Boston Symphony Orchestra Concert Programs, Season 73, 1953-1954
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Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Fréhel and Bessie Smith
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 9-18-2018 Fréhel and Bessie Smith: A Cross-Cultural Study of the French Realist Singer and the African American Classic Blues Singer Tiffany Renée Jackson University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Jackson, Tiffany Renée, "Fréhel and Bessie Smith: A Cross-Cultural Study of the French Realist Singer and the African American Classic Blues Singer" (2018). Doctoral Dissertations. 1946. https://opencommons.uconn.edu/dissertations/1946 Fréhel and Bessie Smith: A Cross-Cultural Study of the French Realist Singer and the African American Classic Blues Singer Tiffany Renée Jackson, DMA University of Connecticut, 2018 ABSTRACT In this dissertation I explore parallels between the lives and careers of the chan- son réaliste singer Fréhel (1891-1951), born Marguerite Boulc’h, and the classic blues singer Bessie Smith (1894-1937), and between the genres in which they worked. Both were tragic figures, whose struggles with love, abuse, and abandonment culminated in untimely ends that nevertheless did not overshadow their historical relevance. Drawing on literature in cultural studies and sociology that deals with feminism, race, and class, I compare the the two women’s formative environments and their subsequent biographi- cal histories, their career trajectories, the societal hierarchies from which they emerged, and, finally, their significance for developments in women’s autonomy in wider society. Chanson réaliste (realist song) was a French popular song category developed in the Parisian cabaret of the1880s and which attained its peak of wide dissemination and popularity from the 1920s through the 1940s. -
The Inventory of the Deborah Voigt Collection #1700
The Inventory of the Deborah Voigt Collection #1700 Howard Gotlieb Archival Research Center Voigt, Deborah #1700 6/29/05 Preliminary Listing I. Subject Files. Box 1 A Chronological files; includes printed material, photographs, memorabilia, professional material, other items. 1. 1987-1988. [F. 1] a. Mar. 1987; newsletters of The Riverside Opera Association, Verdi=s AUn Ballo in Maschera@ (role of Amelia). b. Apr. 1987; program from Honolulu Symphony (DV on p. 23). c. Nov. 1987; program of recital at Thorne Hall. d. Jan. 1988; program of Schwabacher Debut Recitals and review clippings from the San Francisco Examiner and an unknown newspaper. e. Mar. 1988; programs re: DeMunt=s ALa Monnaie@ and R. Strauss=s AElektra@ (role of Fünfte Magd). f. Apr. 1988; magazine of The Minnesota Orchestra Showcase, program for R. Wagner=s ADas Rheingold@ (role of Wellgunde; DV on pp. 19, 21), and review clippings from the Star Tribune and the St. Paul Pioneer Press Dispatch. g. Sep. - Oct. 1988; programs re: Opera Company of Philadelphia and the International Voice Competition (finalist competition 3; DV on p. 18), and newspaper clippings. 2. 1989. [F. 2] a. DV=s itineraries. (i) For Jan. 4 - Feb. 9, TS. (ii) For the Johann Strauss Orchestra on Vienna, Jan. 5 - Jan. 30, TS, 7 p. b. Items re: California State, Fullerton recital. (i) Copy of Daily Star Progress clipping, 2/10/89. (ii) Compendium of California State, Fullerton, 2/13/89. (iii) Newspaper clipping, preview, n.d. (iv) Orange County Register preview, 2/25/89. (v) Recital flyer, 2/25/89. (vi) Recital program, program notes, 2/25/89. -
June 4, 5 in 1991, Marchers Were Taunted, Personally Wants to Marry His Part Buffalo's Gay Pride Celebra Chased and Verbally Assaulted
Partnerships The Gay Alliance appreciates the continuing partnership of businesses within our community who support our mission and vision. Platinum: MorganStanley Smith Barney Gold: Met life Silver: Excenus+' lesbians in New York State." NIXON PEA BOOYt1r State representatives Like Buf The outdoor rally in Albany on May 9. Photo: Ove Overmyer. More photos on page 18. falo area Assembly member Sam Hoyt followed Bronson on stage, -f THE JW:HBLDR as well as Manhattan Sen. Tom ftOCHUUII.FORUM lltW tRC Marriage Equality and GENDA get equal billing Duane and Lieutenant Gover .