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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
Playnetwork Business Mixes
The Providence Phoenix | March 15, 2013 3
Cranberries, Chili Peppers, Melons and Jam
Analyzing Genre in Post-Millennial Popular Music
Win Free Pizza from the Beginning of the Awesome, Huge Powerful Stuff, and Sion to Mars
The Quietus | Features | Quietus Charts | Quietus Albums of The
Matthew Herbert
Place and Punk: the Heritage Significance of Grunge in the Pacific North West
MASS ROMANTICS: GRAPPLING with GENRE in 2000S INDIE ROCK by Ryan R. Mcnutt Submitted in Partial Fulfilment of the Requirements F
A Virtual and Actual Subculture: the Independent Music Scene in the Digital Age Patrick Dylan Jensen Advisor: Professor Michael Reay 3 May 2013 Table of Contents
Progress, Restoration, and the Life of Rock After Alternative a Dissertation
Protest and Survive: a Brief History and Analysis of the Politics of Punk
Grunge/Riot Grrrl Pedagogy and Identity Construction in the Second Year Writing Program
MAKING and MARKETING MUSIC the Musician’S Guide to Financing, Distributing, and Promoting Albums
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