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Theory of painting

  • Art in the Mirror: Reflection in the Work of Rauschenberg, Richter, Graham and Smithson

    Art in the Mirror: Reflection in the Work of Rauschenberg, Richter, Graham and Smithson

  • Historical Painting Techniques, Materials, and Studio Practice

    Historical Painting Techniques, Materials, and Studio Practice

  • What “Rand's Aesthetics” Is, and Why It Matters1 Michelle Marder Kamhi

    What “Rand's Aesthetics” Is, and Why It Matters1 Michelle Marder Kamhi

  • Painting Outside the Lines: How Daoism Shaped

    Painting Outside the Lines: How Daoism Shaped

  • Abstraction: on Ambiguity and Semiosis in Abstract Painting

    Abstraction: on Ambiguity and Semiosis in Abstract Painting

  • Mathematics and Painting

    Mathematics and Painting

  • Poetry Is an Exemplar of This Line of Analysis

    Poetry Is an Exemplar of This Line of Analysis

  • Painting Philosophically in 20Th Century Vienna: a Comparison of Gustav Klimt and Friedrich Nietzsche

    Painting Philosophically in 20Th Century Vienna: a Comparison of Gustav Klimt and Friedrich Nietzsche

  • 19Chronology of Works in Aesthetics and Philosophy Of

    19Chronology of Works in Aesthetics and Philosophy Of

  • Painting, Mindfulness and Crowther's Aesthetics

    Painting, Mindfulness and Crowther's Aesthetics

  • 1 Laure Cahen-Maurel « the Art of Romanticizing the World. Caspar David Friedrich and Romantic Philosophy » Deploying Romanti

    1 Laure Cahen-Maurel « the Art of Romanticizing the World. Caspar David Friedrich and Romantic Philosophy » Deploying Romanti

  • The Buck Passing Theory of Art James O

    The Buck Passing Theory of Art James O

  • Cinema 10 Journal of Philosophy and the Moving Image Revista De Filosofia E Da Imagem Em Movimento

    Cinema 10 Journal of Philosophy and the Moving Image Revista De Filosofia E Da Imagem Em Movimento

  • Interarts Aesthetics in Latin-American Avant-Garde. on Creative Constructionism in Xul Solar, Vicente Huidobro and Joaquín Torres-García

    Interarts Aesthetics in Latin-American Avant-Garde. on Creative Constructionism in Xul Solar, Vicente Huidobro and Joaquín Torres-García

  • Plato: No Hope for Painting?

    Plato: No Hope for Painting?

  • Metaplasticity Rendered Visible in Paint: How Matter ‘Matters’ in the Lifeworld of Human Action

    Metaplasticity Rendered Visible in Paint: How Matter ‘Matters’ in the Lifeworld of Human Action

  • Ut Pictura Poesis and the Relationship Between Poetry and Painting During the Renaissance

    Ut Pictura Poesis and the Relationship Between Poetry and Painting During the Renaissance

  • Alberti on the Surface

    Alberti on the Surface

Top View
  • How to Create a Perfect Beauty in Art and in Reality?
  • From Sequence to Scenario. the Historiography and Theory of Visual Narration
  • The Renaissance World Framing and Mirroring the World
  • One Or Several Aesthetics?
  • Hans Hofmann with Selected Writings by the Artist
  • Centering the Black Woman As a Subject of Portraiture in Nineteenth-Century French Art
  • Visual Perception and Theories of Painting an Uneasy Complementarity
  • Ut Pictura Poesis: the Humanistic Theory of Painting
  • C's Aesthetics: Philosophy in the Painting
  • Reconsidering the Relation of the Sublime to Technology
  • Art and Book Reviews
  • Non-Descriptive Painting: an Artist's Point of View
  • The Art of Pleasing The
  • How Can Painting Operate As a Hermeneutic Practice in Secondary Level Art and Design Education?
  • Realism Then and Now Andrew Hemingway
  • “The Judgment of Hercules”. Shaftesbury at the Crossroads of Art Theory
  • The Moral Dimension of Qiyun Aesthetics and Some Kantian Resonances
  • Paving the Way for Merleau-Ponty's Eye and Mind in Organizational


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