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Syntonic comma
Historically Informed Retuning of Polyphonic Vocal Performance
The Lost Harmonic Law of the Bible
Cracking a Centuries-Old Tradition
Microtonality As an Expressive Device: an Approach for the Contemporary Saxophonist
Lute Tuning and Temperament in the Sixteenth and Seventeenth Centuries
Flexible Tuning Software: Beyond Equal Temperament
On the Notation and Performance Practice of Extended Just Intonation
Shadings in the Chromatic Field: Intonations After Morton Feldman
MTO 12.3: Duffin, Just Intonation in Renaissance Theory and Practice
An Application of Calculated Consonance in Computer-Assisted Microtonal Music
Correlation Between the Frequencies of Harmonic Partials Generated from Selected Fundamentals and Pitches of Supplied Tones
Just Major Thirds
Introducing My Work in Microtonally Extended Just Intonation by Marc Sabat – Edited from a Lecture Presented at the 2017 Ostrava Days
Scholtz, Algorithms for Tunings and Temperaments
Temperament in Bach's Well-Tempered Clavier
Intonation Variables in the Performance of Twelve-Tone Music”
The Pythagorean Scale and Just Intonation
Musical Acoustics Interval, Scales, Tuning and Temperament
Top View
BACH and TUNING by Johnny Reinhard
Just Tuning and the Unavoidable Discrepancies Paul F. Zweifel
Why the Kirnberger Kernel Is So Small
Rameau's Adjusted Mean-Tone Tuning
The Battle Between Impeccable Intonation and Maximized Modulation
Contemporary Microtonal Music and Its Relationship to Past Practice
Isaac Newton's Microtonal Approach to Just Intonation
Durham E-Theses
Pitch Drift in Choral Music
Chamber Music Forum
Dynamic Intonation for Synthesizer Performance Benjamin Frederick Denckla
Pythagorean Comma
Pitch, Harmony and Experimental Intonation a Primer
Perfect Fifth G# Minor Sixth a Major Sixth A# Minor Seventh B Major Seventh MUSIC and MATH WEEK 2
Council of Europe ---Conseil De
At the Break of Dawn
Tuning and Temperament : a Historical Survey
Considering Tuning: from Bach to 21St Century Trends
Seeking a Perceptual Preference for Just Intonation, Equal Temperament, and Pythagorean Intonation in Excerpts for Wind Instruments