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Professor David Marans, St. Thomas University, Miami, Florida, USA Off Campus Email: Mozart119 at-sign aol one dot com AMERICAN MUSIC AND POPULAR CULTURE From William McKinley to Harry Truman Year 1900: 60% rural, 40% poverty, 2% electricity, 5% telephones, 5% high school graduates, 5% women working Year 1949: 60% urban, 25% poverty, 95% electricity, 70% telephones, 35% high school graduates, 25% women working SONGS “show”/(artist) LIFE & TIMES 1900-1919 1900–1919 “CONEY ISLAND” FUN PARK OPENS ON BROOKLYN SHORE A BIRD IN A GILDED CAGE AUTOMOBILE GOES NEW YORK TO CALIFORNIA IN 22 DAYS!! ANCHORS AWAY NEW INVENTIONS–“FLASH LIGHT” AND “PAPER CLIP” SCHOOL DAYS “SEARS CATALOGUE”–MAILS ANYTHING ANYWHERE ROSIE, YOU ARE MY POSIE CHILDREN LOVE NEW NABISCO “ANIMAL CRACKERS” BILL BAILEY “SPINDLETOP” GUSHER IGNITING TEXAS OIL FRENZY IN THE GOOD OLD SUMMER TIME CHRISTMAS TREES DECKED WITH ELECTRIC LIGHTS I LOVE YOU TRULY PRES. MCKINLEY KILLED--TEDDY ROOSEVELT SWORN MY HERO NOW “SCHOLASTIC APTITUDE TEST” FOR COLLEGE SWEET ADELINE “ZIEGFELD FOLLIES”–STAGING A PEOPLE’S DREAMS IN MY MERRY OLDSMOBILE $1 “BROWNIE” BY KODAK: EVERYBODY’S CAMERA MY GAL SAL WOMEN IN NYC ARRESTED FOR SMOKING IN PUBLIC ON WISCONSIN NATION’S FIRST CINEMA HOUSE IN PITTSBURGH THE ENTERTAINER (Joplin) CARRIE NATION AXING SALOONS IN MIDWEST CHINATOWN, MY CHINATOWN “WALGREENS”– DRUG STORE+SODA FOUNT+LUNCH COUNTER CUDDLE UP A LITTLE CLOSER MAJOR SUBWAY TRAIN BENEATH BROADWAY SHINE ON HARVEST MOON GILLETTE SAFETY BLADE RAZOR SHAVES SMOOTH TAKE ME OUT TO THE BALL GAME ICE CREAM CONE & ICE TEA DEBUT AT ST. LOUIS FAIR I WONDER WHO’S KISSING HER NOW ELLIS ISLAND GREETING 8,000 IMMIGRANTS PER DAY AH, SWEET MYSTERY OF LIFE NOW SERVE YOURSELF STORES AT WOOLWORTH 5¢ & 10¢ THERE’S A LONG, LONG TRAIL NEON GAS LIGHT SIGNS ON STREETS AND BUILDINGS I’M FALLING IN LOVE WITH SOMEONE “MUTT AND JEFF”-- FIRST COMIC STRIP IN NEWSPAPERS LET ME CALL YOU SWEETHEART MODEL-T FORD AUTOS ROLL OFF “ASSEMBLY LINES” MEET ME IN ST. LOUIS, LOUIS NATION’S FIRST “TAXI CABS” IN NEW YORK CITY PUT YOUR ARMS AROUND ME THE “VICTROLA”: A WIND-UP PHONOGRAPH MACHINE ALEXANDER’S RAGTIME BAND INSTANT POWDERED COFFEE–-CAFFEINE QUICK I WANT A GIRL THE “WEEK END” BECOMING A NATIONAL INSTITUTION MY MELANCHOLY BABY “BOY SCOUTS” AND “CAMP FIRE GIRLS” TRAIN YOUTH OH, YOU BEAUTIFUL DOLL HEALTHFUL “VITAMINS” FOUND IN ALL FOODS MOONLIGHT BAY “NEWSREELS” APPEARING IN CINEMA TREND LET THE REST OF THE WORLD GO BY NOW A FEDERAL INCOME TAX TO PAY UNCLE SAM YOU TELL ME YOUR DREAM, I’LL TELL YOU MINE “ZIPPERS” ON CLOTHING—FASHION’S LATEST CRAZE WAITING FOR THE ROBERT E. LEE AUTOMOBILE SELF-STARTER: NO MORE HAND CRANK BALLIN’ THE JACK (Elsie Janis) FORD MOTOR COMPANY DOUBLES WAGES TO $5 /DAY IF I HAD MY WAY 2,000,000 “DOUGHBOYS” IN EUROPE’S GREAT WAR PEG O’MY HEART WOMAN’S WARDROBE GETS A LIFT–THE “BRASSIERE” YOU MADE ME LOVE YOU NEW DAYLIGHT-SAVING TIME FOR WAR PRODUCTION