-ew ..A..Ulli.LIItlletil nor Bob Duffy; former mayor of at Equality and Justice Day; marriage bill's Rochester. TOMPKINrS future in Senate is still unclear "Marriage equality is a basic issue of civ.il rights," Duffy told By Ove Overmyer Closet press time, it was unclear a cheering crowd. "Nobody in Bronze: Albany, N.Y. - On May 9, when or if Governor Cuomo chis scare should ever question nearly 1,200 LGBT advocates would introduce the bill in rhe or underestimate Governor Cuo and allies gathered in the Empire Republican-dominated Senate. mo's commitment to marriage equality. The vernorhas made Kodak State Plaza Convention Center He has scared char he will �? underneath the state house in not do so unless there are enough marriage equality one of his top le Albany for what Rochester area voces to pass the legislation. three zislacive issues chis/ear." 0ut�t.W. Assembly member Harry Bron On May 9, activists from Dutfy acknowledge the son called "a historic day." every corner of the state, from difficulties that a marriage bill Assembly member Danny Buffalo to Montauk Pc. -
Developing the Young Dramatic Soprano Voice Ages 15-22 Is Approved in Partial Fulfillment of the Requirements for the Degree Of
DEVELOPING THE YOUNG DRAMATIC SOPRANO VOICE AGES 15-22 By Monica Ariane Williams Bachelor of Arts – Vocal Arts University of Southern California 1993 Master of Music – Vocal Arts University of Southern California 1995 A dissertation submitted in partial fulfillment of the requirements for the Doctor of Musical Arts School of Music College of Fine Arts The Graduate College University of Nevada, Las Vegas December 2020 Copyright 2021 Monica Ariane Williams All Rights Reserved Dissertation Approval The Graduate College The University of Nevada, Las Vegas November 30, 2020 This dissertation prepared by Monica Ariane Williams entitled Developing the Young Dramatic Soprano Voice Ages 15-22 is approved in partial fulfillment of the requirements for the degree of Doctor of Musical Arts School of Music Alfonse Anderson, DMA. Kathryn Hausbeck Korgan, Ph.D. Examination Committee Chair Graduate College Dean Linda Lister, DMA. Examination Committee Member David Weiller, MM. Examination Committee Member Dean Gronemeier, DMA, JD. Examination Committee Member Joe Bynum, MFA. Graduate College Faculty Representative ii ABSTRACT This doctoral dissertation provides information on how to develop the young dramatic soprano, specifically through more concentrated focus on the breath. Proper breathing is considered the single most important skill a singer will learn, but its methodology continues to mystify multitudes of singers and voice teachers. Voice professionals often write treatises with a chapter or two devoted to breathing, whose explanations are extremely varied, complex or vague. Young dramatic sopranos, whose voices are unwieldy and take longer to develop are at a particular disadvantage for absorbing a solid vocal technique. First, a description, classification and brief history of the young dramatic soprano is discussed along with a retracing of breath methodologies relevant to the young dramatic soprano’s development. -
Extensions of Remarks 25527 Extensions of Remarks
September 24, 1990 EXTENSIONS OF REMARKS 25527 EXTENSIONS OF REMARKS MICHIGAN FAMILIES OF THE tion. This person will be responsible for intelli were manifestations of the CIA or the Contras, VICTIMS OF PAN AM 103 DE gence information, security policy, and plan and most influential human rights groups ig TERMINED TO HAVE BETTER ning. In addition, the act establishes in the nored our evidence. AVIATION SECURITY Federal Aviation Administration an Assistant We now know that our concerns were justi Administrator for Civil Aviation Security who fied. Mass graves of Nicaraguan peasants, HON. WM. S. BROOMFIELD will be responsible for the daily management churchworkers, and farmers are even now OF MICHIGAN and oversight of field security resources and being uncovered throughout the country, and IN THE HOUSE OF REPRESENTATIVES the enforcement of security-related require Nicaraguan citizens are lining up to tell similar ments. stories of detention, torture, and execution at Monday, September 24, 1990 The bill also creates the positions of Feder the hands of the Sandinista police. I would Mr. BROOMFIELD. Mr. Speaker, a number al Security Manager at domestic high-risk air like to submit for the record an article that ap of Michigan families of the victims of Pan Am ports and the Foreign Security Liaison Officer peared recently in the Wall Street Journal 103 recently visited Capitol Hill, including Mrs. at foreign high-threat airports. The legislation which details the difficulty that one particular Susan Bennett from Chelsa, and Mrs. Geor sets new standards and procedures for the group, the Puebla Institute, had in uncovering gann Fuller and Mrs. -
