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Zeuxis

  • Niobid Painter, Argonaut Krater

    Niobid Painter, Argonaut Krater

  • Aetion, Artist of the Age of Alexander

    Aetion, Artist of the Age of Alexander

  • The Education of Artists in Ancient Greece

    The Education of Artists in Ancient Greece

  • The Timanthes-Effect. Another Note on the Historical Explanation of Pictures1

    The Timanthes-Effect. Another Note on the Historical Explanation of Pictures1

  • Thucydides,

    Thucydides, "Funeral Oration of Pericles"

  • The Iliad of Homer by Homer

    The Iliad of Homer by Homer

  • The Philosophy of Painting

    The Philosophy of Painting

  • Introduction and Issues in the History of Greek Art

    Introduction and Issues in the History of Greek Art

  • Painting Popularly Explained

    Painting Popularly Explained

  • Seductions of Art: Encolpius +->~

    Seductions of Art: Encolpius +->~

  • Notre Dame Scholastic, 1877-1878

    Notre Dame Scholastic, 1877-1878

  • FRANKLIN INSTITUT-E C)F TIIE ~S'i'a'i'e ()1-YI.VANIA, for the PR()MOT[()N ()L- THI; NII:;('IIANIC \R'i'>" />

    FRANKLIN INSTITUT-E C)F TIIE ~S'i'a'i'e ()1" PI':NN>-YI.VANIA, for the PR()MOT[()N ()L- THI; NII:;('IIANIC \R'i'>

  • The Elder Pliny's Chapters on the History of Art;

    The Elder Pliny's Chapters on the History of Art;

  • Ut Pictura Poesis: the Humanistic Theory of Painting

    Ut Pictura Poesis: the Humanistic Theory of Painting

  • Excerpts from Pliny the Elder's Chapters on the History Of

    Excerpts from Pliny the Elder's Chapters on the History Of

  • Of Painting: Iaia, Butades and the Concept of ‘Women’S Art’ in the 19Th Century

    Of Painting: Iaia, Butades and the Concept of ‘Women’S Art’ in the 19Th Century

  • Information to Users

    Information to Users

  • Four Colours and the Visual Separation of Adjacent Areas: Lessons from Mapping and Ancient Paintings

    Four Colours and the Visual Separation of Adjacent Areas: Lessons from Mapping and Ancient Paintings

Top View
  • The Perception of Non-Perception: Lessons for Art Education with Downcast Eyes (Part One: Trompe-L’Oeil and the Question of Radical Evil) Jan Jagodzinski


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