FEMINIST and GENDER THEORY for HISTORIANS: a Theoretical and Methodological Introduction
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Feminisms 1..277
Feminisms The Key Debates Mutations and Appropriations in European Film Studies Series Editors Ian Christie, Dominique Chateau, Annie van den Oever Feminisms Diversity, Difference, and Multiplicity in Contemporary Film Cultures Edited by Laura Mulvey and Anna Backman Rogers Amsterdam University Press The publication of this book is made possible by grants from the Netherlands Organisation for Scientific Research (NWO). Cover design: Neon, design and communications | Sabine Mannel Lay-out: japes, Amsterdam Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 90 8964 676 7 e-isbn 978 90 4852 363 4 doi 10.5117/9789089646767 nur 670 © L. Mulvey, A. Backman Rogers / Amsterdam University Press B.V., Amsterdam 2015 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Contents Editorial 9 Preface 10 Acknowledgments 15 Introduction: 1970s Feminist Film Theory and the Obsolescent Object 17 Laura Mulvey PART I New Perspectives: Images and the Female Body Disconnected Heroines, Icy Intelligence: Reframing Feminism(s) and Feminist Identities at the Borders Involving the Isolated Female TV Detective in Scandinavian-Noir 29 Janet McCabe Lena Dunham’s Girls: Can-Do Girls, -
Gender Theory for Historians (Hist 72000) Fall 2012, Prof
Gender Theory for Historians (Hist 72000) Fall 2012, Prof. D. Herzog, [email protected] Class: Tuesdays 2-4, Room 4433 Office Hours: Fridays 10-11:30 and by appointment; tel. 212-817-8468 This graduate seminar is designed to introduce students to both classic and more recent texts in the overlapping areas of women’s and gender history, queer studies, and feminist, psychoanalytic, deconstructionist and poststructuralist theory, with forays into a wide range of historiographical styles and occasional excursions into anthropology, sociology, literary criticism, and political philosophy. There will be special emphasis on: the historical intersections of gender, race, economics, empire, religion; the histories of subjectivities and epistemologies; and the histories of psychiatry, sexuality, disability, reproduction. Most of the texts will focus on the U.S. and Europe since the 18th c., with many focused on the recent past and near-present. Throughout, the goal will be to understand the practical usefulness of varieties of gender theory for the diverse historical research projects you all are engaged in. Requirements include thorough reading of the assigned materials, two critical questions about each assigned text sent to instructor and classmates in advance of class every time, thoughtful and active participation in class discussions, two short summary analyses of weekly readings also sent to instructor and classmates in advance of class (we will divide up the reading list amongst ourselves on the first day), and one longer final paper exploring the relevance of and putting to use some aspect(s) of gender theory for your own work. Questions and summaries must be emailed by 7 a.m. -
How to Write Feminist Legal History: Some Notes on Genealogical Method, Family Law, and the Politics of the Present
How to Write Feminist Legal History: Some Notes on Genealogical Method, Family Law, and the Politics of the Present Ann Genovese Genealogy does not oppose itself to history as the lofty and profound gaze of the philosopher might compare to the molelike perspective of the scholar; on the contrary, it rejects the metahistorical deployment of ideal significations and indefinite teleologies. It opposes itself to the search for ‘origins’. Michel Foucault, ‘Nietzsche, Genealogy, History’ (1971)1 We are arguing for a political perspective in historical research and writing, a suggestion which must disturb every academic vigilant in pursuit of the ‘value-free’ … It is only by seeking and recognizing political relevance in history that we can bring it more directly into the battle of ideas ... Sally Alexander and Anna Davin, ‘Feminist History’ (1976)2 What is the purpose of feminist legal histories, and how can we write them, especially in Australia in our own times? In this essay I explore, in the spirit of dialogue, how we might confront the tension between legal history’s intellectual traditions, and the political effects of law’s legacies in the present. This question of method is an important inference in this collection’s conversation about ‘who owns the legal past’. My premise is that for many legal history projects, especially in a settler-colonial state like Australia, writing about law historically requires a conscientious identification of law’s present paradoxes, discontinuities, and iterations. To this end, this chapter will be in three parts. First, a description of the historiographical problems I have encountered in my current project, which is an account of how feminism and law met in the 1970s. -
Intersectionality: T E Fourth Wave Feminist Twitter Community