In 193X, Constance Rourke's Book American Humor Was Reviewed In
OUR LIVELY ARTS: AMERICAN CULTURE AS THEATRICAL CULTURE, 1922-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Schlueter, M.A. ***** The Ohio State University 2007 Dissertation Committee: Approved by Professor Thomas Postlewait, Adviser Professor Lesley Ferris Adviser Associate Professor Alan Woods Graduate Program in Theatre Copyright by Jennifer Schlueter c. 2007 ABSTRACT In the first decades of the twentieth century, critics like H.L. Mencken and Van Wyck Brooks vociferously expounded a deep and profound disenchantment with American art and culture. At a time when American popular entertainments were expanding exponentially, and at a time when European high modernism was in full flower, American culture appeared to these critics to be at best a quagmire of philistinism and at worst an oxymoron. Today there is still general agreement that American arts “came of age” or “arrived” in the 1920s, thanks in part to this flogging criticism, but also because of the powerful influence of European modernism. Yet, this assessment was not, at the time, unanimous, and its conclusions should not, I argue, be taken as foregone. In this dissertation, I present crucial case studies of Constance Rourke (1885-1941) and Gilbert Seldes (1893-1970), two astute but understudied cultural critics who saw the same popular culture denigrated by Brooks or Mencken as vibrant evidence of exactly the modern American culture they were seeking. In their writings of the 1920s and 1930s, Rourke and Seldes argued that our “lively arts” (Seldes’ formulation) of performance—vaudeville, minstrelsy, burlesque, jazz, radio, and film—contained both the roots of our own unique culture as well as the seeds of a burgeoning modernism. -
Commencement1976.Pdf (4.717Mb)
1976 Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/commencement1976 ORDER OF PROCESSION MARSHALS STANLEY CORRSIN JOHN W. GRYDER MATTHEW A. CRENSON WILLIAM H. HUGGINS ELAINE C. DAVIS ROBERT A. LYSTAD HANS GOEDICKE EVANGELOS N. MOUDRIANAKIS ARCHIE GOLDEN EVERETT SCHILLER GERALD S. GOTTERER JOHN P. YOUNG THE GRADUATES MARSHALS ROBERT B. POND OREST RANUM THE DEANS MEMBERS OF THE SOCIETY OF SCHOLARS OFFICERS OF THE UNIVERSITY THE TRUSTEES * MARSHALS BROWN L. MURR FRANCIS E. ROURKE THE FACULTIES * CHIEF MARSHAL RICHARD A. MACKSEY THE CHAPLAINS THE RECIPIENT OF THE MILTON STOVER EISENHOWER MEDAL FOR DISTINGUISHED SERVICE THE PRESENTOR OF THE RECIPIENT OF THE MILTON STOVER EISENHOWER MEDAL FOR DISTINGUISHED SERVICE THE HONORARY DEGREE CANDIDATES THE PROVOST OF THE UNIVERSITY THE PRESIDENT EMERITUS OF THE UNIVERSITY THE CHAIRMAN OF THE BOARD OF TRUSTEES THE PRESIDENT OF THE UNIVERSITY ORDER OF EVENTS STEVEN MULLER President of the University, presiding * * * FANFARE PROCESSIONAL The audience is requested to stand as the Academic Procession moves into the area and to remain standing after the Invocation. " " Earle of Oxford's Marche William Byrd The Peabody Wind Ensemble Richard Higgins, Director * INVOCATION REV. CHESTER WICKWIRE Chaplain, The Johns Hopkins University THE NATIONAL ANTHEM GREETINGS ROBERT D. H. HARVEY Chairman of the Board of Trustees PRESENTATION OF THE RECIPIENT FOR THE MILTON STOVER EISENHOWER MEDAL FOR DISTINGUISHED SERVICE HELEN B. TAUSSIG PRESENTED BY RICHARD S. ROSS Vice President for the Health Divisions and Dean, School of Medicine * PRESENTATION OF NEW MEMBERS OF THE SOCIETY OF SCHOLARS LEROY E. -
Northeasternnortheastern University School of Law Magazine | Northeastern.Edu/Law Law
