HUMA 2440 Twentieth-Century China in Documentary Films Spring 2019
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From Glory to Destruction: John Huston's Non-Fictional Depictions of War
RSA Journal 13 5 FEDERICO SINISCALCO From Glory to Destruction: John Huston's Non-fictional Depictions of War During the second World War John Huston became involved, together with other famous Hollywood filmmakers, in the U.S. Government propa ganda film production. This paper argues that whereas Report from the Aleutians, Huston's first war documentary, may be incorporated within the propaganda genre, and depicts war as an instance where men may aspire to glory, his second non-fiction film, San Pietro, breaks free of this label and takes a clear, autonomous stand on the ultimate tragedy of war, and on the destruction which it brings about. John Huston established his reputation as an important Hollywood personality in 1941 following his debut as a film director with the now clas sic Maltese Falcon. The following year, as the United States became more engaged in the world conflict, he joined the Signal Corps, a body ofthe U.S. Army specialized in film and photographic documentation ofwar. In his au tobiography, written several years later, Huston admitted that he did not pay much attention to the enlisting papers given to him by his friend Sy Bartlett. Therefore, when the call came from the Army to report to duty he was rather surprised (Huston 111-2). At the time Huston was a 37-year old man with a promising career in front of him. Busily working on his next film, Across the Pacific, a sequel of sorts to the successful Maltese Falcon, the prospect of direct involvement in the war must have seemed quite foreign to him. -
66-3392 KOGINOS, Emmanuel Theodore, 1933— the PANAY INCIDENT: PRELUDE to WAR. the American University, Ph.D„ 1966 History
66-3392 KOGINOS, Emmanuel Theodore, 1933— THE PANAY INCIDENT: PRELUDE TO WAR. The American University, Ph.D„ 1966 History, modern Please note: Author also indicates first name as Manny on the title page. University Microfilms, Inc., Ann Arbor, Michigan Copyright by EMMANUEL THEODORE KOGINOS 1966 THE PANAY INCIDENT: PRELUDE TO WAR by y $anny)T^Koginos Submitted to the Faculty of the Graduate School of The American University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History Signatures of Committee: f A Vk 0 Chairman: O* lOctMr**- /~) y\ 7 ■ * Graduate Dean: Date: 2 7./9CS- Thewf^Mna?nnUnnVerSity AMERICAN UNIVERSITY Washington, D. C. LIBRARY ffOV 8 1965 WASHINGTON. D.C. TABLE OF CONTENTS PREFACE i CHAPTER Page I. Diplomatic Background .......... 1 II. The Crisis ............. hi III. The Settlement ........ 101 IV. The Ludlow Referendum............ 150 V. Naval Expansion ............. 190 VI. Conclusion........................... 2k2 BIBLIOGRAPHY....................... ....250 APPENDICES ........................................ 267 PREFACE The Panav incident in retrospect was the most dramatic single event in Japanese-American relations during the 1930's. i-.-. The attack upon the American gunboat in December, 1937 by Japanese forces contributed greatly to the general deterior ation and eventual breakdown in American-Japanese diplomatic relations. Though the immediate impact of the incident did not result in any radical departure from America's isola tionist position, it did modify American opinion in respect to foreign and domestic affairs. Indeed, pacifist influ ence was to reach its highest crest during the Panav epi sode. At the same time, the crisis vividly dramatized America's unwillingness to pursue a more positive policy in the Far East. -
Between 'Information' and 'Inspiration' Frame, Gregory the Routledge
Between 'Information' and 'Inspiration' ANGOR UNIVERSITY Frame, Gregory The Routledge Companion to Cinema and Politics PRIFYSGOL BANGOR / B Published: 30/06/2016 Peer reviewed version Cyswllt i'r cyhoeddiad / Link to publication Dyfyniad o'r fersiwn a gyhoeddwyd / Citation for published version (APA): Frame, G. (2016). Between 'Information' and 'Inspiration': the Office of War Information, Frank Capra's Why We Fight series, and US World War II propaganda. In Y. Tzioumakis, & C. Molloy (Eds.), The Routledge Companion to Cinema and Politics (pp. 151-160). Hawliau Cyffredinol / General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. 25. Sep. 2021 Between “Information” and “Inspiration”: The Office of War Information, Frank Capra’s Why We Fight series and US World War II Propaganda Gregory Frame While there is little debate that the United States required propaganda films as part of its war effort in order to combat the masterful and dangerous concoctions of the Axis powers and to inspire its people for a war of unprecedented ferocity against an unrelenting and vicious enemy, how these films should be constituted, and by whom, was a matter of significant debate and disagreement. -
China Resource Links for the 1990 Institute Teacher Workshop 2014 - 2015
