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Thomas Nabbes
Hornpipes and Disordered Dancing in the Late Lancashire Witches: a Reel Crux?
Capaok Cortes.Indd
Scripted Improvisation in the Antipodes
Christopher Beeston and the Caroline Office of Theatrical •Ÿgovernorâ•Ž
Performing Multilingualism on the Caroline Stage in the Plays of Richard Brome
Cambridge Companion Eng Renais Drama
Downloading Material Is Agreeing to Abide by the Terms of the Repository Licence
Labelling the Author in the Front Matter of Thomas Beedome’S Poems Divine, and Humane (1641)
Music in English Renaissance Drama
Taverns, Theaters, Publics: the Intertheatrical Politics of Caroline Drama
“Here Lay My Hope”: Attribution, Collaboration
Sexual, Rhetorical, and Monetary Economies in Robert Chamberlain’S the Swaggering Damsel (1640) 1
Recordsof Ayjf
THE RISE of the LIBERTINE HERO on the RESTORATION STAGE by JAMES BRYAN HILEMAN (Under the Direction of Elizabeth Kraft)
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171 the Continence of Scipio and Katherine Manners A. M. Trotter Abstract: This Work Considers and Connects the Jacobean-Caroli
A Study of the Salisbury Court Theatre
The English Masque Felix E. Schelling (1908) HAD Ben Jonson
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The University of Oklahoma Graduate College
Performance, Politics, and Religion: Reconstructing Seventeenth-Century Masque
A Manual for the Collector and Amateur of Old English Plays
