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The Musical Moment
Interaction and Cognition in the Orchestra
French Musical Broadcasting in 1939 Through a Comparison Between Radio-Paris and Radio-Cité Christophe Bennet
Interpreting Musical Structure Through Choreography in Gershwin's
Musical Washing Machines, Composer-Performers, and Other Blurring Boundaries: How Women Make a Difference in Electroacoustic Music Hannah Bosma
Chicago Symphony Orchestra JEAN MARTINON, Conductor
Perspectives on Memory for Musical Timbre
December 5, 2008
Adobe Photoshop
Issue 4 Spring 2013
Realizing Musical Gestures with the Computer: Paradigms and Problems
Disruption and Discipline: Approaches to Performing John Cage's Concert for Piano and Orchestra
Strategies for Developing a University Free Improvisation Ensemble
Film Music and Film Genre
General Aspects of Film Music in the Creation of Tiberiu Olah
Developing Interactive Electronic Systems for Improvised Music-Justified
Approaches to Performing John Cage's
Isaac Hayes's Soul Concept
Zjxcusic Touring the Centennial of ^American Independence
Top View
Spring 2009 WEKA News Newsletter of the Western Early Keyboard Association
Elements of Electroacoustic Music Improvisation and Performance a Pedagogical Toolkit
Using Challenging Music to Teach Empathy and Empowerment
A Musical Portrait of Triton, the Rogue Moon of Neptune
Stylistic and Interpretative Issues in Two Preludes for Clarinet and Piano by Sabin Păutza
Momentsofinsight the Magic of the Musical Moment Ii Con Brio • SPRING 2008 the Journal of the Depaul School of Music 1
Trios of Simon A. Sargon Including Horn. Doctor of Musical
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Participatory Discrepancies, Live from Lincoln Center: Towards a Terminology for Looking at Music in Performance
Information to Users
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE Adaptations Of
• TAMA 40Th • CAPITAL CITIES
Improvising on the Flute in Nineteenth-Century Italy: Pedagogy and Performance Practice