China Resource Links for the 1990 Institute Teacher Workshop 2014 - 2015 Films American Dreams in China - 2013 - 112 min. - three friends build a successful language school in China called “New Dream.” Back to 1942 - 2012 - 145 min. - a deadly drought takes its toll on Henan province during the war against Japan. Balzac and the Little Chinese Seamstress - 2002 - 110 min. - two youths are sent for re- education in the mountains of China. (also a novel) Black Snow - 1990 - 107 min. - a semi-literate person who was deprived of schooling during the Cultural Revolution is released from a prison camp. Beijing Bicycle - 2001 - 113 min. - a young man from the countryside works to pay off the company bicycle and make it on his own in the city. Blind Mountain - 2007 - 95 min. - a young woman is kidnapped and sold to a villager in the mountains. Blind Shaft - 2004 - 92 min. - a story about life in a mine shaft and a scam. An underground film from China. The Blue Kite - 1993 - 140 min. - the story of a family in Beijing in 1953. Illustrates the problems in China during the 1950s - 1970s. City of Life and Death - 2009 - 133 min. - The story of life in Nanking during the Japanese invasion. Crouching Tiger, Hidden Dragon - 2000 - 120 min. - the adventures of two warriors in pursuit of a stolen sword. Eat Drink Man Woman - 1994 - 129 min. - a senior chef lives with his three grown daughters, but unexpected events change their lives. Empire of the Sun - 1987 - 153 min. - an English boy struggles to survive in a prison camp during the Japanese occupation of China. -
Changing Representations of the Second World War: Why We Fight, Victory at Sea, and the World at War
University of New Hampshire University of New Hampshire Scholars' Repository Honors Theses and Capstones Student Scholarship Spring 2021 Changing Representations of the Second World War: Why We Fight, Victory at Sea, and The World at War Maiah Vorce University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/honors Part of the United States History Commons Recommended Citation Vorce, Maiah, "Changing Representations of the Second World War: Why We Fight, Victory at Sea, and The World at War" (2021). Honors Theses and Capstones. 572. https://scholars.unh.edu/honors/572 This Senior Honors Thesis is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Honors Theses and Capstones by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. Changing Representations of the Second World War: Why We Fight, Victory at Sea, and The World at War Maiah Vorce Defense: May 11, 2021 Committee Professor Marion Dorsey Professor Lucy Salyer Professor Kurk Dorsey Vorce 1 TABLE OF CONTENTS Page Acknowledgements......................................................................................................................2 Introduction..................................................................................................................................3 Chapter One: The Fanatical Axis.................................................................................................17 -
History Department Video Catalog
1 HISTORY DEPARTMENT VIDEO CATALOG A ADVENTURES OF THE VIKINGS / 1996, 83 Minutes, 1 Videocassette. Covers the 300 year period commonly called the "Viking Era." Discusses the journeys of the Norwegians, Danes, and Swedes. Special attention given to the Viking discovery of North America. AFRICA Course: 1111, 1112, 1140, 4750, 4760, 4770, 4774 Basil Davidson series, 8 parts; 60 min. each) shelved by series; 2 parts per video; Filmed on various locations all over Africa, showing life as it is today, plus archival film and dramatized reconstruction of earlier times. Produced in England, in association with Nigerian Television. "Basil Davidson is one of the major world authorities on African history, and this series is very well done. In some places he is presenting personal interpretations for which there is not as yet a scholarly consensus. He is generally sympathetic to African reinterpretations of world history." ‐‐ Reid Part 1: "Different but Equal." Davidson goes back to Africa's origins to show that, far from having no great art or technology, Africa gave rise to some of the world's greatest early civilizations. Part 2: "Mastering a Continent." Looking closely at three different communities, this program examines the way African peoples carve out an existence in an often hostile environment. Two very different farming villages show how, in Africa, spiritual development goes hand in hand with technological advance. Part 3: "Caravans of Gold." Davidson traces the routes of the medieval gold trade, which reached from Africa to India and China in the east and westward to the city‐states of Italy. African rulers grew rich and powerful ‐ the King of Ghana was described by an Arab traveler in 951 as the wealthiest of all kings on earth. -
Australia-China Relations Institute 澳中关系研究院
Australia-China Relations Institute 澳中关系研究院 Australia-China: a series of reflections Jocelyn Chey (editor) February 2020 Australia-China Relations Institute 澳中关系研究院 The Australia-China Relations Institute (ACRI) is an independent, non-partisan research institute based at the University of Technology Sydney (UTS). UTS:ACRI's mission is to inform Australia's engagement with China through substantive dialogue, and research and analysis grounded in scholarly rigour. Australia-China: a series of reflections was originally published in December 2019 as the Pearls and Irritations China Series. Pearls and Irritations is a public policy blog founded and managed by John Menadue AO, who has had a distinguished career in the private sector and in the Australian Public Service. He is a former head of the Australian Department of Prime Minister and Cabinet (1974-1976), head of the Department of Immigration and Ethnic Affairs (1980-1983) and head of the Department of Trade (1983-1986). He was Australian Ambassador to Japan and CEO of Qantas. The series was originally commissioned by John Menadue AO and edited by Jocelyn Chey AM, Adjunct Professor at UTS:ACRI and a former senior diplomat with postings in China and Hong Kong. In republishing this work, UTS:ACRI has made light edits to the material to reflect in-house style and for consistency and clarity. The analysis and conclusions in this publication are formulated independently by its author(s). UTS:ACRI does not take an institutional position on any issue; the views expressed in this publication are the author(s) alone. Published by Australia-China Relations Institute University of Technology Sydney PO Box 123 Broadway NSW 2007 Australia [email protected] ✉ M: @acri_uts www.australiachinarelations.org Front cover image: Shutterstock ISBN 978-0-6483151-9-3 © Australia-China Relations Institute, University of Technology Sydney (UTS:ACRI) 2020 The publication is copyright. -
China, Hong Kong, and Taiwan on Film
CHINA, HONG KONG AND TAIWAN ON FILM, TELEVISION AND VIDEO IN THE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by Zoran Sinobad June 2020 Introduction This is an annotated guide to non-fiction moving image materials related to China, Hong Kong and Taiwan in the collections of the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. The guide encompasses a wide variety of items from the earliest days of cinema to the present, and focuses on films, TV programs and videos with China as the main subject. It also includes theatrical newsreels (e.g. Fox Movietone News) and TV news magazines (e.g. 60 Minutes) with distinct segments related to the subject. How to Use this Guide Titles are listed in chronological order by date of release or broadcast, and alphabetically within the same year. This enables users to follow the history of the region and for the most part groups together items dealing with the same historical event and/or period (e.g. Sino-Japanese conflict, World War II, Cold War, etc.). Credits given for each entry are as follows: main title, production company, distributor / broadcaster (if different from production company), country of production (if not U.S.), release year / broadcast date, series title (if not TV), and basic personnel listings (director, producer, writer, narrator). The holdings listed are access copies unless otherwise noted. The physical properties given are: number of carriers (reels, tapes, discs, or digital files), video format (VHS, U- matic, DVD, etc.), running time, sound/silent, black & white/color, wide screen process (if applicable, e.g. -
SEMESTER at SEA COURSE SYLLABUS University of Virginia, Academic Sponsor
SEMESTER AT SEA COURSE SYLLABUS University of Virginia, Academic Sponsor Voyage: Spring 2016 Discipline: East Asian Studies EAST 3559-501: Sino-American Relations Division: Upper Faculty Name: Dong Wang and Edward Rhoads Credit Hours: 3; Contact Hours: 38 Pre-requisites: There are no prerequisites. However, academic exposure to Chinese and U.S. history, society, culture, politics, or foreign relations, as well as some knowledge of Asian and world history and current affairs will be useful. COURSE DESCRIPTION Why are U.S.-China relations so difficult to manage? What do both countries really want from each other? This course provides an interdisciplinary survey of American and Chinese interpretations of their evolving relationship from the late 18th century to the present, on both governmental and non-governmental levels, and in regional and international contexts. Part I will be devoted to historical interactions between the United States and China. In Part II we will explore in chronological order the issue of Japan, Hong Kong, Vietnam, Burma, India, South Africa, Ghana and Morocco pertinent to U.S.-China encounters. Lectures are combined with discussions, film screening, field trips, and individual research projects. Topics include the political, economic, military, social, and cultural dimensions of the Pacific frontier and Qing China (1784-1912), the United States and China in the era of World Wars and revolutions (1912- 1970), and rapprochement, the default superpower and China resurgent (1970-present). COURSE OBJECTIVES --Students will better understand the essence of Sino-American relations. --Students will learn to make informed judgments about continued discourses of the bilateral relationship on both sides of the Pacific and in the world. -
