DOCSLIB.ORG

PERSONALITY, SPEECH, JAZZ and CURIO 78S LOUIS ARMSTRONG and HIS HOT FIVE 4975

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PERSONALITY, SPEECH, JAZZ and CURIO 78S LOUIS ARMSTRONG and HIS HOT FIVE 4975 PERSONALITY, SPEECH, JAZZ and CURIO 78s LOUIS ARMSTRONG and HIS HOT FIVE 4975. 10” Blk. Okeh elec. 41157 [W400961A/W400991B]. SKIP THE GUTTER (Williams) / KNEE DROPS (Hardin). One silent (when checked here) hair crk. side two and a few depressions which should be harmless. Otherwise looks as new, just about 1-2. $15.00. FRED ASTAIRE [singer/dancer] 4946. 10” Dk. Blue elec. Eng. Columbia 3969 [WA3184/WA3185]. LADY BE GOOD: Fasci- nating Rhythm (Gershwin) / LADY, BE GOOD: The Half Of It Dearie, Blues (Gersh- win). Side one with ADELE ASTAIRE [s]. Both sides with GEORGE GERSHWIN [pianist]. Excellent copy, cons. 2. $35.00. GEORGE BAKER [b] 4187. 10” Victor Picture Record 17-4003. HOW DOTH THE LITTLE CROCODILE; FURY SAID TO A MOUSE / ‘TIS THE VOICE OF THE LOBSTER; THEY TOLD ME YOU HAD BEEN TO HER (H. Fraser-Simson). All from Alice In Wonderland. Piano acc. Just about 1-2. $20.00. LUCIEN BAROUX [entertainer/singer]. Toulouse, 1888-Hossegor, 1968. A celebra- ted entertainer and actor, Baroux appeared in over 80 films between 1912 and 1962, as well as on the stage. Among his stage creations was the role of Jim in Reynaldo Hahn’s 1931 operetta, Brummell. 4393. 10” PW French Odeon 238.316 [KI-4075-2/KI-4076-1]. BRUMMELL: Quand on est dans les pommes / BRUMMELL: Cherchez la femme (Reynaldo Hahn). Creator performances, directed by the composer. Just about 1-2. $15.00. JOHN BARRYMORE [actor] 1703. 12” Scroll “Z”-type shellac Victor 6827. HAMLET: Hamlet’s Soliloquy / HENRY VI: Gloucester’s Soliloquy (both Shakespeare). Great pressing. Just about 1-2. $8.00. 1493. 12” PoW Red Victor 6827. Same as preceding listing (item #1703) but post-War pressing. Just about 1-2. $7.00. STEPHEN VINCENT BENET [poet] 4895. 10” Red Nat. Council of Teachers of English 43/44. JOHN BROWN’S BODY: A Portrait of a Southern Lady (Benet) / THE BALLAD OF WM. SYCAMORE (Benet). Few lt. rubs, one small PB. Cons. 2. $10.00. SARAH BERNHARDT [actress]. 1844- 1923. 4109. 10” Vertical Aeolian-Vocalion 22035 [ ? / ? ]. PRIÈRE POUR NOS ENE- MIES (Unknown) / L’ÉTOILE DANS LA NUIT (Guerinon). Side one, SARAH BERNHARDT despite the label crediting the author as “unknown”, is by Louis Payen, which Bernhardt announces at the beginning of this impassioned performance. Recorded late 1918. Extremely rare. Just about 1-2. $350.00. WULF BLEY [speaker]. Berlin, 1890-Darmstadt, 1961. Bley was a German writer, play- wright and radio announcer in the era of National Socialism. The item below is a live recording documenting the noise, crowds, bands, and so on and described by Bley of the festivities of 30 Jan. 1933 when Hitler became Germany’s Chancellor. 5117. 10” Viktoria 4043. DIE HISTORISCHE NACHT, 30 Jan. 1933. Two sides. This and the few other Nazi related records on this list came originally from the collection of a Jewish doctor who emigrated to the U.S. in 1938 and was able to bring his record collection. It’s indeed surprising that he retained these souvenirs. Pressed on some sort of heavy plastic. Harmless superficial rubs (no reproduction problems), gen. 2-3. $100.00. - 202 - PERSONALITY, SPEECH, JAZZ and CURIO 78s General WILLIAM BOOTH [Salvation Army Founder]. Nottingham, 1829-1912. Booth was a British Methodist preacher who founded the Salvation Army and became its first General. The movement’s main thrust was being a distributor of humanitarian aid and related Christian ministry work. During his lifetime, Booth’s Salvation Army was extended to 58 countries and colonies. The poem General William Booth Enters Into Heaven was written in his honor by Vachel Lindsay. The royalties for his recording work were added “to the Salvation Army’s Fund for reclaiming the outcast and criminal, and aiding the unemployed.” 