Chapter Five the Indians
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The Films of Raoul Walsh, Part 1
Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema .................... -
The White Man's Indian: Stereotypes in Film and Beyond. PUB DATE Jan 97 NOTE 9P.; In: Visionquest: Journeys Toward Visual Literacy
DOCUMENT RESUME ED 408 950 IR 018 363 AUTHOR Vrasidas, Charalambos TITLE The White Man's Indian: Stereotypes in Film and Beyond. PUB DATE Jan 97 NOTE 9p.; In: VisionQuest: Journeys toward Visual Literacy. Selected Readings from the Annual Conference of the International Visual Literacy Association (28th, Cheyenne, Wyoming, October, 1996); see IR 018 353. PUB TYPE Reports Evaluative (142) Speeches/Meeting Papers (150) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS American Indians; *Cultural Images; Film Production; *Films; *Labeling (of Persons); Popular Culture; Role Perception; *Social Bias; *Stereotypes IDENTIFIERS *Native Americans; Visual Representation ABSTRACT Before the invention of film, a stereotypical perception of Native Americans was embodied in art, fiction, and entertainment. Stereotyping of Native Americans can be categorized under three major themes: (1) the history of Native Americans compressed and portrayed under a single period of time;(2) Native cultures interpreted through white values; and (3) the grouping of the more than 600 different Native American societies under one general category. Because of its ability to present moving images, film played a major role in perpetuating the stereotypes of the Native Americans as riding horses, screaming, killing, and scalping people. Film, like any other form of art, reflects the culture of the society and at the same time, contributes to that culture; it embodies the society's values, beliefs, and social structure and assists in transmitting culture to mass audiences. Myths and stereotypes about Native Americans are alive today because television and film, as media with mass appeal, perpetuated misconceptions. The representation of Native Americans in films was mostly restricted to one genre, the Western. -
A Cultural Renewal: Native Americans in Road Movies Yasemin Gümüş M.A
A CULTURAL RENEWAL: NATIVE AMERICANS IN ROAD MOVIES A THESIS SUBMITTED TO THE DEPARTMENT OF COMMUNICATION AND DESIGN AND THE INSTITUTE OF ECONOMIC AND SOCIAL SCIENCES OF BİLKENT UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS By Yasemin Gümüş May, 2008 I certify that I have read this thesis and that in my opinion it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts. _____________________________ Assist. Prof. Dr. Duncan CHESNEY (Principal Advisor) I certify that I have read this thesis and that in my opinion it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts. _________________________________ Assist. Prof. Andreas TRESKE I certify that I have read this thesis and that in my opinion it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts. __________________________________ Assist. Prof. Dr. Dilek KAYA MUTLU Approved by the Institute of Fine Art ____________________________________ Prof. Dr. Bülent ÖZGÜÇ, Director of the Institute of Fine Arts ii I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Yasemin Gümüş ________________ iii ABSTRACT A Cultural Renewal: Native Americans in Road Movies Yasemin Gümüş M.A. in Media and Visual Studies Supervisor: Duncan CHESNEY May, 2008 In this thesis, contemporary Native American road films Powwow Highway (Wacks, 1989), Dead Man (Jarmusch, 1995), Smoke Signals (Eyre, 1998), and Dreamkeeper (Barron, 2003) are studied in terms of their relation to the formal and thematic conventions of the road movie genre. -
Agenda Settimanale Degli Eventi Al Cinema Massimo
