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The Wilderness Downtown
Google Chrome Scores at SXSW Interactive Awards 16 March 2011, by Glenn Chapman
Manifestations of Interactivity in Music and Their Commercial Potential in the Music Industry’S Contemporary Political Economy
Universidade Federal De Juiz De Fora Instituto De Artes E Design
Baixar Baixar
The Return of Organisation Man
The Effects of Digital Technologies on Expanded Cinema in the Age of Liquid Modernity: Drowning and Surfacing in the Expanded Seas of the Digital Cinema
Flickering Cities: Multimedia City Fabrics and the Changing Nature of Citizenship Andrew Geddes Engel Wayne State University
We Used to Wait: Music Videos and Creative Literacy
Clipes Interativos: a Participação Do Espectador Nos Vídeos Musicais Da Banda Arcade Fire1 Ranniery Melo Barros De Souza2
IR16 the Wilderness Online Final W Header
Las Bandas De Rock Como Marcas Transmedia: Los Casos De Ok Go, Arcade Fire, Radiohead, Vetusta Morla Y Love of Lesbian
Mobile Affects, Open Secrets, and Global Illiquidity: Pockets, Pools, and Plasma
2011 Sundance Film Festival Taps Into Diverse History Of
The Visual Album As a Hybrid Art-Form: a Case Study of Traditional, Personal, and Allusive Narratives
Curation and Conservation of Digital Art INST745 Introduction to Digital Arts Curation Spring 2016, Mondays, 6:00Pm - 8:45Pm in HBK 0105
Arcade Fire Et Le Paradoxe De L'indie
Ny:Lon Connect 2021 Recap Report Produced by Music Ally and Music Biz
Interaktive Musikvideos Im Web 2.0“
Top View
How Do Physical and Digital Worlds Co-Exist in the Context of Contemporary Art ?
Os Videoclipes Interativos E a Apropriação Dos Usuários Para Compartilhamento No Youtube1
New Frontier Press PDF 10-16-10