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Videodrome

  • L'a-Réalité Virtuelle / Existenz De David Cronenberg

    L'a-Réalité Virtuelle / Existenz De David Cronenberg

  • A Dangerous Method

    A Dangerous Method

  • The Influence of Technology on Human Body and Mind in David Cronenberg’S Films

    The Influence of Technology on Human Body and Mind in David Cronenberg’S Films

  • OF the POSTHUMAN SUBJECT, ABJECTION, and the BREACH in MIND/BODY DUALISM John Perham John Perham, Jperham@Msjc.Edu

    OF the POSTHUMAN SUBJECT, ABJECTION, and the BREACH in MIND/BODY DUALISM John Perham John Perham, [email protected]

  • Filmic Bodies As Terministic (Silver) Screens: Embodied Social Anxieties in Videodrome

    Filmic Bodies As Terministic (Silver) Screens: Embodied Social Anxieties in Videodrome

  • Mutating Masculinity: Re-Visions of Gender and Violence in the Cinema of David Cronenberg

    Mutating Masculinity: Re-Visions of Gender and Violence in the Cinema of David Cronenberg

  • THE POLITICS of HYSTERIA in DAVID CRONENBERG's “THE BROOD” Kate Leigh Averett a Thesis Submitted to the Faculty of The

    THE POLITICS of HYSTERIA in DAVID CRONENBERG's “THE BROOD” Kate Leigh Averett a Thesis Submitted to the Faculty of The

  • SYMPHONIES of HORROR Musical Experimentation in Howard Shore's

    SYMPHONIES of HORROR Musical Experimentation in Howard Shore's

  • Nick Redfern

    Nick Redfern

  • "We Must Be Burning Film Like Mad": Exploring Canadian Production Cultures at Cinepix, 1976-1986

  • An Analysis of a Country Doctor (1917) and Videodrome (1983)1

    An Analysis of a Country Doctor (1917) and Videodrome (1983)1

  • Videodrome, Trauma, and Terrorism: an Examination of Organzational and Emotional Dynamics David Arroyo

    Videodrome, Trauma, and Terrorism: an Examination of Organzational and Emotional Dynamics David Arroyo

  • David Cronenberg As Mythmaker: an Archetypal Interpretation of His Films

    David Cronenberg As Mythmaker: an Archetypal Interpretation of His Films

  • Introduction Chapter 1

    Introduction Chapter 1

  • The Word, the Flesh and the Films of David Cronenberg

  • Videodrome Heart of Gold

    Videodrome Heart of Gold

  • Naked Lunch from a Quantitative and Descriptive Perspective

    Naked Lunch from a Quantitative and Descriptive Perspective

  • Reflections of Marshall Mcluhan's Media Theory in the Cinematic

    Reflections of Marshall Mcluhan's Media Theory in the Cinematic

Top View
  • Aspects of Abjection in the Films of David Cronenberg. (Under the Direction of Devin Orgeron.)
  • The Visceral Screen: Between the Cinemas of John Cassavetes and David Cronenberg, a Barthesian Perspective
  • Occupy Horror: an Analysis of Gothic Motifs and Malefic Technological Prostheses in Contemporary American Horror Films
  • Transmedial Ghosts: Paranormal Investigation from Photography to Youtube
  • David Cronenberg and Ron Sanders on Videodrome: Selected Bibliography 1 the Higher Learning Staff Curate Digital Resource Packag
  • Affectivity and Corporeal Transgression on Stage and Screen
  • Dark Mirrors and Dead Ringers: Music for Suspense Films About Twins Durrell Bowman
  • 'Death to Videodrome': Cronenberg, Žižek and an Ontology of the Real
  • Cyborg Incorporated: Mechanics, Aesthetics, and Cy- Borg Narrativity in David Cronenberg’S Videodrome and Existenz
  • THE CRONENBERG PROJECT As of August 12, 2013 Project Overview
  • David Cronenberg : Panic Horror and the Postmodern Body
  • Transcript a Pinewood Dialogue with David
  • Cronenberg, Flyness, and the Other-Self William Beard
  • The Postmodern Turn in Cronenberg's Cinema: Possibility in Bodies
  • Page 16 Anamorphic Allegory in the Ring , Or, Seven Ways of Looking at A
  • Santa Cruz Is Weird the Above Was Excerpted from an E-Mail from the Brother of Fabulous, Skydiving Pat Lang


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