winter 2018 NortheasternNORTHEASTERN UNIVERSITY SCHOOL OF LAW MAGAZINE | northeastern.edu/law Law One in a Hundred The odds aren’t in her favor, but it’s still worth betting on Senator Maggie Hassan ’85. Winter 2018 Donald Cabell ’91 is a munificent mentor in the law school’s co-op program. 16 Photograph by Kathleen Dooher An EPIC co-op for Siri Nelson ’19 FEATURES 12 One in a Hundred The odds aren’t in her favor, but it’s still worth betting on Senator Maggie Hassan ’85. By Jeri Zeder 16 Mentors Raise the Bar Co-op supervisors play a critical role in transforming Northeastern law students into lawyers. By Andrew Faught 10 10 DENNIS DRENNER 20 Security Sold Separately Who should bear the burden to protect your personal information from today’s omnipotent 2 Dean’s Message hackers? By Elaine McArdle The Measure of Success 3 News Briefs Justice Nan Duffly, Rosenbloom and Albright, 30 Bar Exam Success ... Fall 2017 lectures and conferences 8 10 Co-op Matters Washington, DC — Siri Nelson ’19 San Diego — Andrew Hart ’18 Washington, DC — Anna Maria Annino ’19 25 Faculty News Sessa and Social Justice, Celebrating Meltsner, Fulbrights for Davis and Woo Talking the Talk 29 30 On the House The Accidental Advocate MONTSERRAT P E 32 Class Actions P Profile: Saraa Basaria ’12 Paving the Way 32 Class Notes 33 In Memoriam 34 29 Profile: Vivienne Simon ’77 Sweet Disobedience 35 MICHAEL MANNING Alumni/ae Weekend 38 Alissa Brill ’15 wasn’t looking to become a 40 Adjourn public interest lawyer. -
The Rise and Fall of the Millionaire Tax in Massachusetts by David Nagle and Joseph Donovan (July 11, 2018, 2:00 PM EDT)
Portfolio Media. Inc. | 111 West 19th Street, 5th Floor | New York, NY 10011 | www.law360.com Phone: +1 646 783 7100 | Fax: +1 646 783 7161 | [email protected] The Rise And Fall Of The Millionaire Tax In Massachusetts By David Nagle and Joseph Donovan (July 11, 2018, 2:00 PM EDT) In a decision released June 20, 2018, the Massachusetts Supreme Judicial Court ended a three-year effort to amend the Massachusetts Constitution and impose an additional tax on individuals with income exceeding $1 million.[1] The court’s opinion addresses the procedure for amending the constitution via initiative petition, as opposed to the merits of a graduated income tax.[2] In analyzing the “related subjects” requirement for such initiatives, and concluding that this initiative failed to contain subjects “which are related or which are mutually dependent,”[3] the court’s opinion strikes a balance between direct and representative democracy, while providing a roadmap for future initiatives and highlighting their importance in lawmaking. David Nagle Background The Massachusetts Constitution has authorized the legislature to levy a personal income tax since 1915 but requires that rates be uniform “upon incomes derived from the same class of property.”[4] “Whatever may be the merits of the system commonly described as the graduated income tax, it is prohibited by article 44” of the amendments to the Massachusetts Constitution.[5] Massachusetts currently taxes ordinary income and long-term capital gains at 5.1 percent, and short-term gains and gains from -
The American Stravinsky
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE THE AMERICAN STRAVINSKY THE AMERICAN STRAVINSKY The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 Gayle Murchison THE UNIVERSITY OF MICHIGAN PRESS :: ANN ARBOR TO THE MEMORY OF MY MOTHERS :: Beulah McQueen Murchison and Earnestine Arnette Copyright © by the University of Michigan 2012 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ϱ Printed on acid-free paper 2015 2014 2013 2012 4321 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-09984-9 Publication of this book was supported by a grant from the H. Earle Johnson Fund of the Society for American Music. “Excellence in all endeavors” “Smile in the face of adversity . and never give up!” Acknowledgments Hoc opus, hic labor est. I stand on the shoulders of those who have come before. Over the past forty years family, friends, professors, teachers, colleagues, eminent scholars, students, and just plain folk have taught me much of what you read in these pages. And the Creator has given me the wherewithal to ex- ecute what is now before you. First, I could not have completed research without the assistance of the staff at various libraries. -
The Ten Violin Concertos of Charles-Auguste De Beriot: a Pedagogical Study
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1994 The eT n Violin Concertos of Charles-Auguste De Beriot: A Pedagogical Study. Nicole De carteret Hammill Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Hammill, Nicole De carteret, "The eT n Violin Concertos of Charles-Auguste De Beriot: A Pedagogical Study." (1994). LSU Historical Dissertations and Theses. 5694. https://digitalcommons.lsu.edu/gradschool_disstheses/5694 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps.