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  • Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort Olson25@Marshall.Edu

    Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected]

  • Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600

    Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600

  • Why Do Singers Sing in the Way They

    Why Do Singers Sing in the Way They

  • The Composer's Guide to the Tuba

    The Composer's Guide to the Tuba

  • 'The Performing Pitch of William Byrd's Latin Liturgical Polyphony: a Guide

    'The Performing Pitch of William Byrd's Latin Liturgical Polyphony: a Guide

  • Viola Da Gamba Society: Write-Up of Talk Given at St Gabriel's Hall

    Viola Da Gamba Society: Write-Up of Talk Given at St Gabriel's Hall

  • View / Open Rogers Oregon 0171N 10424.Pdf

    View / Open Rogers Oregon 0171N 10424.Pdf

  • MUSIC in the RENAISSANCE Western Music in Context: a Norton History Walter Frisch Series Editor

    MUSIC in the RENAISSANCE Western Music in Context: a Norton History Walter Frisch Series Editor

  • An Approach to Standardizing Pedagogy for Extended Techniques on Tuba

    An Approach to Standardizing Pedagogy for Extended Techniques on Tuba

  • Historic Organs of Belgium May 15-26, 2018 12 Days with J

    Historic Organs of Belgium May 15-26, 2018 12 Days with J

  • The Secular Latin-Texted Works of Adrian Willaert

    The Secular Latin-Texted Works of Adrian Willaert

  • A Survey of Postsecondary and Adult Men's Chorus

    A Survey of Postsecondary and Adult Men's Chorus

  • TOM CRAWFORD Countertenor / Baritone / Director

    TOM CRAWFORD Countertenor / Baritone / Director

  • S E P T E M B E R 2 0

    S E P T E M B E R 2 0

  • Voice Function, Sonority, and Contrapuntal Procedure in Late Medieval Polyphony

    Voice Function, Sonority, and Contrapuntal Procedure in Late Medieval Polyphony

  • The Controversy Concerning the Timbre of the Countertenor

    The Controversy Concerning the Timbre of the Countertenor

  • Gender, Sexuality, and the Falsettist in Musical Comedy of Western Civilization

    Gender, Sexuality, and the Falsettist in Musical Comedy of Western Civilization

  • Respond Motets from Matins for the Dead by Robert Parsons

    Respond Motets from Matins for the Dead by Robert Parsons

Top View
  • Compiling a Bilingual Glossary of Terminology Related to Singing
  • A Collection of Solo French Chansons from the Early Fifteenth Century for Use in the College Level Voice Studio
  • An Examination, Reinterpretation And
  • Zwischenfach: Paradox Or Paradigm?
  • TEXT, MUSIC, and LITURGY in JOHANNES OCKEGHEM's MASSES In
  • „Künstlerische Ausbildung“ Der Hochschule Für Kirchenmusik
  • Some General Observations on Mass Composition in the Renaissance Charles Lathan Hill
  • Tallis Miserere Nostri Revoiced.Pdf
  • Melodic Function and Modal Process in Gregorian Chant
  • Richard Wistreich Who Sings the Cantus?
  • Acerca De La Clasificación De Los Cantantes
  • A Listening Guide to Josquin Desprez | the New Yorker 6/16/21, 6:01 PM
  • GRIFFITHS Castrato Lutenists PICS
  • Tu Solus, Qui Facis Mirabilia TTBB a Cappellacopy Not
  • Byrd-Civitas Sancti


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