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Vann Nath
TODAY, HE TOOK IT to DUCH June 30
The Perpetrator's Mise-En-Scène: Language, Body, and Memory in the Cambodian Genocide
The Complexities of Representing the Cambodian Genocide (2016)
Justice and Time at the Khmer Rouge Tribunal: in Memory of Vann Nath
Vann Nath, Séra Et Les Artistes Cambodgiens Émergents » Par Soko Phay-Vakalis
SURVIVING S-21 Vann Nath
Track 1: Introduction the Observance and Memorial Exhibition Has Been
Organizing a Utopian State of Exception
Searching for the Truth Issues 24
Fact Sheet Pol Pot and His Prisoners at Secret Prison S-21
'The Image of a Quest': the Visual Archives of Rithy Panh
“The 'First' Cambodian Contemporary Artist”
Ready Been Forced to Marry
Ggácmnmucrmhvisambaøkñú
Reflection on Shifting Testimonies
Ggácmnmu Rmhvisambaøkñúgtulakark C M
Cambodian Artists Speak out the Art of Survival
Presenting the Tuol Sleng Museum of Genocidal
Top View
1 TUOL SLENG PRISONER SPARED to PAINT and SCULPT POL POT June 29, 2009 by Laura Macdonald, Member of the New York Bar and Consul
The Khmer Rouge
Violently Othering Khmer Bodies Into Vietnamese Minds
First Person Narratives
Justice and Time at the Khmer Rouge Tribunal: in Memory of Vann Nath, Painter and S-21 Survivor
A Cambodian Prison Portrait. One Year in the Khmer Rouge's S-21 by Vann Nath a Cambodian Prison Portrait
Refaced/Defaced: Using Photographic Portraits of Khmer Rouge Perpetrators in Justice, Education and Human Rights Activism in Cambodia
The Trial of a Khmer Rouge Torturer
Collective Cambodian Memories of the Pol Pot Khmer Rouge Regime
I POL POT's TOTAL REVOLUTION: an INQUIRY of DEMOCRATIC KAMPUCHEA AS a POLITICAL RELIGION a DISSERTATION SUBMITTED to the GRADU
Genocide Education in Cambodia: Local Initiatives, Global
Human Rights and the Literary Self-Portrait Vann Nath's a Cambodian Prison Portrait: One Year in the Khmer Rouge's S-21 Troeung, Y-Dang