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Sophie (musician)

  • Madonna Now President's Report 2012-2013

    Madonna Now President's Report 2012-2013

  • Blssm Paper Artist Statement

    Blssm Paper Artist Statement

  • Adonna Atters

    Adonna Atters

  • Rising Hyperpop Star Elyotto Releases “Sugarcrash!” Feat

    Rising Hyperpop Star Elyotto Releases “Sugarcrash!” Feat

  • Sophie's World

    Sophie's World

  • Mapping the Queer Ephemeral

    Mapping the Queer Ephemeral

  • Essentializing Femininity in AI Linguistics

    Essentializing Femininity in AI Linguistics

  • The New Culture Industry Tracing Democratization, Cultural Pluralism, and a New ‘Stillness’ in Modern Music

    The New Culture Industry Tracing Democratization, Cultural Pluralism, and a New ‘Stillness’ in Modern Music

  • Exploring the Self-Identity and Worldview of Korean International Students at American Colleges

    Exploring the Self-Identity and Worldview of Korean International Students at American Colleges

  • The Year's Best Music Marketing Campaigns

    The Year's Best Music Marketing Campaigns

  • Copy of EPQ: Formal Essay

    Copy of EPQ: Formal Essay

  • Gender Performances As a Response to Accelerationism Self-Destructive

    Gender Performances As a Response to Accelerationism Self-Destructive

  • Popular Music and Gays, Lesbians, Bisexuals, and Transgender People: an Annotated Bibliography and Discography

    Popular Music and Gays, Lesbians, Bisexuals, and Transgender People: an Annotated Bibliography and Discography

  • Adult Fiction

    Adult Fiction

  • Sophie Cameron

    Sophie Cameron

  • MADONNA NOW the Magazine of Madonna University PRESIDENT’S REPORT 2011

    MADONNA NOW the Magazine of Madonna University PRESIDENT’S REPORT 2011

  • Culture Module Overview

    Culture Module Overview

  • Intelligence, Gender, and Assessment Method Affect the Accuracy of Self-Estimated Intelligence

    Intelligence, Gender, and Assessment Method Affect the Accuracy of Self-Estimated Intelligence

Top View
  • Madonna Icon in Xian, China 90 Hui-Hung Chen
  • Catching the K-Pop Wave: Globality in the Production, Distribution, and Consumption of South Korean Popular Music Sarah Leung
  • Teacher Guide 80S Mix Tape with the NAC Orchestra
  • THE WOMBATS CULTURE and MENTAL HEALTH Gabrielle Aplin
  • Charli XCX Was Seven Years Old When She Had Her First Cataclysmic Pop Epiphany
  • Interview: Sophie Muller
  • Digital Community and Mediated Intimacy in K-Pop Fandom
  • Sound Recording and Popular Music
  • SOPHIE's 'Faceshopping' As (Anti-)Lyric Video
  • S Two New O Venus
  • Hoe A.G. Cook En Zijn PC Music De Popwereld Verwarden En Veroverden
  • A Shakespeare-Inspired Mixtape Curated by Robert Markus, Julia Nish-Lapidus and James Wallis
  • A Transcript of This Episode
  • POL Vs SOPHIE WATKINS Dossier De Diffusion
  • Surface Play and Simulation in PC Music Catherine Ball Macalester College
  • 2020'S BEST MUSIC MARKETING CAMPAIGNS
  • The New York Times Magazine – 14 March 2021
  • Korean Wave: Exploiting a Cultural Phenomenon As an Instrument Through Soft Power in Supporting the Economic Development of Republic of Korea (2002-2012)


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