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Tess Gardella
Hooray for Hollywood the Sequel
Valuations of Femininity in 1920S Stage Adaptations from Women's
Commercializing the Digital Canvas: Renewing Rights of Attribution for Artists in the Networked Economy Jon M
A Day in Hollywood, a Night on Broadway Musicals and the Moving
Integration and the American Musical: from Musical Theatre to Performance Studies
Guide to the Ernie Smith Jazz Film Collection
PERSONALITY, SPEECH, JAZZ and CURIO 78S LOUIS ARMSTRONG and HIS HOT FIVE 4975
Radio Drama: a "Visual Sound" Analysis of John, George and Drew Baby
Musical Theater and Theater for Social Change in Witness Uganda
Michael Rogin
Physical Qualities
Pearl Bailey, Hello, Dolly!
Just a Buncha Clowns: Comedic-Anarchy and Racialized Performance in Black Vaudeville, the Chop Suey Circuit, and Las Carpas
Newport Community News Spring 2011 Online at Number 25 a Newsletter of the Newport Township Community Organization
Rutgers University Press
4586.Pdf (6.636Mb)
Commercializing the Digital Canvas: Renewing Rights of Attribution for Artists, Authors, and Performers
ILFEBRUARY 4, 1939 11111.1R 15 Cents Voh 51
Top View
RACE and GENDER in the BROADWAY CHORUS by Kellee