ABA DABA HONEYMOON FORD’S FARM TRACTOR RETIRES OXEN AND MULES BY THE BEAUTIFUL SEA FIRST CONGRESSWOMAN– WYOMING’S JEANETTE RANKIN ST. LOUIS BLUES (Gene Austin) NOW TELEPHONE COAST-TO-COAST THEY DIDN’T BELIEVE ME “BIRTH CONTROLLER” MARGARET SANGER JAILED WHEN YOU WORE A TULIP NORMAN ROCKWELL+”SATURDAY EVENING POST”=WIN ARE YOU FROM DIXIE? CANNED TUNA, “OREOS,” CORN FLAKES–NEW TREATS MEMORIES 70 NEGROES LYNCHED IN ONE YEAR IN THE SOUTH PACK UP YOUR TROUBLES VAUDEVILLE’S GROWS–4,000 THEATERS NATIONWIDE PAPER DOLL FLU KILLS NEARLY 1,000,000 IN USA IN 3 YEARS RAGTIME COWBOY JOE I AIN’T GOT NOBODY (Sophie Tucker) BOOKS IF YOU WERE THE ONLY GIRL IN THE WORLD (Rudy Vallee) POOR BUTTERFLY COUNTRY OF THE POINTED FIRS (Sarah Orne Jewett) PRETTY BABY THE PIT (Frank Norris) FOR ME AND MY GAL WINESBURG OHIO (Sherwood Anderson) INDIANA SISTER CARRIE (Theodore Dreiser) “George M!” (George M. Cohan) THE GOLDEN BOWL (Henry James) YANKEE DOODLE DANDY THE CALL OF THE WILD (Jack London) GIVE MY REGARDS TO BROADWAY O. HENRY: STORIES (William Sydney Porter) HARRIGAN THE JUNGLE (Upton Sinclair) YOU’RE A GRAND OLD FLAG MY ANTONIA (Willa Cather) MARY’S A GRAND OLD NAME OVER THERE SILENT FILMS SMILES THAT MAKE YOU HAPPY THE DARKTOWN STRUTTERS’ BALL THE GREAT TRAIN ROBBERY (Edwin Porter) AFTER YOU’VE GONE (Sophie Tucker) THE PERILS OF PAULINE (Pearl White) OH HOW I HATE TO GET UP IN THE MORNING BIRTH OF A NATION (D. W. Griffith) GOODBYE BROADWAY, HELLO FRANCE CLEOPATRA (Theda Bara) DAUGHTER OF ROSIE O’GRADY THE LITTLE PRINCESS (Mary Pickford) I DON'T CARE WAY DOWN EAST (Lilian Gish) ROCK-A-BYE, WITH A DIXIE MELODY KEYSTONE KOPS (Mack Sennett) SOMEBODY STOLE MY GAL INTOLERANCE (D. W. Griffith) TILL WE MEET AGAIN THE TRAMP (Charlie Chaplin) PLAY A SIMPLE MELODY MALE AND FEMALE (Gloria Swanson) ALICE BLUE GOWN (Edith Day) THE MIRACLE MAN (Lon Chaney) HOW YA’ GONNA KEEP ‘EM DOWN ON THE FARM? A PRETTY GIRL IS LIKE A MELODY SPORTS SWANEE (Al Jolson) JAPANESE SANDMAN GIANTS PLAY SUNDAY GAME--MANAGERS ARRESTED LOOK FOR THE SILVER LINING RAY HARROUN WINS FIRST INDIANAPOLIS AUTO RACE AVALON (Al Jolson) BASEBALL’S FIRST PERFECT GAME--CY YOUNG THE LOVE NEST JACK JOHNSON KO’S WHITE HOPE JIM JEFFRIES MARGIE GROVER CLEVELAND PITCHES 15 SHUTOUTS IN ONE SEASON RIVER STAY ‘WAY FROM MY DOOR 1920–1924 1920–1924 APPLE BLOSSOM TIME TERRORIST DYNAMITE SHATTERS WALL STREET WHEN MY BABY SMILES AT ME PROHIBITION NOW THE LAW; BYE-BYE BOOZE WHISPERING WOMEN GET THE VOTE--ELECTORATE DOUBLES WITH A SONG IN MY HEART “LIE DETECTOR” MACHINES–CROOKS BEWARE! AIN’T WE GOT FUN INSULIN--A GODSEND FOR MILLIONS OF DIABETICS ANY TIME 15-YEAR-OLD WINS FIRST MISS AMERICA TITLE APRIL SHOWERS (Al Jolson) KU KLUX KLAN SWELLS TO 4,000,000--MORE VIOLENCE IT HAD TO BE YOU AUTO INSURANCE–NEW FROM STATE FARM COMPANY MA HE’S MAKING EYES AT ME FOLLOW-THE-BOUNCING-BALL–--CINEMA SING-A-LONG DOWN BY THE OLD MILL STREAM NEW “READERS DIGEST”: A LITTLE OF A LOT SAY IT WITH MUSIC ELECTRIC TELEPHONE