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Znamenny chant
An Overview of Russia's Late Mediaeval Musical
Proposal to Encode Mediæval East-Slavic Musical Notation in Unicode
A Brief Biography of Mikhail Sergeevich Konstantinov
Melos of the Undivided Church. Notes on the Interchurch Researches of Early Music
New Oxford History of Music Volume Ii
Liturgical Music: the Western Tradition
Kievan Chant
Early Christian Liturgics
The Origins of Western Notation
Music Theory Contents
Proposal to Encode Znamenny Musical Notation in Unicode
Olga I. Kulapina the Problem Questions of Contemporary
The Eastern Slavic Chant Manuscript 'Great Feasts'
Reflection of the Main Directions Didaskal Feodor Krest'ianin's
MINISTRIES and MISSION 84: Church Music the Roots of Early Christian Chant (Byzantine and West Roman) (By Elias Fotopoulos)
The Methodology of Automated Decryption of Znamenny Chants
Image and Meaning: Canonicity in the Eastern Orthodox Tradition
Stravinsky's Ikons: the Influence of Seventeenth-Century Russian
Top View
Medieval Music©[
Orthodox Church Music
An Introduction to the Choral Music of Galina Grigorjeva. Docx
Volume 58, Nos. 1–4 (2017)
Hyperscales: Analysis, Historical Uses, and Possible Applications in Contemporary Music Composition
Spiritual Songs in the Seventeenth Century: Russia's Legacy
Znamenny Scale – Fait Accompli?∗
Matins of Great and Holy Friday the Twelve Passion Gospels
Aesthetics and National Identity in Russian Orthodox Singing