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Sydney Ure Smith
Australian & New Zealand
Imagery of Arnhem Land Bark Paintings Informs Australian Messaging to the Post-War USA
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Ii: Mary Alice Evatt, Modern Art and the National Art Gallery of New South Wales
Fantin-Latour in Australia
Nora Heysen
Shadows of Another Dimension: a Bridge Between Mathematician and Artist Janelle Robyn Humphreys University of Wollongong
Australian Art
Australian Art P: (02) 9663 4848 E:
[email protected]
W: Joseflebovicgallery.Com 1
Swinburne Research Bank
The La Trobe Journal No. 93-94 September 2014 End Pages
ANN ELIAS Flower Men: the Australian Canon and Flower Painting 1910-1935
Mary Alice Evatt and Australian Modernist Art
What's the Matter?: the Object in Australian Art History1
Useless Beauty
Arts Patronage in Australia Before 1970
Tom Keneally's
Behind the Scenes Hans Heysen's Art World Networks
Top View
Margaret Preston a Material Girl Explained
DOBELL's CASE (Draft 21 April 2016) Over the Past Couple of Years
Spirituality and Immorality in Early Sydney Modernism
Camouflage Cultures Surveillance • Communities • Aesthetics & Animals
The Art of Arthur Streeton
Surrealism and Australia: Towards a World History of Surrealism*
Australian and New Zealand Art History Historiographical Bibliography
Australian & International Medley
GEORGE W LAMBERT • Very Important Photographs
Artists' PORTRAITS
French, Floral and Female: a History of Unaustralian Art 1900-1930 (Part 1)
2 0 0 Y E a R S 2 0 0 Works
Guide to the Papers of Arthur James Murch
ANN ELIAS Flower Men: the Australian Canon and Flower Painting 1910-1935
Grace Crowley's Contribution to Australian
Margaret Preston
Terry Smith Writing the History of Australian Art AUSTRALIAN JOURNAL of ART 1983
Claudio Alcorso and Post-War Textile Culture in Australia