5035. 10” Blk. Columbia 2075 [26054/26056]. THROUGH JORDAN [an address in verse]/ PLEASE SIR, SAVE ME! (address). Excellent mid-20s pressing. Just about 1-2. $25.00. WILLIAM JENNINGS BRYAN [three-time U.S. Presidental Candidate, 1896, 1900, 1908; Secretary of State, 1913-15, Attorney, Scopes “monkey” trial, 1924]. Salem, IL, 1860-Dayton, TN, 1925. These vinyl pressings of Bryan and of Taft were pressed in very small quantities decades ago. 5236. 10” White lbl. vinyl (no label) Victor 5535. THE TRUST QUESTION (Speech). This and the items below recorded by Bryan during the 1908 Presidential campaign. Just about 1-2. $30.00. 4082. 10” White lbl. vinyl (plain label) Victor 5536. THE TARIFF QUESTION (Speech). Just about 1-2. $30.00. 5237. 10” White lbl. vinyl (plain label) Victor 5537. PUBLI- CATION OF CAMPAIGN CONTRIBUTIONS (Speech). Just about 1-2. $30.00. 4072. 10” White lbl. vinyl Vla 5538. POPULAR ELECTION OF SENATORS (Speech). Just about 1-2. $30.00. WILLIAM JENNINGS BRYAN as U.S. Secretary of State, 1914 5238. 10” White lbl. vinyl (plain label) Victor 5540. THE LABOR QUESTION (Speech). Just about 1-2. $30.00. 4385. 10” White lbl. vinyl Vla 5541. IMPERIALISM (Speech). Just about 1-2. $30.00. 4073. 10” White lbl. vinyl Vla 5542. THE RAILROAD QUESTION (Speech). Just about 1-2. $30.00. 4994. 10” Brown Silvertone 4034 [11529a/7497a]. THE IDEAL REPUBLIC (Speech) / SILVERTONE MILITARY BAND. NATIONAL EMBLEM MARCH (Bagley). Recorded by Gennett on July 3rd, 1923. This is a pressing made for Sears, Roebuck’s Silvertone label. Just about 1-2. $25.00. CALIFORNIA RAMBLERS 4578. 10” Blk. elec. Edison lateral 14045 [N-1053-B/N-1054-B]. SONG OF THE BLUES (Jones). Vocal Chorus by Phil Dewey. / BROKEN IDOL [Squires]. Absolutely harmless shallow inherent pressing indentations side one. Just about 1-2. $35.00. GEORGE M. COHAN [entertainer/composer] 4778. 10” Pats. “A” plate Victor 60042. LIFE’S A FUNNY PROPOSITION AFTER ALL (Cohan). One very tiny nick (three or four ticks), otherwise just about 1-2. $15.00. RUTH COLEMAN [blues singer] 5242. 10” Blk. acous. Pathé Actuelle 021061. SHE WALKED RIGHT UP AND TOOK MY MAN AWAY (Williams). Piano acc. L. Hutchinson / EMMA GOVER [blues singer]. M. T. POCKET BLUES (Oliver). Piano acc. Fletcher Henderson. Just about 1-2. $40.00. - 203 - PERSONALITY, SPEECH, JAZZ and CURIO 78s JAMES M. CURLEY (Massachusetts House of Representatives; U.S. House of Repre- sentatives; four term Mayor of Boston, Gover-nor of Massachusetts). Boston (Roxbury), 1874-1958. A fascinating politician, Curley was elected to Boston’s Board of Aldermen in 1904 while in prison on a fraud conviction. His father had been a petty criminal who died when James was ten. His mother then worked scrubbing floors. Curley “rose rapidly” through “corrupt machine politics” as a result of “his easy affability combined with his connections in the underworld”. This allowed him to quickly “use graft and corruption in the city services to solve constituent problems”. He served four terms as Mayor of Boston between 1914 and 1950. During his last term he was convicted of mail fraud and served five months in prison but was granted full pardons by President Harry Truman for both his 1904 and 1947 convictions. 4712. 10” Blk. & Gold acous. Gennett 5472 [8877a/8878a]. ADDRESS OF WELCOME TO BENEVOLENT PROTECTIVE ORDER OF ELKS, Boston, July 7, 1924 / THE ELKS’ ELEVEN O’CLOCK TOAST (Speeches). A very rare private issue. Lt. rubs, 2-3. $40.00. Col. FRANÇOIS DE LA ROCQUE. Lorient, Brittany, 1885-1946. De la Rocque was leader of the French right-wing league named the Croix de Feu from 1930–1936, before forming the more moderate nationalist Parti Social Français (1936–1940), that can be seen as a precursor of Gaullism. -Internet 5045. 