#Intersectionality: T e Fourth Wave Feminist Twitter Community Intersectionality, is the marrow within the bones of fem- Tegan Zimmerman (PhD, Comparative Literature, inism. Without it, feminism will fracture even further – University of Alberta) is an Assistant Professor of En- Roxane Gay (2013) glish/Creative Writing and Women’s Studies at Stephens College in Columbia, Missouri. A recent Visiting Fel- This article analyzes the term “intersectional- low in the Centre for Contemporary Women’s Writing ity” as defined by Kimberlé Williams Crenshaw (1989, and the Institute of Modern Languages Research at the 1991) in relation to the digital turn and, in doing so, University of London, Zimmerman specializes in con- considers how this concept is being employed by fourth temporary women’s historical fiction and contempo- wave feminists on Twitter. Presently, little scholarship rary gender theory. Her book Matria Redux: Caribbean has been devoted to fourth wave feminism and its en- Women’s Historical Fiction, forthcoming from North- gagement with intersectionality; however, some notable western University Press, examines the concepts of ma- critics include Kira Cochrane, Michelle Goldberg, Mik- ternal history and maternal genealogy. ki Kendall, Ealasaid Munro, Lola Okolosie, and Roop- ika Risam.1 Intersectionality, with its consideration of Abstract class, race, age, ability, sexuality, and gender as inter- This article analyzes the term “intersectionality” as de- secting loci of discriminations or privileges, is now the fined by Kimberlé Williams Crenshaw in relation to the overriding principle among today’s feminists, manifest digital turn: it argues that intersectionality is the dom- by theorizing tweets and hashtags on Twitter. Because inant framework being employed by fourth wave fem- fourth wave feminism, more so than previous feminist inists and that is most apparent on social media, espe- movements, focuses on and takes up online technolo- cially on Twitter. -
Nonbinary Gender Identities in Media: an Annotated Bibliography
Nonbinary Gender Identities in Media: An Annotated Bibliography Table of Contents Introduction-------------------------------------------------------------------------------------------------------------1 Glossary------------------------------------------------------------------------------------------------------------------2 Adult and Young Adult Materials----------------------------------------------------------------------------------6 Nonfiction-----------------------------------------------------------------------------------------------------6 Articles (Scholarly and Popular)------------------------------------------------------------------------14 Fiction---------------------------------------------------------------------------------------------------------19 Comics (Print and Web)----------------------------------------------------------------------------------28 Film and Television----------------------------------------------------------------------------------------31 Web Resources---------------------------------------------------------------------------------------------37 Children’s Materials-------------------------------------------------------------------------------------------------41 Nonfiction----------------------------------------------------------------------------------------------------41 Fiction---------------------------------------------------------------------------------------------------------41 Film and Television----------------------------------------------------------------------------------------42 -
Carried Away: 'Revisioning' Feminist Film Theory Toward a Radical Practice
MA MAJOR RESEARCH PAPER Carried away: 'revisioning' feminist film theory toward a radical practice Submitted by Kimberley Radmacher - Supervisor: Professor Scott Forsyth The Major Research Paper is submitted in partial fulfillment ofthe requirements for the degree of Master of Arts Joint Graduate Programme in Communication & Culture Ryerson University - York University Toronto, Ontario, Canada April 30, 2004 Carried away: 'revisioning' feminist film theory toward a radical practice The question of women's expression has been one of both self-expression and communication with other women, a question at once of the creation/invention of new images and of the creation/imaging of new forms of community. Ifwe rethink the problem of a specificity of women's cinema and aesthetic forms in this manner, in terms of address- who is making films for whom, who is looking and speaking, how, where, and to whom--then what has been seen as a rift, a division, an ideological split within feminist film culture between theory and practice, or between formalism and activism, may appear to be the very strength, the drive and productive heterogeneity of feminism. 1 It's difficult to believe that after over 30 years of feminist theory "breaking the glass ceiling" is still a term often heard from women professionals. Still, while women continue to make up a trifling percentage of CEOs in Fortune 500 companies, and are continually paid 72% of the wages of their male counterparts,2 small advances continue to be made by women in both these areas? Yet, one profession that stands out as persistently keeping women on the outside looking in is mainstream filmmaking, especially directing. -
