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Two Stage Sisters
Annual Report and Accounts 2004/2005
The Monopack Revolution, Global Cinema and Jigokumon/Gate of Hell (Kinugasa Teinosuke, 1953)
Filmkrantindex 0-166
Tiff Bell Lightbox Celebrates a Century of Chinese Cinema with Unprecedented Film Series, Exhibitions and Special Guests
Early Cinema: the Brighton Conference 25
Golden Swallow, King Hu, and the Cold War = 《大醉俠》 : 金燕子、胡金銓與冷戰時代
RITROVATI E RESTAURATI Recovered and Restored
Asia on Film HISTORY 300E--003 W 1:40–5:10, DU-120
China on Screen
Bibliography of Chinese Cinema Jerome Silbergeld, Wei Yang Princeton University, Department of Art and Archaeology
Shanghai Alleys, Theatrical Practice, and Cinematic Spectatorship: From
I Wish I Knew Pressbook
Fall 2008 Contemporary Chinese Cinema CHIN 320-001, FAVS 399-002, ARTH 303-001
CHIN 2302IGENT 0421 Chinese Cinema Course Convenor: Dr Jon Eugene Von Kowallis Session I '
A Chinese Director and His Transition from Critical Banned
72 Xie Jin. Two Stage Sisters, 1965. Film
View of Even the Most Dedicated Filmgoers in the United States Powerfully Illustrated How Little About Film History We Actually Knew
“How Missionaries Thought: About Property Law, for Instance”
Top View
BFI Annual Review 2007-2008 There’S More to Discover About Film and Television Through the BFI
14 G I Ao' Ssve
Films Gezien
Moma to OFFER XIE JIN, FIRST U.S. RETROSPECTIVE of a CHINESE DIRECTOR
British Film Institute Report & Financial Statements 2007
Queer Representations in Chinese-Language Film and the Cultural Landscape
An Odyssey Film Clip Index
Index to Volume 25 January to December 2015 Compiled by Patricia Coward
Chinese Cinema Semester 1,2010
Index to Volume 24 January to December 2014 Compiled by Patricia Coward
Electric Shadows: a Century of Chinese Cinema’