Francisco José De Goya Y Lucientes 1746-1828

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Francisco José de Goya y Lucientes 1746-1828 La Real Fábrica de Tapices, 1775-1792 Creyó carones originales para los tapices Decoraron las paredes de los palacios Representaciones realistas de la vida española La nobleza, 1783-1805 Mecenas (patrons) de la clase alta Retratos oficiales de la nobleza La duquesa de Alba La familia de los duques de Osuna El rey Carlos IV y la reina María Luisa 1792, enfermo y sordo, nueva visión artística Tiempos de guerra, 1808-1818 Tropas napoleónicas en España El dos de mayo, 1808, La lucha con los mamelucos El tres de mayo, 1808, Los fusilamientos de Moncloa Las Pinturas Negras, 1819 -1823 La finca de Goya cerca de Madrid, Quinta del Sordo 14 murales en las paredes de su casa Pesadillas y visiones fantasticas de Goya Reacción a cambios políticos Exilio en Francia, 1824-1828 El reinado despótico de Fernando VII GOYA, SPA 203, Slide Show, Page 1 LAS DIAPOSITIVAS DE GOYA 1. Autorretrato 1815 2. Cristo crucificado 1780 3. La maja desnuda 1798-1805 4. La maja vestida 1798-1805 5. La familia del duque de Osuna 1790 6. Doña Tomasa Palafox 1804 7. María Luisa a caballo 1799 8. La familia de Carlos IV 1800-1801 9. Francisco Bayeu 1795 10. El Dos de Mayo de 1808 en Madrid: la lucha con los 1814 mamelucos 11. El tres de mayo de 1808: los fusilamientos de Moncloa 1814 12. La lechera de Burdeos (Milkmaid of Bordeuux) 1825-1827 LOS TAPICES 13. El quitasol (The Parasol) 1777 14. El ciego de la guitarra (The Blind Guitarrist) 1778 15. El juego de la pelota a pala (The Stickball Game) 1779 16. El cacherrero (The Pottery Vendor) 1779 17. La era (The Threshing of the Wheat) 1786 18. La nevada (The Snowstorm) 1786 19. La vendimia (The Grape Harvest) 1786 20. La gallina ciega (Blindman's Bluff) 1787 21. La boda (the Wedding) 1791 22. Muchachos trepando a un árbol (Boys Climbing a Tree) 1791-92 23. El pelele (The Dummy) 1791-92 24. Los zancos (The Stilt Walkers) 1791-92 LAS PINTURAS NEGRAS 1820-1823 25. El aquelarre (The Witches' Sabbath) 26. El aquelarre (detalle) 27. La romería de San Isidro (Pilgrimage to St. Isidro0 28. La romería de San Isidro (detalle) 29. Las Parcas (The Fates) 30. Al aquelarre (En Route to the Witches' Sabbath) 31. Riña a garrotazos (The Fight with Cudgels) 32. Dos mujeres y un hombre (Two Women and a Man) 33. Dos viejos comiendo sopa (Two Old Men Eating Soup) 34. La lectura (The Reading) 35. Saturno devorando a sus hijos (Saturn devouring his sons)) 36. El coloso o El Pánico (The Collossus) GOYA, SPA 203, Slide Show, Page 2 .

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Witches Sabbath( the Great He- Goat)
Witches sabbath( the great he- goat) Continue Otherwise known as the Great On-Goat, Francisco Goya provides a visually stunning and historically terrifying representation of this famous mural that adorned the mid-1800s that brought to life vivid and terrifying memories of the Spanish Inquisition. The description of the painting depicts Satan surrounded by a group of frightened and anxiously mutilated witches. Satan appears as an almost shady goat whose characteristics are not so easy to see or define. A goat man appears with his mouth wide open, as if he are shouting curses (or instructions) to his closest followers. He appeals to the modern belief that power is asserted through fear, not respect for power or title. Women's age varies, but throughout their work they have similar distortions. They seem frightened, but overwhelmingly obedient, as if they obey Satan's orders and intentions to obey. He is considered to be part of fourteen or more paintings depicting Goyah's Black Paintings. The story of Francisco Goya took extreme measures and risks on the heels of the terrible Spanish Inquisition, as well as the witch hunt and trials that followed soon after. Goya directly and visually attacks the feelings and mentality of the time, which reveled in superstitions and religious horror on the dark side of human nature. Although this mural (among other works by Goya) was moderately hidden during its creation for fear of recriminations in his artistic commentary, it is considered one of his best works - all of which appear later in his career. Francisco Goya retreated from the public eye and was constantly afraid to go crazy.
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