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Vasily Safonov
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
Rachmaninoff's Piano Works and Diasporic Identity 1890-1945: Compositional Revision and Discourse
Booklet.Pdf
Summer 2019 Boston Symphony Orchestra
Rachmaninoff and the Flexibility of the Score: Issues Regarding Performance Practice
The Impact of Russian Music in England 1893-1929
Boston Symphony Orchestra Concert Programs, Season 120, 2000-2001, Subscription, Volume 01
The Artist Teaching of Alexander Goldenweiser: Fingers in Service to Music Junwei Xue © 2018
Regatul Romaniei
Programs 20140115.Pdf
University of Cincinnati
Governing the Moscow Conservatory, 1889-1905
Artistry, Economics, and the American Symphony Orchestra
Program Notes for This Concert
A Dictionary for the Modern Pianist DICTIONARIES for the MODERN MUSICIAN
D Enis Ma Su
The New York Chamber Music Society, 1915-1937: a Contribution to Wind Chamber Music and a Reflection of Concert Life in New York City in the Early 20Th Century
RUSSIAN, SOVIET& POST-SOVIET SYMPHONIES a Discography Of
Top View
Nathaniel SHILKRET (1889-1982) Morton GOULD (1913-1996) Paul CRESTON
Boston Symphony Orchestra Concert Programs, Summer, 2007
Rachmaninov 1 & 4 Page Nos
Mikhail Pletnev's Rewrite of Scriabin's Piano Concerto Anatole Leikin University of California, Santa Cruz
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
A Stylistic Analysis of Reinhold Glière's 25 Preludes for Piano, Op. 30
Symphony No.1 the Poem of Ecstasy
The Changing Style of Playing Rachmaninoff's Piano Music Yuan