DOCSLIB.ORG

LINKER, LAURA LEIGH, Ph.D. the Female Libertine from Dryden to Defoe. (2008) Directed by Dr

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
LINKER, LAURA LEIGH, Ph.D. the Female Libertine from Dryden to Defoe. (2008) Directed by Dr LINKER, LAURA LEIGH, Ph.D. The Female Libertine from Dryden to Defoe. (2008) Directed by Dr. James E. Evans, 284 pp. This dissertation considers how Restoration and early eighteenth-century writers imagined the female libertine in representative comedies and fiction written from the 1670s to the 1720s. These include John Dryden’s Marriage A-la-Mode (1671), George Etherege’s The Man of Mode (1676), Aphra Behn’s late comedy, The Luckey Chance, or an Alderman’s Bargain (1686), and novella, The History of the Nun (1689), Catharine Trotter’s epistolary narrative, Olinda’s Adventures (1693), and only comedy, Love at a Loss, or the Most Votes Carries It (1700), and Daniel Defoe’s novel, Roxana (1724). Because Charles II’s court mistresses gained prominent positions at court, they inspired onstage adaptations of female libertines by writers also interested in Epicureanism. This dissertation gives attention both to perceptions of the mistresses at Charles II’s court and to Lucretius’s De rerum natura , which informs the witty, rebellious female libertine figures that influenced the development of sensibility in England during the seventeenth century. The increased emphasis on morality during the eighteenth century resulted in writers featuring heroines of sensibility that reject libertinism. Defoe’s Roxana provides one of the last examples of a libertine heroine, and her absence of feeling marks a notable division between the heroine of sensibility and the female libertine. THE FEMALE LIBERTINE FROM DRYDEN TO DEFOE by Laura Leigh Linker A Dissertation Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Greensboro 2008 Approved by ________________________________ Committee Chair APPROVAL PAGE This dissertation has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro. Committee Chair ____________________________________ James E. Evans Committee Members ____________________________________ Jennifer Keith ____________________________________ Christopher Hodgkins _____________________________ Date of Acceptance by Committee _____________________________ Date of Final Oral Examination ii TABLE OF CONTENTS Page CHAPTER I. WHAT IS THE FEMALE LIBERTINE?………………………………………1 II. ‘DECENCIES OF BEHAVIOR’: DRYDEN’S LIBERTINES IN MARRIAGE A-LA-MODE …………………………………………………...37 III. ETHEREGE’S HARRIET AND THE ‘PLEASURE OF PLAY’……….…....88 IV. WRITING TOWARDS AN AGE OF SENSIBILITY: BEHN’S THE LUCKEY CHANCE AND THE HISTORY OF THE NUN .............................130 V. LOVING AT A LOSS: CATHARINE TROTTER AND THE DISTRESSED FEMALE LIBERTINE……………………………………..179 VI. DEFOE’S LIBERTINE AMAZON AND THE REAL DEVIL OF DISTRESS…………………………………………………………………..216 VII. PHANTOMS AND FOES: LATER FEMALE LIBERTINES…....................255 WORKS CITED………………………………………………………………………..269 iii 1 CHAPTER I WHAT IS THE FEMALE LIBERTINE? What is the female libertine? Does she exist? The Oxford English Dictionary defines the libertine as an identity “rarely applied to a woman,” 1though most critics assume that there were women, both real and fictional, who were libertines during the Restoration, when libertinism reached its height in England. J. Douglas Canfield, Warren Chernaik, Pat Gill, Jacqueline Pearson, Janet Todd, James Turner, Harold Weber, and others have increasingly studied how women participate in libertine values. 2 These critics examine women’s engagement of a culture traditionally described in terms of masculine 1 “Libertine,” OED Online, 2nd ed., 5 Nov. 2007. <http://www.oed.com>. 2Scholars have traditionally studied the female libertine as a reflection of her more notorious male counterpart, the rake-hero. It is important, however, to recognize that women’s libertine identities are not only responsive to men, but that they are also often independent in their complex articulations of libertine desire. Earlier studies of gender, wit, and sexuality that offer definitions of the female libertine or suggest that women participate in a libertine culture include, among others, Warren Chernaik’s Sexual Freedom in Restoration Literature , which explores the darker psychological implications of the “libertine dream of human freedom”; Pat Gill’s Interpreting Ladies: Women, Wit, and Morality in the Restoration Comedy of Manners , which offers a feminist critique of Restoration dramatists’ often satiric depictions of women by using Freud’s two versions of the tendentious joke, or the hostile and the obscene; Jacqueline Pearson’s The Prostituted Muse , which includes quantitative data that impressively documents the overwhelming number of women writing for the stage during an oppressive social time in England; Janet Todd’s The Sign of Angellica: Women, Writing