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Sparagmos
Classical Mythology in the Victorian Popular Theatre Edith Hall
The Ancient Reception of Euripides' Bacchae from Athens to Byzantium
Few Problems in Herodotus Have Attracted More Scholarly Attention Than the Religious Attidudes He Expresses in Book 2
Vergil and the Death of Pentheus in Ovid, Metamorphoses III
Rejection and Integration: State Reactions to the Evolution of Dionysian Mystery Cult In
The Reception of Euripides in Ovid's Metamorphoses
The Rituals of Sparagmos and Omophagy in Tragedy, Romance, and Horror Genres
Aletheia: the Orphic Ouroboros
Marianne Mcdonald
I Revision of Euripides' Tragedies by Contemporary Women Playwrights
Postcolonial Sparagmos: Toni Morrison’S Sula and Wole Soyinka’S the Bacchae of Euripides: a Communion Rite
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Plato's Orpheus: the Philosophical Appropriation of Orphic Formulae
Reading Ovid's Medea: Complexity, Unity, and Humour
Review of Ingo Schaaf, Magie Und Ritual Bei Apollonios Rhodios Paul Ojennus Whitworth University,
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Orpheus and Eurydice. in V. Zajko, & H. Hoyle
An Online Textbook for Classical Mythology
Teorema Ética Y Cine Journal, Vol
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A Queer Reading of Euripides' Bacchae
Oedipus in the Cinema
Furthest Voices in Virgil's Dido Ii
Tearing Apart the Zagreus Myth: a Few Disparaging Remarks on Orphism and Original Sin Radcliffe .G Edmonds III Bryn Mawr College,
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Hellas on Screen Hellas on Screen HABES 45 Alte Geschichte HABES – Band 45
Ovid, Metamorphoses, 3.511-733
Much Is Known About the Ancient Civic Cult of Dionysus
Spirit Possession, Mediation, and Ambiguity in the Ancient Greek Worship of Dionysos Isabella Barrengos Bates College,
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«Dionysian Religion: a Study of the Worship of Dionysus in Ancient Greece and Rome»