Agenda settimanale degli eventi al Cinema Massimo da venerdì 4 maggio a giovedì 10 maggio 2012 Cinema Massimo - via Verdi 18, Torino Sommario: 05.05 – I CARTONI ANIMATI DELLA WARNER BROS .– Il meglio di Bugs Bunny (ore 15.00) 06.05 – I CARTONI ANIMATI DELLA WARNER BROS .– Il meglio di Beep Beep & Wile E.Coyote (ore15.00) 08.05 – MAGNIFICHE VISIONI – Lo strangolatore di Boston di Richard Fleischer (ore 20.45) 09.05 – CULT! - Rolling Thunder di John Flynn (20.30/22.15) -SABATO 5 MAGGIO e DOMENICA 6 MAGGIO, ORE 15.00 – SALA TRE In occasione della mostra Bugs, Daffy, Silvestro & Co. I cartoni animati della Warner Bros. il Museo Nazionale del Cinema presenta al Cinema Massimo Il meglio di Bugs Bunny e Il meglio di Beep Beep & Wile E. Coyote. Visto il grande successo di pubblico ottenuto dalle proiezioni del week-end dedicate ai personaggi animati del mondo Warner, il Museo Nazionale del Cinema propone, anche per il mese di maggio, una divertente incursione nell’universo dei Looney Tunes. Sabato 5 e domenica 6 maggio , alle ore 15.00 , verranno replicati, nella Sala Tre del Cinema Massimo, Il meglio di Bugs Bunny e Il meglio di Beep Beep & Wile E. Coyote , una selezione delle migliori storie dei personaggi più popolari della serie. Proiettata nei cinema dal 1930 al 1969, Looney Tunes (melodie pazzerelle) è la prima serie animata della Warner Bros nonché la seconda più lunga mai trasmessa. Bugs Bunny - la lepre “nata” nel 1938 a Brooklyn da molti padri - ne è uno dei protagonisti più famosi. Ottenuto il primo posto della classifica dei 50 più grandi personaggi animati di tutti i tempi redatta dalla rivista TVGuide nel 2002, Bugs Bunny è un equivalente moderno della figura mitologica dell’imbroglione. -
Toshio Masuda (Director) ÙÙ ŠÙ„Ù… قائمة (ÙÙ ŠÙ„موغراÙÙ ŠØ§)
Toshio Masuda (director) ÙÙ ŠÙ„Ù… قائمة (ÙÙ ŠÙ„موغراÙÙ ŠØ§) Taking The Castle https://ar.listvote.com/lists/film/movies/taking-the-castle-11426062/actors Earthshaking Event https://ar.listvote.com/lists/film/movies/earthshaking-event-21015474/actors We Live Today https://ar.listvote.com/lists/film/movies/we-live-today-55529320/actors The Perfect Game https://ar.listvote.com/lists/film/movies/the-perfect-game-106350747/actors The Battle of Port https://ar.listvote.com/lists/film/movies/the-battle-of-port-arthur-10880293/actors Arthur Be Forever Yamato https://ar.listvote.com/lists/film/movies/be-forever-yamato-1093707/actors Future War 1986 https://ar.listvote.com/lists/film/movies/future-war-1986-11199898/actors This Story of Love https://ar.listvote.com/lists/film/movies/this-story-of-love-11266725/actors Loving https://ar.listvote.com/lists/film/movies/loving-11291142/actors High Teen Boogie https://ar.listvote.com/lists/film/movies/high-teen-boogie-11326041/actors The Imperial https://ar.listvote.com/lists/film/movies/the-imperial-japanese-empire-11435655/actors Japanese Empire Heavenly Sin https://ar.listvote.com/lists/film/movies/heavenly-sin-11442411/actors Sure Death 5 https://ar.listvote.com/lists/film/movies/sure-death-5-11490650/actors Love: Take Off https://ar.listvote.com/lists/film/movies/love%3A-take-off-11493431/actors Battle Anthem https://ar.listvote.com/lists/film/movies/battle-anthem-11508488/actors The Great https://ar.listvote.com/lists/film/movies/the-great-shogunate-battle-11551008/actors Shogunate Battle -
9. List of Film Genres and Sub-Genres PDF HANDOUT
9. List of film genres and sub-genres PDF HANDOUT The following list of film genres and sub-genres has been adapted from “Film Sub-Genres Types (and Hybrids)” written by Tim Dirks29. Genre Film sub-genres types and hybrids Action or adventure • Action or Adventure Comedy • Literature/Folklore Adventure • Action/Adventure Drama Heroes • Alien Invasion • Martial Arts Action (Kung-Fu) • Animal • Man- or Woman-In-Peril • Biker • Man vs. Nature • Blaxploitation • Mountain • Blockbusters • Period Action Films • Buddy • Political Conspiracies, Thrillers • Buddy Cops (or Odd Couple) • Poliziotteschi (Italian) • Caper • Prison • Chase Films or Thrillers • Psychological Thriller • Comic-Book Action • Quest • Confined Space Action • Rape and Revenge Films • Conspiracy Thriller (Paranoid • Road Thriller) • Romantic Adventures • Cop Action • Sci-Fi Action/Adventure • Costume Adventures • Samurai • Crime Films • Sea Adventures • Desert Epics • Searches/Expeditions for Lost • Disaster or Doomsday Continents • Epic Adventure Films • Serialized films • Erotic Thrillers • Space Adventures • Escape • Sports—Action • Espionage • Spy • Exploitation (ie Nunsploitation, • Straight Action/Conflict Naziploitation • Super-Heroes • Family-oriented Adventure • Surfing or Surf Films • Fantasy Adventure • Survival • Futuristic • Swashbuckler • Girls With Guns • Sword and Sorcery (or “Sword and • Guy Films Sandal”) • Heist—Caper Films • (Action) Suspense Thrillers • Heroic Bloodshed Films • Techno-Thrillers • Historical Spectacles • Treasure Hunts • Hong Kong • Undercover -
