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The New Sounds
University of Southampton Research Repository Eprints Soton
European Journal of American Studies, 12-4
AQA, OCR, Edexcel & Eduqas: a Jazz Primer, Part 2
20Questions Interview by David Brent Johnson Photography by Steve Raymer for David Baker
A Theory of Transformative Artistry by Simon Drew 2 of 26
Prestige Label Discography
John Clark Brian Charette Finn Von Eyben Gil Evans
NEW MUSIC COMPOSITION for LIVE PEFORMANCE and INTERACTIVE MULTIMEDIA DOCTOR of CREATIVE ARTS from by THOMAS A. FITZGERALD Bmus
Music Sampling and Copyright Law
TTC Interview
For a List of Participating Record Store Day Vendors, Please Go To
Jazz Experimentalism in Germany, 1950-1975
Wheeler Dissertation Formated
The Dark Tree: Jazz and the Community Arts in Los Angeles
Looking Forward to the Past: Baroque Rock's
Iii E. the Jazz Component: the Fantasy Collection
Electronics and the Music of Miles Davis
Sonic Utopia and Social Dystopia in the Music of Hendrix, Reznor and Deadmau5
Top View
New Sounds, New Stories
I at the Vanguard of Vinyl: a Cultural History of the Long-‐‑Playing
Notre Dame Collegiate Jazz Festival Program, 1968
The Hearing Eye
Julius Watkins and the Evolution of the Jazz French Horn Genre
Cuban Jazz in the United States in the Late 1940S Was Closely Interrelated with Bebop’S Speak Popularization
The Blind Musician
Machito and His Afro-Cubans: Selected Transcriptions Paul Austerlitz Gettysburg College
Progress, Restoration, and the Life of Rock After Alternative a Dissertation
A Bakhtinian Analysis of Aotearoa New Zealand's First Pacific Reggae Album
Thesis.Pdf (10.38Mb)
Viewed Pan As a Model for When He Wanted to Escape from the Conformities of High French Society