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The Gay Divorcee
HERMIT International Art Symposium GROWTHRINGS
The Dance-In and the Re/Production of White Corporeality Anthea Kraut, University of California, Riverside
The Inventory of the Fred Astaire Collection #767
Examining the Careers and Artistic Contributions of Fred Astaire's
Entertainment Industry, 1908-1980 Theme: Industrial Properties Associated with the Entertainment Industry, 1908-1980
Music Video Viewing and Adolescents' Perceptions of Movie Musicals
Fred Astaire, 1899-1987: Dancer, Actor, Singer
Information to Users
Mark Sandrich TOP HAT (1935, 100 Min)
MAKING MEMORIES at the MOVIES - a Guide to Watch at Home
Contradiction in the Tragic Musical
PRICES REALIZED DETAIL - Morris Everett, Jr
127 Face Masks Presented to the Sullivan County Health Careworkers
Article Let the Dancefloor Feel Your Leather FINAL
Dorothy Yost
AUDIENCE INSIGHTS IRVING BERLIN’S TABLE of CONTENTS Holiday Inn
The Musical: a Research and Information Guide
Sex and the Storyworld: Narrativizing Desirability in the Early Films of Fred Astaire Nora Gilbert
Top View
FOR IMMEDIATE RELEASE December 16, 2015
RKO Studio Records, Date (Inclusive): Ca.1928-1958 Collection Number: PASC 3 Creator: RKO Radio Pictures Extent: Ca
The Abcs of Top Hat (1935) Allison Witcofski University of Nebraska at Kearney
American Movement: in the Steps of a National Style of Dance by Megan
UC Berkeley UC Berkeley Electronic Theses and Dissertations
“Girls Will Be Girls:” Examining the Adaptation of Female
AFI PREVIEW Is Published by the Audrey Hepburn Sparkles in the Title Role As the Chauffeur’S Daughter American Film Institute
Choreography, Masculinity, and the American Film Musical Amy Weintraub
DANC 363G: Dancing on the Screen Section 22527R Fall 2016 4
The Making of Top Hat
AMERICAN MASCULINITY in the FILMS of FRED ASTAIRE Oren
January 31, 2012 (XXIV:3) Merian C