and Fiction, 1660-1800 , which likewise examines how the commercial implications of women writers and their textual, economic, and literary “signs” affected their artistic representations of sexual desire; James Turner’s Libertines and Radicals in Early Modern England , which offers a detailed description of the sexual culture of letters in England prior to and during the Restoration, pays particular attention to pornography and prostitution; and Harold Weber’s The Restoration Rake-Hero: Transformations in Sexual Understanding in Seventeenth-Century England , which defines the female libertine primarily as a projection of her male counterpart’s deepest sexual fears and anxieties. Though each of these critics examine women’s sexual placement and treatment in libertine writings, Todd, Turner, Pearson, and Gill have particularly focused on the complex negotiation between women’s sexual transgression and the literary and social constraints such a transgression places on them, with Gill’s study articulating the issues of decorum and wit in a gendered context. 2 behavior and beliefs, and their studies ask us to interrogate the essentialist assumptions attached to the libertine figure. This dissertation considers how writers imagined the female libertine in representative comedies and fiction written from the 1670s to the 1720s and includes John Dryden’s Marriage A-la-Mode (1671), George Etherege’s The Man of Mode (1676), Aphra Behn’s late comedy, The Luckey Chance, or an Alderman’s Bargain (1686), and novella, The History of the Nun (1689), Catharine Trotter’s epistolary narrative, Olinda’s Adventures (1693), and only comedy, Love at a Loss, or the Most Votes Carries It (1700), and Daniel Defoe’s novel, Roxana (1724). These writers depict the female libertine as a witty, rebellious figure frequently targeted by satirists because of her transgressive sexuality. Though I also compare the representations of women in verse, I focus most attention on comedy and fiction because much of the criticism, with the exception of a few studies, has neglected to discuss the important way in which female libertine figures exercise agency and power in these forms. Even less attention has been given to how the figure was inspired by “real life” female libertines, notably members of Charles II’s court, including his mistresses, Barbara Villiers, Duchess of Cleveland, Nell Gwyn, Louise de Kéroualle, Duchess of Portsmouth, and Hortense Mancini, Duchess of Mazarin. These women gained titles and wealth but were often satirically treated in the verses included in Poems on Affairs of State: Augustan Satirical Verse, 1660-1714 , which I consider in relation to Dryden’s and Etherege’s comedies in chapters one and two.3 3 Sonya Wynne argues for the importance that these women played in the political world of the Restoration. She offers helpful information about the dates and significance of their “reigns” over Charles. Cleveland was the chief mistress during the early years, from 1660-70, while Portsmouth gained prominence in 1671, becoming the more important mistress until Charles’s death in 1685 (Wynne 172). See also Nancy Klein 3 After Charles II’s death in 1685, there was an overall decline in the theater, as neither James II nor William and Mary patronized the arts, and female libertines were featured less prominently in dramatic works than they had been during the 1670s. 4 Aphra Behn, previously successful as a playwright, turned to more profitable forms, like fiction. Her incorporation of romance conventions influenced several of her complicated libertine heroines, whose demonstrations of erotic transgression and emotional anguish helped to establish a new aesthetics that privileged pathos. Novelists following Behn also experimented with French models of sensibilité and the Ovidian epistle, providing earlier examples of literature of sensibility in England than G. J. Barker-Benfield, Adela Pinch, John Mullan, and Janet Todd have suggested. 5 Early novels feature a complex interaction between the heart, mind, and body that augments the discussion about libertinism’s relationship to sensibility in imaginative works written from the late Stuart to the early Georgian periods. Macguire’s article, “The Duchess of Portsmouth: English Royal Consort and French Politician, 1670-85,” and Susan Shifrin’s “ ‘At the end of the Walk by Madam Mazarines Lodgings’: Si(gh)ting the Transgressive Woman in Accounts of the Restoration Court.” 4 Richard Lewis Braverman’s Plots and Counterplots: Sexual Politics and the Body Politic in English Literature, 1660-1730 provides a thorough study of political, sexual, and literary “bodies” that interacted, changed, even revolutioned monarchical
Load more

Recommended publications
  • John Dryden and the Late 17Th Century Dramatic Experience Lecture 16 (C) by Asher Ashkar Gohar 1 Credit Hr