Historiographies of Women in Early Cinema [Review Of: E
UvA-DARE (Digital Academic Repository) Historiographies of women in early cinema [Review of: E. Hill (2016) Never done : a history of women's work in media production; J.M. Gaines (2018) Pink-slipped : what happened to women in the silent film industries?; M. Hennefeld (2018) Specters of slapstick & silent film comediennes] Ozgen-Tuncer, A. DOI 10.25969/mediarep/4178 Publication date 2019 Document Version Final published version Published in NECSUS License CC BY-NC-ND Link to publication Citation for published version (APA): Ozgen-Tuncer, A. (2019). Historiographies of women in early cinema: [Review of: E. Hill (2016) Never done : a history of women's work in media production; J.M. Gaines (2018) Pink- slipped : what happened to women in the silent film industries?; M. Hennefeld (2018) Specters of slapstick & silent film comediennes]. NECSUS, 8(1), 273-281. https://doi.org/10.25969/mediarep/4178 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. -
New Directions in Middle East Women's and Gender History Marilyn Booth
New Directions in Middle East Women's and Gender History Marilyn Booth 1. Look in on a scene from the contemporary history of women and gender in the Arab Middle East: in 1999, a major conference on gender history in Arab societies over the past one hundred years took place in Cairo. Playing on the title of a famously controversial 1899 treatise on the woman question—lawyer Qasim Amin’s The Liberation of Woman—the convenors chose to call the event “One Hundred Years of the Emancipation of the Arab Woman.” Organized by the Government of Egypt’s Supreme Council for Culture under the sponsorship of Suzanne Mubarak, spouse of the Egyptian President and keynote speaker, the conference was a major public as well as academic event, widely covered in the local press. Much of the coverage focused on a few heated but generally productive confrontations that occurred within panel discussions. Yet it was not the content of debates so much as the personalities and dress of participants that drew a voyeuristic media gaze (as did our end-of-conference dinner on a boat that cruised the Nile). Outrage was expressed at the inclusion of a roundtable discussion on sexuality; certain newspapers speculated that there must have been undue western feminist influence at work. Specifically, there was anger that state funding had gone into this event, and the issue was used by Islamist spokespeople to criticize the Egyptian government’s Western leanings. In the local media, especially the organs of the official opposition political parties, the study of gender history itself was turned into a sexualized body, attacked for its pernicious influence, and dismissed. -
Teacher Approaches to Women's History, Gender, and Feminism In
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2020 Teacher Approaches to Women’s History, Gender, and Feminism in Secondary Social Studies Kimberly R. Bowman Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Curriculum and Instruction Commons, Feminist, Gender, and Sexuality Studies Commons, and the Secondary Education and Teaching Commons © Kimberly Rose Bowman Downloaded from https://scholarscompass.vcu.edu/etd/6158 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. TEACHER APPROACHES TO WOMEN’S HISTORY 1 Teacher Approaches to Women’s History, Gender, and Feminism in Secondary Social Studies A thesis/dissertation submitted in partial fulfillment of the requirements for the degree of (list degree, for example, Master of Science, Doctor of Philosophy) at Virginia Commonwealth University. by Kimberly Rose Bowman Bachelor of Arts in History, Randolph Macon College, 2008 Master of Science in Education, University of Southern Maine, 2013 Director: Gabriel Reich, Ph.D. Associate Professor, Department of Teaching And Learning School of Education Virginia Commonwealth University Richmond, Virginia April 22, 2020 TEACHER APPROACHES TO WOMEN’S HISTORY 2 Acknowledgements As challenging as it is to succinctly recognize all those who supported me throughout this project, I am going to try to do just that. I want to begin with my incredible committee members who have guided and encouraged me through every stage. -
The Material Turn, Praxiography, and Body History
