISTINA AGUILER BEST INTERNATIONAL VIDEO GENIE IN ABOTTLE PEOPLE'S CHOICE- FAVOURITE INTERNATIONAL GROUP FAVOURITE INTERNATIONAL ARTIST THANKS TO RPM - Monday September 25, 2UUU - Release, Psychopomp, Heaven Coming Down, The Tea Party to release best-of album in November Messenger, Waiting On A Sign (download track After 17 months of touring, and encircling the world This past summer, lead vocalist Jeff Martin was from TRIPtych sessions), Paint It Black (cover of three times, EMI Music Canada's The Tea Party are in Ireland producing anew album for veteran English Rolling Stones classic, recorded during TRIPtych currently in the studio, putting the final touches on folk singer Roy Harper.
    [Show full text]