    JOHN DRYDEN AND THE LATE 17TH CENTURY DRAMATIC EXPERIENCE LECTURE 16 (C) BY ASHER ASHKAR GOHAR 1 CREDIT HR. JOHN DRYDEN (1631 – 1700) HIS LIFE: John Dryden was an English poet, literary critic, translator, and playwright who was made England's first Poet Laureate in 1668. He is seen as dominating the literary life of Restoration England to such a point that the period came to be known in literary circles as the “Age of Dryden”. The son of a country gentleman, Dryden grew up in the country. When he was 11 years old the Civil War broke out. Both his father’s and mother’s families sided with Parliament against the king, but Dryden’s own sympathies in his youth are unknown. About 1644 Dryden was admitted to Westminster School, where he received a predominantly classical education under the celebrated Richard Busby. His easy and lifelong familiarity with classical literature begun at Westminster later resulted in idiomatic English translations. In 1650 he entered Trinity College, Cambridge, where he took his B.A. degree in 1654. What Dryden did between leaving the university in 1654 and the Restoration of Charles II in 1660 is not known with certainty. In 1659 his contribution to a memorial volume for Oliver Cromwell marked him as a poet worth watching. His “heroic stanzas” were mature, considered, sonorous, and sprinkled with those classical and scientific allusions that characterized his later verse. This kind of public poetry was always one of the things Dryden did best. On December 1, 1663, he married Elizabeth Howard, the youngest daughter of Thomas Howard, 1st earl of Berkshire.
    [Show full text]
  • Aphra Behn: Libertine? Or Marital Reformer?
    Aphra Behn: Libertine? Or Marital Reformer? A History, with an Examination of Several Plays and Fictions By Florence Irene Munson Rouse in Partial Fulfillment for the Degree of Master ofArts in English May 12, 1998 Thesis Adviser: Iit. William C. Home Aphra Behn: Libertine? Or Marital Refiormer? A Histqry with an Examinjation ofSeveral Prays and Fictions This Thesis for the M.A. degree in English by Florence Irene Munson Rouse has been approved for the Graduate Faculty by Supervisor: Reader: Date: Aphra Behn was an important female vliter in the Restoration era. She wrote twenty or more plays which were produced on the London stage, as well as a dozen or more novels, several volumes ofpoetry, and numerous translations. She was the flrSt WOman VIiter tO Cam her living byher pen. After she became successful, a concerted attack was made on her, alleging a libertine life and inmoral behavior. Gradually, her life work was expunged from the seventeenth-century literary canon based on this alleged lifestyle. Since little factual information is available about her her life, critics have been happyto invent various scenarios. The only true understanding ofher attitudes is found in the reading ofher plays, not to establish autobiographical facts, but to understandher attitudes. Based on the evidence inher many depictions oflibertine men in her satirical comedies, she disliked male libertines and foundtheir behavior deplorable. in plays and poetry, her longing for a new social order in which men and women micht love andrespect one another in freely chosen wedlock is the dominant theme. Far from being libertine, Aphra Behn is an early pioneer for companionate marriage.
    [Show full text]
  • Cato, Roman Stoicism, and the American 'Revolution'
    Cato, Roman Stoicism, and the American ‘Revolution’ Katherine Harper A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy. Arts Faculty, University of Sydney. March 27, 2014 For My Parents, To Whom I Owe Everything Contents Acknowledgements ......................................................................................................... i Abstract.......................................................................................................................... iv Introduction ................................................................................................................... 1 Chapter One - ‘Classical Conditioning’: The Classical Tradition in Colonial America ..................... 23 The Usefulness of Knowledge ................................................................................... 24 Grammar Schools and Colleges ................................................................................ 26 General Populace ...................................................................................................... 38 Conclusions ............................................................................................................... 45 Chapter Two - Cato in the Colonies: Joseph Addison’s Cato: A Tragedy .......................................... 47 Joseph Addison’s Cato: A Tragedy .......................................................................... 49 The Universal Appeal of Virtue ...........................................................................
