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Soldier Blue
The White Man's Indian: Stereotypes in Film and Beyond. PUB DATE Jan 97 NOTE 9P.; In: Visionquest: Journeys Toward Visual Literacy
A Cultural Renewal: Native Americans in Road Movies Yasemin Gümüş M.A
Captivity Narratives and the Positions of Female Captives in Soldier Blue and Dances with Wolves
The American Indian in the American Film
The Other Side of the Picture”: Social History, Popular Culture, and the Idea of the Sand Creek Massacre
Red and White on the Silver Screen: the Shifting Meaning and Use of American Indians in Hollywood Films from the 1930S to the 1970S
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
Transfigurations: Violence, Death and Masculinity in American Cinema Grønstad, Asbjørn
Chapter 3. Rooting in and Lighting
Place Images of the American West in Western Films
Ralph Nelson Papers, 1940-1983
Co-Produced with the Black Film Institute of the University of the District of Columbia , ,
Film Music As a Film Device. a Neoformalist Approach to the Analysis of Music in Films
Newsletter the JOYFUL NOISE
Critical Regionalism, Film Violence, and Regional Production
Film, History and Cultural Memory: Cinematic Representations of Vietnam-Era America During the Culture Wars, 1987-1995
Representation of the Battle of Little Bighorn in Four Major Films: “Little Big Man”, “They Died with Their Boots On”, “Sitting Bull” and “Chief Crazy Horse”
The Western Film
Top View
Fantasmatic Genealogies of the French and American New Waves
PRIMITIVISM and CONTEMPORARY POPULAR CINEMA by STEVEN
Sociology Splits
The MGM Soundtrack Treasury
Chapter Five the Indians
Colorado Native American Studies Resource Guide
Vanessa Caldarelli and Graeme Baylen Group 2 Film Analyses
Native American Representation in Film, 1950-1970
Film List Aug 14
Collection of Motion Picture Lobby Cards, 1913
Xerox University Microfilms
UC Berkeley UC Berkeley Electronic Theses and Dissertations