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Thomas Southerne
John Dryden and the Late 17Th Century Dramatic Experience Lecture 16 (C) by Asher Ashkar Gohar 1 Credit Hr
The Eighteenth-Century Playbill at Scale
Jane Milling
Visible Passion and an Invisible Woman: Theatrical Oroonoko
Cast-Mistresses: the Widow Figure in Oroonoko
4-Prieto Pablos Defx
Pregnancy and Performance on the British Stage in the Long Eighteenth Century, 1689-1807
From Elizabethan Theatre to the Shakespeare Jubilee
THE RISE of the LIBERTINE HERO on the RESTORATION STAGE by JAMES BRYAN HILEMAN (Under the Direction of Elizabeth Kraft)
The Rake and the Fop in the English Comedy Between 1662 and 1728
Theatrical Oroonoko
Intertextuality and the Transformation of Gender Identity, 1677-1759
British Theatre: 1660 to 1895: Volume 2 Edited by Joseph Donohue Frontmatter More Information
Notes on Contributors
Second Sight: Re-Imaging the Optic Regime in Behn's, Southerne's, Smith's, and Mackenzie's Colonial Texts of the Long Eighteenth Century Megan L
Redalyc.Women in Breeches and Modes of Masculinity in Restoration
LINKER, LAURA LEIGH, Ph.D. the Female Libertine from Dryden to Defoe. (2008) Directed by Dr
The Natural Embroidery of Thomas Southerne's Oroonoko
Top View
The Fatal Marriage ………
Anthony Leigh, Autonomy, and Queer Pleasures in the Restoration Playhouse
Restoration Comedy: Crises of Desire and Identity Restoration Comedy: Crises of Desire and Identity
The Roles of Servant Characters in Restoration Comedy, 1660 - 1685
An Introduction to Colley Cibber's Love's Last Shift
PRINT and the CULTURES of CRITICISM by MICHAEL GAVIN A
Aphra Behn's (Non)Canonicity As a Restoration Playwright
Rhetoric and Gender in the Restoration and Early Eighteenth Century Theater
ROBERT D. HUME Bibliography (October 2018)
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Presented to the Graduate Council of the North Texas State University In