    [Show full text]
  • Unit-22 the Age of Dryden Unit-23 John Dryden Unit-24 Mac Flecknoe Unit-25 Pope: a Background to an Epistle to Dr
    This course material is designed and developed by Indira Gandhi National Open University (IGNOU), New Delhi. OSOU has been permitted to use the material. Master of Arts ENGLISH (MAEG) MEG-01 BRITISH POETRY Block – 5 The Neoclassical poets : Dryden and Pope UNIT-22 THE AGE OF DRYDEN UNIT-23 JOHN DRYDEN UNIT-24 MAC FLECKNOE UNIT-25 POPE: A BACKGROUND TO AN EPISTLE TO DR. ARBUTHNOT UNIT-26 POPE: THE STUDY OF AN EPISTLE TO DR. ARBUTHNOT The Neoclassical Poets UNIT 22 THE AGE OF DRYDEN Structure 22.0 Objectives 22.1 Introduction 22.2 The Social Background of Restoration and Early 18thcentury England 22.2.1 The Court 22.2.2 The Theatre 22.2.3 The Coffee House and the Periodicals 22.2.4 Natural Calamities 22.2.5 Social Change 22.2.6 Learning and Education 22.3 The Intellectual Milieu 22.3.1 Science and Scepticism 22.3.2 Science and Poetry in the Augustan Age 22.4 The Literary Context 22.4.1 The Neo-classical Age 22.4.2 Language 22.4.3 Poetic Diction 22.4.4 Poetry-verse-prose-prose Fiction 22.4.5 The Heroic Couplet 22.4.6 Prose and Prose Fiction 22.4. 7 Literary Criticism 22.5 Religion, Philosophy and Morality 22.5.l Religion and Science 22.5.2 Quakerism 22.5.3 Deism 22.5.4 Mysticism, Methodism, Evangelicalism 22.6 Let Us Sum Up 22.7 Questions 22.8 Important Dates 22.9 Suggested Readings 22.0 OBJECTIVES The objective of these units is to introduce you to the age of John Dryden (1631- 1700) the most important man of letters of Restoration England (1660-1700), and Alexander Pope (1688-17 44).
    [Show full text]
  • The Eighteenth-Century Playbill at Scale
    Archives, Numbers, Meaning: The Eighteenth-Century Playbill at Scale Mark Vareschi and Mattie Burkert In response to the growing prominence of quantifcation in the humanities, scholars of media and digital culture have highlighted the friction between the cultural and disciplinary roles of data and the epistemologies of humanistic inquiry. Johanna Drucker aptly characterizes the humanities as felds that emphasize “the situated, partial, and constitutive character of knowledge production,” while data are often taken to be representations of “observer-independent reality.”1 Lisa Gitelman and Virginia Jackson likewise critique the dominant assumption of data’s transparency: data, they insist, “are always already ‘cooked’ and never entirely ‘raw.’”2 The choices involved in data collection and preparation are not objective; they are shaped by the always subjective, often tacit, and sometimes shared presuppositions of the domain-specialist researcher. Practitioners of computational approaches to literature have shown that analyzing large corpora of texts “at a distance” may reveal phenomena not readily accessible through close reading of individual texts.3 Yet, the notion of distance fosters an illusion Mark Vareschi is an assistant professor in the Department of English at the University of Wisconsin– Madison. His work in eighteenth-century literature and culture is situated at the intersection of literary history, media studies, performance studies, and digital humanities. He has published articles in Eng- lish Literary History, Eighteenth-Century Life, and Authorship. He is currently completing a monograph on authorial anonymity and mediation in eighteenth-century Britain. Mattie Burkert is an assistant professor in the Department of English at Utah State University. She is currently at work on a monograph that examines the relationship between public finance and the London theatre during the decades following the 1688 Revolution Settlement.