DIALING–NO OPERATOR NEEDED SECOND HAND ROSE (Fanny Brice) NOW JUST BUY ON TIME: $10 DOWN AND $2 A MONTH THERE’LL BE SOME CHANGES MADE EMILY POST’S “ETIQUETTE” -- GOOD MANNERS THREE O’CLOCK IN THE MORNING SCHICK’S ELECTRIC RAZOR: SHAVE NOUVEAU MY BUDDY STILL 12 HOURS– 7 DAYS FOR INDUSTRIAL WORKERS CAROLINA IN THE MORNING REGULARLY SCHEDULED AIR TRAVEL: NYC-DC TOOT, TOOT, TOOTSIE (Al Jolson) ELECTRIC PHONOGRAPH--NO MORE WINDUP WONDERFUL ONE CONTACT LENSES & PLASTIC SURGERY IN VOGUE CHARLESTON (Ann Pennington) AVERAGE LIFE EXPECTANCY NOW 54 YEARS LINGER AWHILE TUBERCULOSIS VACCINE: A SCOURGE CURED! I’M JUST WILD ABOUT HARRY CHARLESTON AND CLOCHE HATS--THE CAT’S MEOW MEXICALI ROSE MAH-JONG AND CONTRACT BRIDGE–HAUTE FUROR WHO’S SORRY NOW? “BAND AIDS”, “BRILLO”, “SANKA” ON STORE SHELVES YES, WE HAVE NO BANANAS FROM 22 TO 570 RADIO STATIONS IN ONE YEAR BREEZIN’ ALONG WITH THE BREEZE SCOPES MONKEY TRIAL: SCIENCE VS/ RELIGION CALIFORNIA, HERE I COME 3,000 “PIGGLY WIGGLY” SUPERMARKETS MY MAMMY “BINGO”GAME A BIG HIT AT CHARITY GATHERINGS LADY BE GOOD “HERTZ” WILL RENT YOU A CAR FASCINATING RHYTHM “INSECTICIDES” – ATTACKING WHAT’S BUGGING US “No, No Nanette” (Youmans “SUNSWEET” PRUNE JUICE–CANNED REGULARITY I WANT TO BE HAPPY & TEA FOR TWO Caesar) BOOKS I’LL SEE YOU IN MY DREAMS I WONDER WHAT’S BECOME OF SALLY MAIN STREET (Sinclair Lewis) THE MAN I LOVE AN AMERICAN TRAGEDY (Theodore Dreiser) NOBODY’S SWEETHEART NOW THE OUTLINE OF HISTORY (H. G. Wells) ROSE-MARIE SO BIG (Edna Ferber) WHEN MY SUGAR WALKS DOWN THE STREET THE GREAT GATSBY (F. Scott Fitzgerald) SLEEPY TIME GAL TREES (Joyce Kilmore) FILMS I LOVE YOU SOMEBODY LOVES ME DR. JEKYLL AND MR. HYDE (John Barrymore) WHAT’LL I DO? THE MARK OF ZORRO (Douglas Fairbanks) ALABAMY BOUND (Al Jolson) THE HUNCHBACK OF NOTRE DAME (Lon Chaney) MY TIME IS YOUR TIME THE TEN COMMANDMENTS (C. B. De Mille) ALWAYS THE IRON HORSE (John Ford) SWINGIN’ DOWN THE LANE THE THIEF OF BAGHDAD (Douglas Fairbanks) CECILIA TESS OF THE STORM COUNTRY (Mary Pickford) DINAH (Bing Crosby) THE GOLD RUSH (Charlie Chaplin) FIVE FOOT TWO, EYES OF BLUE THE LIGHTHOUSE BY THE SEA (Rin Tin Tin) I’M SITTING ON TOP OF THE WORLD THE SHEIK (Rudolph Valentino) IF YOU KNEW SUSIE OUR HOSPITALITY (Buster Keaton) MOONLIGHT AND ROSES SAFETY LAST (Harold Lloyd) IT’S ALL IN THE GAME (music by Vice Pres. of USA, Charles Dawes!) ROBIN HOOD (Douglas Fairbanks) WAY DOWN YONDER IN NEW ORLEANS SHOULD I SPORTS MY YIDDISHE MOMME INDIAN LOVE CALL BASEBALL GAMES NOW ON RADIO REMEMBER BOSTON SELLS BABE RUTH TO YANKEES FOR $125,000 SWEET GEORGIA BROWN FIRST PROFESSIONAL FOOTBALL LEAGUE ROSE OF WASHINGTON SQUARE ROGERS HORNSBY BATS 400 ACROSS 5-YEAR SPAN! 1925–1931 1925–1931 NELLIE ROSS OF WYOMING NATION’S 1ST WOMAN GOVERNOR YES SIR, THAT’S MY BABY COLONIAL WILLIAMSBURG BEGINS RESTORATION GIMME A LITTLE KISS NEW POP-UP TOASTERS AND SCOTCH TAPE SAVE TIME ARE YOU LONESOME TONIGHT? BOBBED HAIR AND PERMS ARE THE BERRIES JUST A GIGOLO (Bing Crosby, Irving