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Uncontrollable
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
A Dramatization of Italian Tarantism in Song
And Type the TITLE of YOUR WORK in All Caps
Popular Music and Violence This Page Has Been Left Blank Intentionally Dark Side of the Tune: Popular Music and Violence
Sounding Sentimental: American Popular Song from Nineteenth-Century Ballads to 1970S Soft Rock Emily Margot Gale Vancouver, BC B
The Symbolic Rape of Representation: a Rhetorical Analysis of Black Musical Expression on Billboard's Hot 100 Charts
BOXING the BOUNDARIES: Prize Fighting, Masculinities, and Shifting Social and Cultural Boundaries in the United State, 1882-1913
2020 ASCAP Annual Report
Roll of Thunder Hear My Cry
Themes Revealed from Figurative Language in Billie Eilish’S Ep Don’T Smile at Me
CDC Parent Handbook, Detach This Page, Sign, and Provide to Front Desk Staff
Songwriting As a Transformative Practice
Language: Its Structure and Use, Fifth Edition Edward Finegan
The Youtuber
The Evolution of Criminal Justice In
One Direction and the Marketing Machine
One Does Not Simply Tweet Without Consequence: a Study of the Electoral Contest in Ashgrove
Frankenstein: Annotated for Scientists, Engineers, and Creaters
Top View
Liner Notes on Women, Songwriting, and Self-Representation" (2019)
Gender Differences in Online Video Creation Among First-Year Undergraduate Students Attending a Highly Selective Research University
An Exploration of Repetition and Authenticity in Bob Dylan’S Songs
An Ox on Fire