    [Show full text]
  • Dryden on Shadwell's Theatre of Violence
    James Blac k DRYDEN ON SHADWELL'S THEATRE OF VIOLENCE All admirers of J ohn Dryden can sympathise w ith H.T . Swedenberg's dream of o ne day "finding bundle after bundle of Dryden's manuscripts and a journal kept thro ugho ut his career. .. .! turn in the journal to the 1670's and eagerly scan the leaves to find out precisely when MacFlecknoe was written and what the ultimate occasion for it was. " 1 For the truth is that although MacFlecknoe can be provisionally dated 1678 the " ultimate occasion" of Dryden's satire on Thomas Shadwell has never been satisfactorily explained. We know that for abo ut nine years Dryden and Shadwell had been arguing in prologues and prefaces with reasonably good manners , chiefly over the principles of comedy. R.J. Smith makes a case for Shadwell's being considered the foremost among Dryden's many adversaries in literary argumentatio n, and points out that their discourse had reached the stage where Dryden, in A n Apology for Heroic Poetry ( 16 77), made "an appeal for a live-and-let-live agree­ ment." 2 T he generally serious and calm nature of their debate makes MacFlecknoe seem almost a shocking intrusion- a personally-or politically-inspired attack which shattered the calm of discourse. Surely-so the reasoning of commentators goes- there must have been a casus belli. It used to be thought that Dryden was reacting to an attack by Shadwell in The Medal of j ohn Bayes, but this theory has been discounted.3 A.S. Borgman, a Shadwell biographer, would like to be able to account for Dryden's "turning against" Shadwell and making him the butt of MacFlecknoe: Had he wearied of [Sh adwell's) rep eated boasts o f friendship w ith the wits? Had he become disgusted with (h is) arrogant treatment of those who did not applaud th e humours in The Virtuoso and A True Widow? Had he tired of DRYDEN ON SHADWELL'S THEATRE OF VIOLENCE 299 seeing Shadwell "wallow in the pit" and condemn plays? Or did some word or act bring to his mind the former controversy and the threat then made of condemning dulness?4 D.M.
    [Show full text]
  • © in This Web Service Cambridge University
    Cambridge University Press 978-0-521-82837-6 - Restoration Drama and “The Circle of Commerce”: Tragicomedy, Politics, and Trade in the Seventeenth Century Richard Kroll Index More information Index Act of Toleration, 268 Bank of England, 283, 291, 292 Actio, 85 Barbaro, Daniel, 124 Addison, Joseph, 286, 290, 293 Barbon, Nicholas, 50, 285 Adorno, Theodor and Max Horkheimer, 290 Barry, Elizabeth, 251, 289 Aesop, 183 Barthes, Roland, 259 Aesopius, 75 Bate’s Case, 31 Agreement Betwixt the Present and the Former Baxandall, Michael, 124 Government, 272, 281 Beaumont, Francis and John Fletcher (see also Alberti, Leon Batista, 98, 122, 123, 124, 126, Fletcher), 3, 20–1, 22, 35, 106, 229, 269, 284; 127, 129, 130, 131, 132, 134, 136, 137, A King and No King, 21; The Maid’s Tragedy, 139, 148. See also Jones 21, 24–8, 32–3, 35, 38, 47, 94, 97; Philaster, 7 Alighieri, Dante. See Dante Behn, Aphra, 66, 69–70; The Feigned Courtesans, Amboyna, 44 246; Oroonoko, 246, 267; The Rover, 1, 58, Anne, Princess (later Queen), 271 231, 240–52, 254, 261, 262, 290, 291 Answer to the Nineteen Propositions. See Charles I Bellarmine, Roberto Francisco Romolo, Antipheron of Oreus, 121 Cardinal, 29 Appleby, Joyce, 44, 47, 51, 55, 293 Benjamin, Walter, 4, 5, 9, 282; The Origin of Aptness, 83 German Tragic Drama, 5 Architectural Style. See Rustic or Rustication Berman, Ronald, 229, 235 Architectural Treatise, 132 Betterton, Thomas, 75, 105, 279 Architecture, 11–12, 123–61; rhetoric and, 124–31. Blackfriars Theatre, 24, 94, 97, 103, 106, 108, See also Jones 200 Architecture, Orders of, 12, 100, 102, 157, 163; Bliss, Lee, 109 five orders of, 131; development of, 133–44; Boccaccio, Giovanni, 137 in St.