Caesar) MANY STATES FORBID SEX EDUCATION IN SCHOOLS BABY FACE NOW CARS WITH ANTIFREEZE AND ELECTRIC WIPERS I LOVE MY BABY, MY BABY LOVES ME NBC & CBS RADIO NETWORKS ON THE AIR THE BIRTH OF THE BLUES LIQUID FUEL ROCKETS: DR. GODDARD’S HOBBY BYE BYE BLACKBIRD SLED DOGS BRING ANTITOXIN TO REMOTE ALASKA TOWN CHARMAINE FLORIDA HURRICANE KILLS 3,000 SUNNY SIDE UP 15 MILLIONTH (AND FINAL) FORD MODEL-T A SLEEPY LAGOON A RADIO SET IN YOUR OWN HOME—ONLY $270 HEART OF MY HEART TOTAL SOLAR ECLIPSE FILMED FROM DIRIGIBLE CHICAGO HOLLAND TUNNEL LINKS NEW YORK TO NEW JERSEY IF I COULD BE WITH YOU ONE HOUR EACH NIGHT “HORN & HARDART” CAFETERIA–FAST, CHEAP, GOOD IN A LITTLE SPANISH TOWN NEW MADISON SQUARE GARDEN OPENS IN NYC IT ALL DEPENDS ON YOU N.Y.
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  • Ronald Davis Oral History Collection on the Performing Arts

    Ronald Davis Oral History Collection on the Performing Arts

    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
  • Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni

    Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni

    Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials .....................................................................................................................................
  • Billboard 1966-07-23

    Billboard 1966-07-23

    JULY 23, 1966 SEVENTY- SECOND YEAR 60 CENTS The International Music -Record Newsweekly Drive Pegged to Give Boot To Background Bootlegging LOS ANGELES -A campaign to halt bootlegging Merrimac's sales manager Neal Ames initiated the of American recording in the background music indus- campaign by sending a registered letter to nine manu- try is being launched by Merrimac music industry, a facturers and Rosell Hyde, the FCC's new chairman, Beverly Hills firm owned by a former major Canadian alleging heavy traffic in bootleg music. rack jobber, Don MacMillian. Ames warned that unless he hears from these manu- facturers to the contrary he would duplicate any or all of their products on master tape and provide this service to whoever wants to buy it. RMR Starts Rack Addressed to RCA, Columbia, Decca, Dot, Liberty, United Artists, A &M, London and Verve, it pointed to a brochure by a West Coast company which freely advertises its products as being dubbed onto tapes Research Service for lease to radio stations. The letter also states: "We NEW YORK -The national field force of Bill- are also aware that this same supplier supplies a back- board's Record Market Research Division went into ground music service for which it charges a fee, action on Monday (18) to start production of data to utilizing their products. Since this company advertises provide continuing reports of record sales through the most blatantly and most thoroughly, we can only nation's rack -serviced retail outlets. infer one of two things: (1) that their practice is illegal; More hits more often," proclaim the Warner Bros.