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The Battle of China
From Glory to Destruction: John Huston's Non-Fictional Depictions of War
66-3392 KOGINOS, Emmanuel Theodore, 1933— the PANAY INCIDENT: PRELUDE to WAR. the American University, Ph.D„ 1966 History
Between 'Information' and 'Inspiration' Frame, Gregory the Routledge
HUMA 2440 Twentieth-Century China in Documentary Films Spring 2019
China Resource Links for the 1990 Institute Teacher Workshop 2014 - 2015
Changing Representations of the Second World War: Why We Fight, Victory at Sea, and the World at War
History Department Video Catalog
Australia-China Relations Institute 澳中关系研究院
China, Hong Kong, and Taiwan on Film
SEMESTER at SEA COURSE SYLLABUS University of Virginia, Academic Sponsor
Burma and the Movies
The Nanking Atrocity: Still and Moving Images 1937–1944
The China Inland Mission and Missionary Mobility in China and Southeast Asia, 1943-1989
Flying the Hump
2017 Annual Report .Pdf
Why We Fight by Thomas W
China: Background Information, Including Actors of Protection and Internal Relocation
The Nanking Atrocity
Top View
CHINA ,Roilidaatlantic UNIVERSITY LIBRARY ~; LABOR \ , SOCIALIST·
China's Changing Family Structure
Hollywood's Documentary Filmmaking During the Second World War
U.S. Documentary & the Propaganda Effort in WWII
West Point Sends Her Men to War – 1942
Dogface Soldiers
China's Urbanization and Economic Documentary Film 'Ten Thousand Shovels: Rapid CC118 Development Urban Growth in China,' Produced by Karen C
Why We Fight and the Focused Interview. Cinema and Social Science During World War II ‘Why We Fight’ I ‘The Focused Interview’
Flying Tigers' 22Nd Bomb Squadron, 1942-1945: an Analysis of Management and Leadership Practices
World War II
Battle for China's Past : Mao and the Cultural Revolution
UNIVERSITY of CALIFORNIA, SAN DIEGO International and Wartime Origins of the Propaganda State: the Motion Picture in China, 18
Nexus of Culture and Politics: a Study of Film in U.S. China Relations