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Will Marion Cook
Jazz and the Cultural Transformation of America in the 1920S
Aida Overton Walker Performs a Black Feminist Resistance
The CAKE-WALK: Visibility, Staging a Presence
The Life and Solo Vocal Works of Margaret Allison Bonds (1913-1972) Alethea N
Liner Notes, Visit Our Web Site
Finding Aid to the Historymakers ® Video Oral History with Mercer Cook
•Œresearch Reportâ•Š. Review of the Music and Scripts of "In
American National Biography Online
The Music of James Reese Europe for Vernon and Irene Castle
EGBERT AUSTIN WILLIAMS the Complicated History of the Minstrel Show WHO IS “BERT” WILLIAMS? • Born November 12, 1874 in Nassau, Bahama to a Mixed Race Family
Interview with Ambassador Mercer Cook
Chronology and Itinerary of the Career of Will Marion Cook: Materials for a Biography Peter M
Black Manhattan Notes by Rick Benjamin
WILL MARION COOK (1869-1944): SHOWS LIST and SONGS and INSTRUMENTAL NUMBERS Peter M
“The Jazz Problem”: How U.S. Composers Grappled with the Sounds of Blackness, 1917—1925 Stephanie Doktor Cumming, Georgia
Cook, Will Mercer
Harlem Renaissance Criticism and Theatre Theory Henry Miller
Will Marion Cook: Threads and Themes Peter M
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Robert Nathaniel Dett and the Music of the Harlem Renaissance
Portraying the Soul of a People: African Americans Confront Wilson’S Legacy from the Washington Stage
Music Library- Selected African-American Music
“Nerves of a Black Brood…In Tempo”: Ellington's Adoption of New Negro
Center Stage
Classification
Staging the African Renaissance at the First World Festival of Negro Arts
In Dahomey in England: a (Negative) Transatlantic Performance Heritage
Black Music Research Bulletin Fall 1988
The Cakewalk: a Study in Stereotype and Reality Author(S): Brooke Baldwin Source: Journal of Social History, Vol
FAMILY MEMBERS of Will Marion Cook: Biographical Materials for Immediate Family Members Peter M
Margaret Allison Bonds
2. Cleveland's Earliest Links to Jazz
Diplomatic Translation and the Professional Selves of Mercer Cook1 Aedín Ní Loingsigh