    [Show full text]
  • FRENCH INFLUENCES on ENGLISH RESTORATION THEATRE a Thesis
    FRENCH INFLUENCES ON ENGLISH RESTORATION THEATRE A thesis submitted to the faculty of San Francisco State University In partial fulfillment of A the requirements for the Degree 2oK A A Master of Arts * In Drama by Anne Melissa Potter San Francisco, California Spring 2016 Copyright by Anne Melissa Potter 2016 CERTIFICATION OF APPROVAL I certify that I have read French Influences on English Restoration Theatre by Anne Melissa Potter, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts: Drama at San Francisco State University. Bruce Avery, Ph.D. < —•— Professor of Drama "'"-J FRENCH INFLUENCES ON RESTORATION THEATRE Anne Melissa Potter San Francisco, California 2016 This project will examine a small group of Restoration plays based on French sources. It will examine how and why the English plays differ from their French sources. This project will pay special attention to the role that women played in the development of the Restoration theatre both as playwrights and actresses. It will also examine to what extent French influences were instrumental in how women develop English drama. I certify that the abstract rrect representation of the content of this thesis PREFACE In this thesis all of the translations are my own and are located in the footnote preceding the reference. I have cited plays in the way that is most helpful as regards each play. In plays for which I have act, scene and line numbers I have cited them, using that information. For example: I.ii.241-244.
    [Show full text]
  • I the POLITICS of DESIRE: ENGLISH WOMEN PLAYWRIGHTS
    THE POLITICS OF DESIRE: ENGLISH WOMEN PLAYWRIGHTS, PARTISANSHIP, AND THE STAGING OF FEMALE SEXUALITY, 1660-1737 by Loring Pfeiffer B. A., Swarthmore College, 2002 M. A., University of Pittsburgh, 2010 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2015 i UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Loring Pfeiffer It was defended on May 1, 2015 and approved by Kristina Straub, Professor, English, Carnegie Mellon University John Twyning, Professor, English, and Associate Dean for Undergraduate Studies, Courtney Weikle-Mills, Associate Professor, English Dissertation Advisor: Jennifer Waldron, Associate Professor, English ii Copyright © by Loring Pfeiffer 2015 iii THE POLITICS OF DESIRE: ENGLISH WOMEN PLAYWRIGHTS, PARTISANSHIP, AND THE STAGING OF FEMALE SEXUALITY, 1660-1737 Loring Pfeiffer, PhD University of Pittsburgh, 2015 The Politics of Desire argues that late seventeenth- and early eighteenth-century women playwrights make key interventions into period politics through comedic representations of sexualized female characters. During the Restoration and the early eighteenth century in England, partisan goings-on were repeatedly refracted through the prism of female sexuality. Charles II asserted his right to the throne by hanging portraits of his courtesans at Whitehall, while Whigs avoided blame for the volatility of the early eighteenth-century stock market by foisting fault for financial instability onto female gamblers. The discourses of sexuality and politics were imbricated in the texts of this period; however, scholars have not fully appreciated how female dramatists’ treatment of desiring female characters reflects their partisan investments.
    [Show full text]
  • George Gebhardt Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    George Gebhardt 电影 串行 (大全) The Dishonored https://zh.listvote.com/lists/film/movies/the-dishonored-medal-3823055/actors Medal A Rural Elopement https://zh.listvote.com/lists/film/movies/a-rural-elopement-925215/actors The Fascinating https://zh.listvote.com/lists/film/movies/the-fascinating-mrs.-francis-3203424/actors Mrs. Francis Mr. Jones at the https://zh.listvote.com/lists/film/movies/mr.