10” PW Plum French PW Disque Gram. K- 7550 [OLA589-1/OLA588-1]. ALLOCUTION PAR LE COLONEL DE LA ROCQUE (Spoken Remarks) / CHARLES PANZÈRA [b]. CHANT DES CROIS DE FEUX ET DES VOLON-TAIRES NATIONAUX (Claude Delvincourt). Small JAMES M. CURLEY (in 1914) lbl. stkr. Just about 1-2. $15.00. DODGE BROTHERS INDUSTRIAL BAND 4799. 10” acous. Emerson Private Recording for Dodge Bros., 1920 [41569-3/41574-4]. DODGE BROTHERS MARCH (Victor Herbert) / UNIDENTIFIED SPEAKER. “BROTHERS” (An Editorial from The Detroit News, Dec. 13th, 1920). Gen. 2-3. $20.00. ENGELBERT DOLLFUSS [Austrian Chancellor, 1932-34/Speaker]. 1892-1934. Views of Dollfuss from a historical perspective are, at best, mixed. He came from modest circumstances (an illegitimate child raised on a farm) and was a brave officer in World War I. His distinguishing physical feature was his height: he was only 4' 11''. Dollfuss was, from most reports, an amiable, likable, well-intentioned man. When he was selected to be Chancellor in May, 1932 -- a very difficult time in Austria when the economy was in near free-fall -- he was the youngest head of government on the continent. At the time, his party had a one-vote majority in Parliament. He immediately came into conflict with German Nazi interests because of plans to maintain Austrian independence. He proclaimed a dictatorship (March 7, 1933) and, soon after, dissolved the Federal Assembly and abolished freedom of speech, press and assemblage and the use of Nazi distinctive uniform. He was shot and killed on July 25, 1934 by Austrian Nazi rebels who then seized power. – Wikipedia. 4616. 10” Red and Silver D.Pl [SDWHA-13-2/SDWHA-15-1]. ÖSTERREICHS-SENDUNG / Dr. PHILIPP DE LA CERDA dir. ORCH. and CHOIR. ÖSTERREICH ÜUBER ALLES, WANN ES NUR WILL! (Richard Schmal). Cons. 2. $75.00. JIMMY DURANTE [comedian]. See: HELEN TRAUBEL [s] in Vocal Section. - 204 - PERSONALITY, SPEECH, JAZZ and CURIO 78s TESS GARDELLA [singer/actress]. Wilkes-Barre, PA, 1894-Brooklyn, NY, 1950. A vaudeville artist of Italian-American ancestry, Gardella most frequently performed in blackface as Aunt Jemima.
Load more

Recommended publications
  • Fréhel and Bessie Smith
    University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 9-18-2018 Fréhel and Bessie Smith: A Cross-Cultural Study of the French Realist Singer and the African American Classic Blues Singer Tiffany Renée Jackson University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Jackson, Tiffany Renée, "Fréhel and Bessie Smith: A Cross-Cultural Study of the French Realist Singer and the African American Classic Blues Singer" (2018). Doctoral Dissertations. 1946. https://opencommons.uconn.edu/dissertations/1946 Fréhel and Bessie Smith: A Cross-Cultural Study of the French Realist Singer and the African American Classic Blues Singer Tiffany Renée Jackson, DMA University of Connecticut, 2018 ABSTRACT In this dissertation I explore parallels between the lives and careers of the chan- son réaliste singer Fréhel (1891-1951), born Marguerite Boulc’h, and the classic blues singer Bessie Smith (1894-1937), and between the genres in which they worked. Both were tragic figures, whose struggles with love, abuse, and abandonment culminated in untimely ends that nevertheless did not overshadow their historical relevance. Drawing on literature in cultural studies and sociology that deals with feminism, race, and class, I compare the the two women’s formative environments and their subsequent biographi- cal histories, their career trajectories, the societal hierarchies from which they emerged, and, finally, their significance for developments in women’s autonomy in wider society. Chanson réaliste (realist song) was a French popular song category developed in the Parisian cabaret of the1880s and which attained its peak of wide dissemination and popularity from the 1920s through the 1940s.
