DOCSLIB.ORG
Explore
Sign Up
Log In
Upload
Search
Home
» Tags
» Wang Xiaoshuai
Wang Xiaoshuai
Fragmented Memories and Screening Nostalgia for the Cultural Revolution
In the Mood for Love, Suzhou He Film Studio, Bar : Shanghai Tongzhi Community Junfeng Ding Iowa State University
Independent Cinema in the Chinese Film Industry
Canada Archives Canada Published Heritage Direction Du Branch Patrimoine De I'edition
How the Steel Was Tempered: the Rebirth of Pawel Korchagin in Contemporary Chinese Media
Creative Spaces Within Which People, Ideas and Systems Interact with Uncertain Outcomes
21St Century Chinese Cinema in the Late 1960S and 70S, Red Ballets and Operas Dominated the Chinese Screen
Huanxi Media Signs Renowned Chinese Director Wang Xiaoshuai
The Historical Trajectory of Individual Life in Three Films Adapted from Wang Shuo’S Novels
The Chinese Film Industry: Features and Trends, 2010-2016
Film, Video, and Audio Sources
New Chinese Cinema at the HKIFF a Look Back at the Last 20 Years
Chinese Aesthetics in Film and Television
MLAL 3030 Masterpieces of Chinese Film Film:F
Beijing Bicycle @ Chinese Film and Society, NEH 2012
INTG20170108 Minutes (411)
A Chinese Director and His Transition from Critical Banned
— Il Liuto E I Libri Studi in Onore Di Mario Sabattini a Cura Di Magda Abbiati, Federico Greselin
Top View
Digital Jianghu: Independent Documentary in a Beijing Art Village
The Surreal Realist Cinema of Jia Zhangke
Censorship in Chinese Cinema Mary Lynne Calkins
Reflections on Teaching Chinese Language Films at American Colleges 13
Through a Lens: Exploring China in Documentaries & Feature Films
Plastic China 2016 • Running Time 82 Minutes • Directed by Wang Jiuliang • Distributed by Journeyman Pictures
Many Developing and Transitional Economies in Late Seventies And
From Arthouse Masters to Daring Contemporary Filmmakers August To
Recent World Film
Surviving to Oneself After Tiananmen: Wang Xiaoshuai’S Frozen (1996)
Teaching About Asia
A Window to Our Times China's Independent Film Since the Late
Research Workshop on Contemporary Chinese Art-House Cinema
Spectatorship : a Study of Haptic Relations Between Independent Cinema and Market-Led Urbanization in Contemporary China
Beijing Bicycle (2001), and Guan Hu’S Mini-Bus (2000)
Conclusion: Pursuing Film Art in the Era of Reform
Hurry-Slow: Automobility in Beijing, Or a Resurrection of the Kingdom Of
China Through Chinese Film
New Films in China from 1995