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Yakuza film
Western Literature in Japanese Film (1910-1938) Alex Pinar
East-West Film Journal, Volume 3, No. 2
OUTRAGE BEYOND a BANDAI VISUAL, TV TOKYO OMNIBUS JAPAN, WANER BROS PICTURES JAPAN and OFFICE KITANO Production a FILM by TAKESHI KITANO
Outlaw Masters of Japanese Film at the National Film Theatre
Asian Extreme As Cult Cinema: the Transnational Appeal of Excess and Otherness Jessica Anne Hughes BA English and Film Studies
A Cinematic Challenge to Modernity Critical Theory in Postwar Japanese Cinema: an Introduction to Fukasaku Kinji
Black Society Trilog
Takeshi Kitano Vol
The Japanese Crime Film, 1931-1969
Hoods and Yakuza the Shared Myth of the American and Japanese Gangster Film
1 Gambling with the Nation: Heroines of the Japanese Yakuza Film, 1955
Cinema and Society Syllabus 2018
Lone Wolves and Stray Dogs
Rearticulating Japanese Cinematic Style
CINEMATIC STRANGERS MARGINAL FIGURES in JAPANESE FILM in Conjunction with FILM 448A/JAPN 271A Prints Courtesy of the Japan Foundation
The Transfigured Female Identity of Women’S Revenge Films During the 70S to 80S Across Japan, Hong Kong, and Taiwan
Ucla University of California, Los Angeles
The Historical Origins of the New Japanese Extremity A
Top View
©2010 Lisa Lackney All Rights Reserved
Shinoda's Pale Flower As a Japanese Film Noir
The Yakuza Film : a Genre 'Endorsed by the People'
Outlaw Masters of Japanese Film Dedicated to the Memory of My Late Father, Paul R
Hoods and Yakuza: the Shared Myth of the American and Japanese Gangster Film 1
Itami's Minbo and Kitano's Sonatine
The Pan-Asian Youth Film a Review by David Desser, University of Illinois at Champaign-Urbana, USA
'Beat' Takeshi - Boiling Point [1990], Getting Any? [1994] and Kikujiro [1999] Page 25
Hundred Years of Japanese Film: a Concise History, with a Selective Guide to Dvds and Videos Pdf, Epub, Ebook
Avance De Programacin
Heroines of the Japanese Yakuza Film, 1955–1975
Queer Japanese Cinema: a Rich and Diverse Cultural History’S