    [Show full text]
  • Extensions of Remarks 25527 Extensions of Remarks
    September 24, 1990 EXTENSIONS OF REMARKS 25527 EXTENSIONS OF REMARKS MICHIGAN FAMILIES OF THE tion. This person will be responsible for intelli­ were manifestations of the CIA or the Contras, VICTIMS OF PAN AM 103 DE­ gence information, security policy, and plan­ and most influential human rights groups ig­ TERMINED TO HAVE BETTER ning. In addition, the act establishes in the nored our evidence. AVIATION SECURITY Federal Aviation Administration an Assistant We now know that our concerns were justi­ Administrator for Civil Aviation Security who fied. Mass graves of Nicaraguan peasants, HON. WM. S. BROOMFIELD will be responsible for the daily management churchworkers, and farmers are even now OF MICHIGAN and oversight of field security resources and being uncovered throughout the country, and IN THE HOUSE OF REPRESENTATIVES the enforcement of security-related require­ Nicaraguan citizens are lining up to tell similar ments. stories of detention, torture, and execution at Monday, September 24, 1990 The bill also creates the positions of Feder­ the hands of the Sandinista police. I would Mr. BROOMFIELD. Mr. Speaker, a number al Security Manager at domestic high-risk air­ like to submit for the record an article that ap­ of Michigan families of the victims of Pan Am ports and the Foreign Security Liaison Officer peared recently in the Wall Street Journal 103 recently visited Capitol Hill, including Mrs. at foreign high-threat airports. The legislation which details the difficulty that one particular Susan Bennett from Chelsa, and Mrs. Geor­ sets new standards and procedures for the group, the Puebla Institute, had in uncovering gann Fuller and Mrs.
    [Show full text]
  • The American Stravinsky
    0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE THE AMERICAN STRAVINSKY THE AMERICAN STRAVINSKY The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 Gayle Murchison THE UNIVERSITY OF MICHIGAN PRESS :: ANN ARBOR TO THE MEMORY OF MY MOTHERS :: Beulah McQueen Murchison and Earnestine Arnette Copyright © by the University of Michigan 2012 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ϱ Printed on acid-free paper 2015 2014 2013 2012 4321 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-09984-9 Publication of this book was supported by a grant from the H. Earle Johnson Fund of the Society for American Music. “Excellence in all endeavors” “Smile in the face of adversity . and never give up!” Acknowledgments Hoc opus, hic labor est. I stand on the shoulders of those who have come before. Over the past forty years family, friends, professors, teachers, colleagues, eminent scholars, students, and just plain folk have taught me much of what you read in these pages. And the Creator has given me the wherewithal to ex- ecute what is now before you. First, I could not have completed research without the assistance of the staff at various libraries.
    [Show full text]
  • Hooray for Hollywood the Sequel
    Hooray for Hollywood! The Sequel Music & Color; The Glamour Years Created for free use in the public domain American Philatelic Society ©2011 • www.stamps.org Financial support for the development of these album pages provided by Mystic Stamp Company America’s Leading Stamp Dealer and proud of its support of the American Philatelic Society www.MysticStamp.com, 800-433-7811 HoorayMusic & Color; for The GlamourHollywood! Years Movie Makers Walt Disney (1901–1966) Alfred Hitchcock (1899–1980) Scott 1355 Legends of Hollywood series • Scott 3226 The creator of Mickey Mouse and a host of other magical The master of the suspense film genre — which he is said cartoon characters began his professional career as an virtually to have invented — Hitchcock’s thrillers usually animator in the early 1920s with a friend, Ub Iwerks, and involved an ordinary person getting swept up in threatening with the financial backing of Walt’s brother Roy. With the events beyond his or her control and understanding. His first help of Walt and Roy’s wives, Lily and Edna, they produced U.S. film, Rebecca (1940) for David Selznick, won that year’s three cartoons featuring a mouse (who was almost named Oscar for Best Picture. He was voted Greatest Director of all Mortimer) in 1928, but it wasn’t until Disney added Time by Entertainment Weekly, whose list of 100 Greatest synchronized music to Steamboat Willie that their fortune was Films included four of his, more than any other director: made. Numerous popular short animated features followed, Psycho (1960, #11), Vertigo (1958, #19), North by Northwest including Flowers and Trees (1932), the first color cartoon (1959, #44), and Notorious (1946, #66).