Burma and the Movies
Andrew Selth Populism, Politics and Propaganda: Burma and the Movies Working Paper Series No. 100 June 2008 The Southeast Asia Research Centre (SEARC) of the City University of Hong Kong publishes SEARC Working Papers Series electronically ©Copyright is held by the author or authors each Working Paper. SEARC Working Papers cannot be republished, reprinted, or reproduced in any format without the permission of the papers author or authors. Note: The views expressed in each paper are those of the author or authors of the paper. They do not represent the views of the Southeast Asia Research Centre, its Management Committee, or the City University of Hong Kong. Southeast Asia Research Centre Management Committee Professor William Case, Director Dr Vivienne Wee, Associate Director Dr Catherine Chiu Dr James Lee Southeast Asia Research Centre The City University of Hong Kong 83 Tat Chee Avenue Kowloon Tong, Hong Kong SAR Tel: (852 3442 6106 Fax: (852) 3442 0103 http://www.cityu.edu.hk/searc Populism, Politics and Propaganda: Burma and the Movies Dr Andrew Selth Griffith Asia Institute Griffith University Brisbane, Australia [email protected] Abstract For almost a century, movies set in or about Burma, particularly those made by the major American studios, have had a number of elements in common. While emphasizing its more colourful and exotic characteristics, they have either greatly romanticized the country or depicted it as a savage and untamed wilderness. Also, Burma has usually served as a backdrop for dramatic Occidental adventures, in which the local inhabitants played little role. More recent movies pay the Burmese people greater attention, but they are still secondary to the main plot, even when the movies consciously draw attention to the current military regime’s human rights abuses. -
The Nanking Atrocity: Still and Moving Images 1937–1944
Article The Nanking Atrocity: Still and Moving Images 1937–1944 Gary Evans Department of Communication, University of Ottawa, Ottawa, Ontario K1N 6N5, Canada; E-Mail: [email protected]; Tel.: +1 5144898737 How to Cite this Article Evans, G. (2013). The Nanking Atrocity: Still and Moving Images 1937–1944. Media and Communication, 1(1), 51-67. Acknowledgement This Article was published by Librello, Media and Communication’s former publisher. About the Journal Media and Communication is an international open access journal dedicated to a wide variety of basic and applied research in communication and its related fields. It aims at providing a research forum on the social and cultural relevance of media and communication processes. www.cogitatiopress.com/mediaandcommunication Editors-in-Chief Professor Bradley Greenberg, Departments of Communication and Telecommunication, Information Studies and Media, Michigan State University, USA Professor Elisabeth Klaus, Department of Communication, University of Salzburg, Austria Managing Editor Mr. António Vieira, Media and Communication, Cogitatio Press, Portugal Media and Communication | 2013 | Volume 1 | Issue 1 | Pages 51–67 DOI: 10.12924/mac2013.01010051 Research Article The Nanking Atrocity: Still and Moving Images 1937–1944 Gary Evans Department of Communication, University of Ottawa, Ottawa, Ontario K1N 6N5, Canada; E-Mail: [email protected]; Tel.: +1 5144898737 Submitted: 8 October 2013 | In revised form: 8 December 2013 | Accepted: 8 January 2014 | Published: 17 February 2014 Abstract: This manuscript investigates the facts of publication of the images of the Nanking Atrocity (December 1937–January 1938) in LIFE and LOOK magazines, two widely read United States publications, as well as the Nanking atrocity film clips that circulated to millions more in American and Canadian newsreels some years later. -
The China Inland Mission and Missionary Mobility in China and Southeast Asia, 1943-1989
University of Kentucky UKnowledge Theses and Dissertations--History History 2015 PIONEERS IN EXILE: THE CHINA INLAND MISSION AND MISSIONARY MOBILITY IN CHINA AND SOUTHEAST ASIA, 1943-1989 Anthony J. Miller University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Miller, Anthony J., "PIONEERS IN EXILE: THE CHINA INLAND MISSION AND MISSIONARY MOBILITY IN CHINA AND SOUTHEAST ASIA, 1943-1989" (2015). Theses and Dissertations--History. 26. https://uknowledge.uky.edu/history_etds/26 This Doctoral Dissertation is brought to you for free and open access by the History at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--History by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.