Humanities 2014, 3, 546–566; doi:10.3390/h3040546 OPEN ACCESS humanities ISSN 2076-0787 www.mdpi.com/journal/humanities Article Beyond Cultural History? The Material Turn, Praxiography, and Body History Iris Clever and Willemijn Ruberg Department of History and Art History, Utrecht University, Drift 6, 3512 BS Utrecht, The Netherlands; E-Mails: [email protected] (I.C.); [email protected] (W.R.) External Editor: Victoria Thompson Received: 24 March 2014; in revised form: 27 August 2014 / Accepted: 16 September 2014 / Published: 9 October 2014 Abstract: The body came to be taken seriously as a topic of cultural history during the “corporeal” or “bodily” turn in the 1980s and 1990s. Soon, however, critique was raised against these studies’ conceptualization of the body as discursively shaped and socially disciplined: individual bodily agency and feeling were felt to be absent in the idea of the material body. This article critically analyzes new approaches in the field of body history, particularly the so-called “material turn”. It argues that the material turn, especially in the guise of praxiography, has a lot to offer historians of the body, such as more attention to material practices, to different kinds of actors and a more open eye to encounters. Potential problems of praxiographical analyses of the body in history include the complicated relationship between discourses and practices and the neglect of the political and feminist potential of deconstructive discourse analyses. However, a focus on the relationship between practices of knowledge production and the representation of the body may also provide new ways of opening up historical power relations. -
Historical Argument and Practice Bibliography for Lectures 2019-20
HISTORICAL ARGUMENT AND PRACTICE BIBLIOGRAPHY FOR LECTURES 2019-20 Useful Websites http://www.besthistorysites.net http://tigger.uic.edu/~rjensen/index.html http://www.jstor.org [e-journal articles] http://www.lib.cam.ac.uk/ejournals_list/ [all e-journals can be accessed from here] http://www.historyandpolicy.org General Reading Ernst Breisach, Historiography: Ancient, Medieval, and Modern (Chicago: University of Chicago Press, 1983) R. G. Collingwood, The Idea of History (Oxford: Oxford University Press, 1946) Donald R. Kelley, Faces of History: Historical Inquiry from Herodotus to Herder (New Haven, CT: Yale University Press, 1998) Donald R. Kelley, Fortunes of History: Historical Inquiry from Herder to Huizinga (New Haven, CT: Yale University Press, 2003) R. J. Evans, In Defence of History (2nd edn., London, 2001). E. H. Carr, What is History? (40th anniversary edn., London, 2001). Forum on Transnational History, American Historical Review, December 2006, pp1443-164. G.R. Elton, The Practice of History (2nd edn., Oxford, 2002). K. Jenkins, Rethinking History (London, 1991). C. Geertz, Local Knowledge (New York, 1983) M. Collis and S. Lukes, eds., Rationality and Relativism (London, 1982) D. Papineau, For Science in the Social Sciences (London, 1978) U. Rublack ed., A Concise Companion to History (Oxford, 2011) Q.R.D. Skinner, Visions of Politics Vol. 1: Regarding Method (Cambridge, 2002) David Cannadine, What is History Now, ed. (Basingstoke, 2000). -----------------------INTRODUCTION TO HISTORIOGRAPHY---------------------- Thu. 10 Oct. Who does history? Prof John Arnold J. H. Arnold, History: A Very Short Introduction (2000), particularly chapters 2 and 3 S. Berger, H. Feldner & K. Passmore, eds, Writing History: Theory & Practice (2003) P. -
HIS 165/Gendered US History of Food 1 Course Unit
Women’s and Gender Studies Courses-1 HIS 165/Gendered U.S. History of Food 1 course unit (occasionally) An introduction to the history of food consumption and preparation in the Western world, and its place in defining gender roles; food as part of religious ceremony; development of table manners; the politics of breast-feeding; the changing of kitchen roles; and the history of eating disorders. WGS 166/Documenting U.S. Women’s History 1 course unit (occasionally) In this course, students will learn Women's US History by reading, researching and analyzing the primary resources of important events/movements. Utilizing primary documents from course texts, the On-line Archival Collections as well as other sources, students will understand the motivation, impact, and long-term ramifications of women’s US history. WGS 167/Gender, US History and Film 1 course unit (occasionally) More than any other medium, the motion pictures fostered new ideals and images of modern womanhood and manhood in the United States. Film also interpreted current and historical events and forged historical interpretations and quite a few historical myths or "truisms". Through the twentieth century, gender representations on the screen bore a complex relationship to the social, economic, and political transformations marking the lives and consciousness of American men and women. This course explores the history of American gender in the 20th century through film. It treats the motion pictures as a primary source that, juxtaposed with other kinds of historical evidence, opens a window onto gendered work, leisure, sexuality, family life, and politics. We will view how Hollywood has shaped not only our historical perceptions, but also our gendered expectations.