    [Show full text]
  • Valuations of Femininity in 1920S Stage Adaptations from Women's
    Capital Complex: Valuations of Femininity in 1920s Stage Adaptations from Women’s Culture By Bethany Wood A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Theatre and Drama) at the UNIVERSITY OF WISCONSIN-MADISON 2012 Date of final oral examination: 10/15/12 This dissertation is approved by the following members of the Final Oral Committee: Mary Trotter, Associate Professor, Theatre and Drama Aparna Bhargava Dharwadker, Professor, Theatre and Drama Michael Vanden Heuvel, Professor, Theatre and Drama Julie D’Acci, Professor, Gender and Women’s Studies Jonathan Gray, Professor, Communication Arts © Copyright by Bethany Wood 2012 All Rights Reserved i Acknowledgements I am truly grateful for the generous personal and institutional support I have received throughout the research and writing of this dissertation. I am deeply indebted to my advisor, Dr. Mary Trotter, for her careful reading and insightful comments and questions, which inspired and directed this dissertation. Her advice and queries consistently push and guide my work in productive directions, and I am thankful for her mentorship. I would also like to express my appreciation for my dissertation committee, Dr. Julie D’Acci, Dr. Aparna Dharwadker, Dr. Jonathan Gray, and Dr. Michael Vanden Heuvel, whose suggestions helped hone my initial proposal and advance the complexity of my analysis. I am grateful for their insights and inquiries. Financial support from several institutions assisted with the research and completion
    [Show full text]
  • Commercializing the Digital Canvas: Renewing Rights of Attribution for Artists in the Networked Economy Jon M
    Nova Southeastern University NSUWorks Faculty Scholarship Shepard Broad College of Law 1-1-2014 Commercializing the Digital Canvas: Renewing Rights of Attribution for Artists in the Networked Economy Jon M. Garon Follow this and additional works at: https://nsuworks.nova.edu/law_facarticles Recommended Citation Jon M. Garon, Commercializing the Digital Canvas: Renewing Rights of Attribution for Artists in the Networked Economy, 1 TEX. A&M LAW. REV. 837 (2014). This Article is brought to you for free and open access by the Shepard Broad College of Law at NSUWorks. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of NSUWorks. For more information, please contact [email protected]. TEXAS A&M LAW REVIEW Volume ONE 2013-2014 TEXAS A&M UNIVERSITY SCHOOL OF LAW 1515 COMMERCE STREET FORT WORTH, TEXAS 76102 COMMERCIALIZING THE DIGITAL CANVAS: RENEWING RIGHTS OF ATTRIBUTION FOR ARTISTS, AUTHORS, AND PERFORMERS By: Jon M. Garon* TABLE OF CONTENTS I. INTRODUCTION............................. ....... 837 II. WHY ATTRIBUTION MATTERS-AN ARTIST'S PERSPECTIVE........................................... 839 III. WHY ATTRIBUTION MATTERS-THE CONSUMER'S PERSPECTIVE........................................... 845 IV. PROTECTING THE PUBLIc-THE FTC TAKES ON CONSUMER PROTECTION ................................ 854 V. WHY ATTRIBUTION MATERS-THE VALUES OF PUBLIC ATTRIBUTION ................................... 856 VI. VARA-THE IMPERFECT SOLUTION.................... 859 VII. ATTRIBUTION AS A FORM OF NATIONAL RIGHT OF PUBLICITY .............................................. 863 VIII. THE WAY FORWARD ................................... 867 IX. CONCLUSION ........................................... 871 In this country, scant recognition has been given overtly, aside from the copyright law, to the legal problems raised by artistic creativeness.' Artists in this country play a very important role in capturing the essence of culture and recording it for future generations.