-jones-at-the-ball-3327168/actors Ball A Woman's Way https://zh.listvote.com/lists/film/movies/a-woman%27s-way-3221137/actors For Love of Gold https://zh.listvote.com/lists/film/movies/for-love-of-gold-3400439/actors The Sacrifice https://zh.listvote.com/lists/film/movies/the-sacrifice-3522582/actors The Honor of https://zh.listvote.com/lists/film/movies/the-honor-of-thieves-3521294/actors Thieves The Greaser's https://zh.listvote.com/lists/film/movies/the-greaser%27s-gauntlet-3521123/actors Gauntlet The Tavern https://zh.listvote.com/lists/film/movies/the-tavern-keeper%27s-daughter-1756994/actors Keeper's Daughter The Stolen Jewels https://zh.listvote.com/lists/film/movies/the-stolen-jewels-3231041/actors Love Finds a Way https://zh.listvote.com/lists/film/movies/love-finds-a-way-3264157/actors An Awful Moment https://zh.listvote.com/lists/film/movies/an-awful-moment-2844877/actors The Unknown https://zh.listvote.com/lists/film/movies/the-unknown-3989786/actors The Fatal Hour https://zh.listvote.com/lists/film/movies/the-fatal-hour-961681/actors The Curtain Pole https://zh.listvote.com/lists/film/movies/the-curtain-pole-1983212/actors
    [Show full text]
  • Max Stirner's Egoism and Nihilism
    ================================= ===================== =========== Max Stirner's Egoism and Nihilism A Thesis Presented to the Faculty of San Diego State University in Partial Fulfilment of Requirements for the Degree of Master of Arts in Philosophy by Larry Alan Schiereck August, 1981, revised 1996 and 2015 SDSU Thesis Committee: William Snyder, Philosophy (Chair); Sherwood Nelson, Philosophy; Kingsley Widmer, English & Comparative Literature Note: this document was written in 1981, based on the literature available at that time. I revised and converted it to HTML in 1996, and revised a lot more in 2015. I didn’t want to rewrite it from scratch, nor leave the old one circulating, so as a blend of old and new this is a final update. Send any comments to [email protected]. ACKNOWLEDGMENTS Dedicated to my father, Fred W. Schiereck, and the late Professors Kingsley Widmer, Walter Koppelman and Michael Carella of SDSU. I am grateful to (in the 70s and 80s) Josef Binter, William Stoddard, and Linda Moore. Barbara Franke-Watson of SDSU graciously clarified some of my German translations. A special thanks to Antonio T. De Nicolás, professor of philosophy at S.U.N.Y Stony Brook, where I audited classes in 1979-80. Many of his extraordinary books are available online. 2. * * * * * * * * * * TABLE OF CONTENTS ABSTRACT 2 I. Overture: The Nihilistic Egoist 3 II. Oratorio: Total Atheism 10 III. A One-Urchin Chorus: Nihilism 17 IV. Sunday, Billy Sunday: The Nihilistic Egoist 22 V. Requiem & Scherzo For Solipsist 28 VI. Capriccio & Finale 32 POSTSCRIPT: Stirner Without Metaphysics 37 BIBLIOGRAPHY 49 Endnotes after each chapter ABSTRACT During the early 1970s a 'revival' took place of the philosophy of Max Stirner, born Johann Caspar Schmidt (1806-1856), whose book Der Einzige und Sein Eigentum has been called a 'revolutionary anarchist manual', a 'Banker's Bible', a 'structural model of petit-bourgeois self-consciousness' and other names since its appearance in 1844.
    [Show full text]
  • Stern Book4print Rev.Pdf
    HOME ECONOMICS Stern_final_rev.indb 1 3/28/2008 3:50:37 PM Stern_final_rev.indb 2 3/28/2008 3:50:37 PM HOME ECONOMICS Domestic Fraud in Victorian England R EBECCA S TE R N The Ohio State University Press / C o l u m b u s Stern_final_rev.indb 3 3/28/2008 3:50:40 PM Copyright ©2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Stern, Rebecca. Home economics : domestic fraud in Victorian England / Rebecca Stern. p. cm. Includes bibliographical references and index. ISBN 978-0-8142-1090-1 (cloth : alk. paper) 1. Fraud in literature. 2. English literature—19th century—History and criticism. 3. Popular literature—Great Britain—History and criticism. 4. Home economics in literature 5. Swindlers and swindling in literature. 6. Capitalism in literature. 7. Fraud in popular cul- ture. 8. Fraud—Great Britain—History—19th century. I. Title. PR468.F72S74 2008 820.9'355—dc22 2007035891 This book is available in the following editions: Cloth (ISBN 978-0-8142-1090-1) CD (ISBN 978-0-8142-9170-2) Cover by Janna Thompson Chordas Text design and typesetting by Jennifer Shoffey Forsythe Type set in Adobe Garamond Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 Stern_final_rev.indb 4 3/28/2008 3:50:40 PM For my parents, Annette and Mel, who make all the world a home Stern_final_rev.indb 5 3/28/2008 3:50:40
    [Show full text]