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Home
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Takeshi Kaneshiro
Chungking Express.Pdf
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House of the Flying Daggers Song
Journal of Asian Studies Contemporary Chinese Cinema Special Edition
Scenes of Southeast Asia C
The Quintessential List
Japanese Women, Hong Kong Films, and Transcultural Fandom
Wong Kar Wai
Chinese Face/Off
Cinematic Hong Kong of Wong Kar-Wai
Wong Kar-Wai
The Wuxia Films of Zhang Yimou: a Genre in Transit Ian Kinane in This Chapter, I Will Examine the Role of the Modern Cinematic X
A Chinese Director and His Transition from Critical Banned
Where in the World Is Andy Lau? Putting the Popular
And the Rest, As They Say, Is History and Audiences
Consumer-Citizens of China: the Role of Foreign Brands in the Imagined Future China
Turning Japanese: How Will the Concept of Japanese Identity Shift to Accommodate the Country’S Growing Need for Foreign Workers?
Chinese Stardom in Participatory Cyberculture
Top View
LEE-THESIS.Pdf (2.452Mb)
Differences Between Chinese and American Film Culture
House of Flying Daggers
Repetition Through Two Filmmakers and Four Films
November 8, 2011 (XXIII:11) Wong Kar-Wai, CHUNGKING EXPRESS (1994, 98 Min.)
In These Early Years of the New Millennium, When Asian Film Action