    [Show full text]
  • A Day in Hollywood, a Night on Broadway Musicals and the Moving
    A Day in Hollywood, A Night on Broadway Musicals and the Moving Image by Erica Gold A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Moving Image Archiving and Preservation Program Department of Cinema Studies New York University May 2016 2 Table of Contents Acknowledgements......................................................................................................................... 3 Chapter 1: Introduction ............................................................................................................... 4 Chapter 2: A Brief History of Musicals...................................................................................... 7 Chapter 3: From Stage to Screen: Technical Differences ......................................................... 17 Chapter 4: From Broadway to Hollywood: Case Studies......................................................... 26 Chapter 5: From Hollywood to Broadway: Case Studies......................................................... 36 Chapter 6: The Revolving Door: Transitioning from Broadway to Hollywood and Back Again ................................................................................................................................................... 45 Chapter 7: FRBR and Ferber .................................................................................................... 64 Chapter 8: Conclusion............................................................................................................... 80 Glossary
    [Show full text]
  • This Week Announcements Prayers
    . Archpriest Thomas Soroka, Rector Deacon Luke Loboda, Attached Today’s Commemoration Mat. Janet Mihalick, Choir Director Prayers Ill and infirm: Known to be hospitalized: Paul The Holy Prophet-King David, Saint Joseph the Sunday After the Nativity of Christ Yewisiak. Home: Georgiann Robes, Nancy Betrothed, and Saint James the Brother of the McKees Rocks/Pittsburgh, PA Pravlochak. Shut in, Rehabilitation, or Nursing Lord are commemorated on the Sunday after the OrthodoxPittsburgh.org December 29, 2019 Home: Garnette Kerchum, Eleanor Kovacs, Olga Nativity. If there is no Sunday between Tryszyn, Mary Zapp. December 25 and January 1, their commemoration is moved to December 26. Welcome! Announcements From Mat. Nancy K. Mell and Gregory Mell for the departed servant, Dn. Joseph Mell and At an early date, some churches in the East Whether you are searching for a new church Christ is Born! The period between for the newly departed, Yvonne George; for the began to commemorate certain important home or just visiting, we are glad you’re with us Christmas and January 4 is Fast Free! health of family and Michelle Bittner. From figures of the New Testament at the time of today. If you have a prayer request, are looking Doris Wasilko for the health of Paul Yewisiak Theophany, and later during the Nativity for more information about the Orthodox Faith, A special thank you to Mat. Janet Mihalick and the Wasilko family. From Marsha Wasilko season. In Syria, for example, Saint Stephen would like to join our parish, or would like to and and Melissa Graff for directing the young for the health of the Wasilko family.
    [Show full text]
  • Integration and the American Musical: from Musical Theatre to Performance Studies
    Integration and the American Musical: From Musical Theatre to Performance Studies By James Bradley Rogers A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Rhetoric in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Shannon Jackson, Chair Professor Linda Williams Professor Shannon Steen Fall 2010 COPYRIGHT 2010 JAMES BRADLEY ROGERS Abstract Integration and the American Musical: From Musical Theatre to Performance Studies by James Bradley Rogers Doctor of Philosophy in Rhetoric University of California, Berkeley Professor Shannon Jackson, Chair In this dissertation, I challenge the discourse of “integration” that has long served as the foundation of musical theatre historiography. Integration ostensibly refers to an artful melding of the various components of the musical, such that the dances, songs, and dialogue appear fluid and continuous, of a whole. Most histories of the musical claim that the Kern-Hammerstein musical Show Boat was the first piece to adumbrate integration, and that the 1943 Rodgers & Hammerstein musical Oklahoma! fully realized this promise of integration. I argue that this commonly held view ignores the fundamental impossibility of the musical to speak from a single voice, given the shift between the dialogic and musical registers. My dissertation illuminates how certain components or conventions of performance—divas, dancers, and the relationship of musicals to film and opera—have helped to consolidate this fictive sense of integration. This analysis also shows how the dominant narrative of musical theatre historiography—and our subsequent understandings of musical theatre—have been intimately suffused with the politics of gender, race, class, and nation.
