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UNOVIS
Spring 2004 Professor Caroline A. Jones Lecture Notes History, Theory and Criticism Section, Department of Architecture Week 9, Lecture 2
"The Architecture of the Book": El Lissitzky's Works on Paper, 1919-1937
The People's Art School and Unovis in Vitebsk (University of Cambridge, 19 & 20 April 2018)
Kansas City Art Institute: ARTHI241 Constructivism and the Bauhaus Tuesday/Thursday 2:30-3:50Pm, EB 217
Hardcorist Lectores
1 Avant-Garde Art and Bolshevik Time* Debates Among These
Branches of Unovis in Smolensk and Orenburg
Following the Black Square: the Cosmic, the Nostalgic & the Transformative in Russian Avant-Garde Museology Teofila Cruz-Uri
1 Chagall, Lissitzky, Malevich: the Russian Avant-Garde in Vitebsk
The Significance of El Lissitzky's Prouns a Thesis
Kazimir Malevich, Unovis, and the Poetics of Materiality
Visual Art Exhibitions and State Identity in the Late Cold War
Suprematism, the Invention of Russian Artist Kazimir Malevich, Was One of the Earliest and Most Radical Developments in Abstract Art
Objectless in Vitebsk: Reflections on Kazimir Malevich, Architecture, and Representation
Art Groups in Russia After 1917
Celebrating Suprematism: New Approaches to the Art of Kazimir
D:\Documents\CMU Teaching\Survey II Modern\Handouts Survey II
Suprematism And/Or Supremacy of Architecture
Top View
THE RUSSIAN AVANT-GARDE in the 1920S by Sarah Gates
Kansas City Art Institute: ARTHI3400-07 Constructivism and the Bauhaus Monday/Wednesday: 2:30-3:50Pm, EB 217
Agnosia Hilary Wiese University of Nebraska- Lincoln
Kazimir Malevich's Negative Theology and Mystical Suprematism
Lazar Khidekel& Suprematism
361. Russian and Soviet-Avant-Gardes Index: 54872 CAC, Spring 2019; Tuesday, Thursday 1:10-2:30 EDR CAC (Zimmerli) Office Hours
Read a Free Sample
The Russian Avant-Garde in Vitebsk, 1918 – 1922
TIME, FORWARD! Cover: Alexander Bogomazov (1880-1930) Log-Rolling (Detail), 1928-29 Watercolour on Paper 25 X 30 Cm TIME, FORWARD!
Constructivism 1 / 75
Anna Bokov, Ph.D