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Tarun Mansukhani
Q4FY19: a Phenomenal Show!
Transnational Cinema: a Cross Culture Communication Medium Manu Sharma* Amity School of Communication, Amity University, Noida, India
Q1, FY18-19 Vs Q1, FY17-18
Introduction 1
Bromance in Bollywood: Is It Dismantling Homohysteria and Homophobia?
The Queer Rhetoric of Bollywood: a Case of Wykorzystując Przypadki "Błędnie Przypisanej Tożsamości"
100 Essential Indian Films, by Rohit K. Dasgupta and Sangeeta Datta
Media Dossier
TRACING the TEMPORAL ASSEMBLAGE of INDIAN MEDIA a Thesis Submitted to the Faculty of the Graduate School O
Navigation, Search My Name Is Khan Theatrical Poster Directed By
Entertainment Worldwelcome to Entertainment World HERE You
Beneath the Red Dupatta: an Exploration of the Mythopoeic Functions of the 'Muslim' Courtesan (Tawaif) in Hindustani Cinema
The 40Th Annual Conference on South Asia (2011)
IP Eng Jan-Mar 09.Indd
Bollywood: Thirty Years of Indian Cinema
The Karan Johar Playbook: the Open Secret, Male Same-Sex Sexuality, and the ‘Big-Brand’ in Bollywood
Contested Spaces: Performances of Marginality in Bollywood Cinema
Dostana 2 the Man Movie Download Torrent
Top View
The Visual Representation of Queer Bollywood: Mistaken Identities and Misreadings in Dostana
Indische Filme
Multimodal Signs in (Non)Heteronormative Discourse of Transnational Hindi Cinema: the Case Study of Hindi Film Dostana
Sindhi's in Film Industry
NEOLIBERALISM and SAME-SEX DESIRE in the FICTION and PUBLIC CULTURES of INDIA AFTER 1991 a Dissertation Submitted to Kent State
Kurzus Kódja(I)
Chapter 3 Postmodernism and Contemporary Indian Cinema…………………………59
The Visual Representation of Queer Bollywood: Mistaken Identities and Misreadings in Dostana
George Eastman Museum Annual Report 2017
Dua, Kashish-9
Crossovers and Makeovers: Contested Authenticity in New Indian Cinema Ranjit Keval Kumar University of Wollongong