    [Show full text]
  • Gentennial Ommencement CORRECTED COPY 9069)? North Carolina State University Saturday, May 9 Nineteen Hundred and Eighty Seven D
    gentennial ommencement CORRECTED COPY 9069)? North Carolina State University Saturday, May 9 Nineteen Hundred and Eighty Seven Degrees Awarded 1986-87 DEGREES CONFERRED 98th Annual Commencement North Carolina State University Saturday, May 9 Nineteen Hundred and Eighty-Seven Degrees Awarded 1986—87 A corrected issue of undergraduate and graduate degrees including degrees awarded June 25, 1986, August 7, 1986, December 16, 1986, and May 9, 1987. TABLE OF CONTENTS Musical Program iii Bruce Robert Poulton ..................................................... iv Exercises of Graduation .................................................. v Commencement Ushers ................................................... vi Commencement Marshals vi Faculty Retirements 1986-87 .............................................. vi Time and Location of Distribution of Diplomas vii ROTC Commissioning Ceremony .......................................... ix Academic Costume ....................................................... x Academic Honors ........................................................ X Undergraduate Degrees 1 Professional Degrees 69 Graduate Degrees ........................................................ 70 Master’s Degrees ..................................................... 78 Master of Arts Degrees ............................................... 82 Master of Science Degrees 83 Doctor of Veterinary Medicine 94 Doctor of Education Degrees .......................................... 95 Doctor of Philosophy Degrees ........................................
    [Show full text]
  • King Oliver, Jelly Roll, and Satchmo 14 3 Bix, Austin High, and Chicago Style 31 4 Pops and Smack 41
    THE JAZZ AGE This page intentionally left blank ARNOLD SHAW THE JAZZ AGE Popular Music in the 1920's Oxford University Press New York Oxford OXFORD UNIVERSITY PRESS Oxford New York Toronto Delhi Bombay Calcutta Madras Karachi Petaling Jaya Singapore Hong Kong Tokyo Nairobi Dar es Salaam Cape Town Melbourne Auckland and associated companies in Berlin Ibadan Copyright © 1987 by Ghita Milgrom Shaw First published in 1987 by Oxford University Press, Inc., 200 Madison Avenue, New York, New York 10016 First issued as an Oxford University Press paperback, 1989 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press, Inc. Library of Congress Cataloging-in-Publication Data Shaw, Arnold. The Jazz Age. Bibliography: p. Includes index. 1. Music, Popular (Songs, etc.)—United States—History and criticism. 2. Jazz music—United States. 3. Musical revue, comedy, etc.— United States. 4. United States—History—1919-1933. I. Title. ML3477.S475 1987 780'.42'0973 86-33234 ISBN 0-19-503891-6 ISBN 0-19-506082-2 (pbk.) Lyrics from "Night and Day" by Cole Porter © 1921 Warner Bros. Inc. (Renewed). All Rights Reserved. Used by permission. "I've Come to Wive it Wealthily in Padua" by Cole Porter, Copyright © 1948 by Cole Porter. Copyright Renewed & Assigned to John F. Wharton, as Trustee of the Cole Porter Musical & Literary Property Trusts. Chappell & Co., Inc., owner of publication and allied rights throughout the world.
    [Show full text]
  • SHUBERT THEATER, 221-233 West 44Th Street, Manhattan
    Landmarks Preservation Commission December 15, 1987; Designation List 198 LP-1378 SHUBERT THEATER, 221-233 West 44th Street, Manhattan. Built 1912-13; architect, Henry B. Herts. Landmark Site: Borough of Manhattan Tax Map Block 1016, Lot 15 in part consisting of the land on which the described building is situated. On June 14 and 15, 1982, the Landmarks Preservation Commission held a pub 1 ic hearing on the proposed designation as a Landmark of the Shubert Theater and the proposed designation of the related Landmark Site (Item No. 74). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-one witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many 1 etters and other express ions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Shubert Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in 1912-13, shortly before World War I, to the designs of Henry B. Herts, the Shubert was one of a pair with the Booth, and was among the numerous theaters constructed by the Shuberts, one of the most active and influential families in American theater history. The Shubert was built as a memorial to Sam S. Shubert, leader of the family's theatrical enterprises until his untimely death in a train wreck.
    [Show full text]