The Roles of George Perkins and Frank Munsey in the Progressive
“A Progressive Conservative”: The Roles of George Perkins and Frank Munsey in the Progressive Party Campaign of 1912 A thesis submitted by Marena Cole in partial fulfillment of the requirements for the degree of Master of Arts in History Tufts University May 2017 Adviser: Reed Ueda Abstract The election of 1912 was a contest between four parties. Among them was the Progressive Party, a movement begun by former president Theodore Roosevelt. George Perkins and Frank Munsey, two wealthy businessmen with interests in business policy and reform, provided the bulk of the Progressive Party’s funding and proved crucial to its operations. This stirred up considerable controversy, particularly amongst the party’s radical wing. One Progressive, Amos Pinchot, would later say that the two corrupted and destroyed the movement. While Pinchot’s charge is too severe, particularly given the support Perkins and Munsey had from Roosevelt, the two did push the Progressive Party to adopt a softer program on antitrust regulation and enforcement of the Sherman Antitrust Act. The Progressive Party’s official position on antitrust and the Sherman Act, as shaped by Munsey and Perkins, would cause internal ideological schisms within the party that would ultimately contribute to the party’s dissolution. ii Acknowledgements This thesis finalizes my time at the Tufts University Graduate School of Arts and Sciences, which has been a tremendously challenging and fulfilling place to study. I would first like to thank those faculty at Boston College who helped me find my way to Tufts. I have tremendous gratitude to Lori Harrison-Kahan, who patiently guided me through my first experiences with archival research. -
ANALYSIS of MYTH in STUART BEATTIE's MOVIE “I FRANKENSTEIN” a Thesis Submitted in Partial Fulfillment of the Requirements
ANALYSIS OF MYTH IN STUART BEATTIE’S MOVIE “I FRANKENSTEIN” A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Humaniora in English and Literature Department of the Faculty of Adab and Humanities of UIN Alauddin Makassar By ANDI NIRWANA Reg. No. 40300112066 ENGLISH AND LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY ALAUDDIN STATE ISLAMIC UNIVERSITY MAKASSAR 2016 i ii iii iv v ACKNOWLEDGEMENT First of all, the writer would like to extend the deepest gratitude to the almighty Allah swt, the creator, the only provider for providing to her with a little light for searching more of His unlimited knowledge during her study at State Islamic University of Alauddin Makassar. The researcher also never forget to send the greet and invocation to the prophet Muhammad saw, the Great prophet who was sent by God as the Rahmatan Lil Alamiin for the world. The writer gotten a lot of help and support from many people around her during the process of finishing this thesis. There are many people have provided their motivations, advices and even remark that here helped the writer. Therefore the writer would like to express her appreciation to all of them. 1. The special gratitude is expressed to the writer’s lovely parents Andi Samri and Andi Idrus who have given their advices, moral values, financial supports and prayers for the writer. 2. A lot of thanks to Prof. Dr. H.Musafir Pababbari, M.Si as the Rector of UIN Alauddin Makassar. Next, the Dean of Adab and Humanities Faculty, Dr. H. Barsihannor, M.Ag, the Head of English and Literature Department, Muh. -
Inaugural History
INAUGURAL HISTORY Here is some inaugural trivia, followed by a short description of each inauguration since George Washington. Ceremony o First outdoor ceremony: George Washington, 1789, balcony, Federal Hall, New York City. George Washington is the only U.S. President to have been inaugurated in two different cities, New York City in April 1789, and his second took place in Philadelphia in March 1793. o First president to take oath on January 20th: Franklin D. Roosevelt, 1937, his second inaugural. o Presidents who used two Bibles at their inauguration: Harry Truman, 1949, Dwight D. Eisenhower, 1953, George Bush, 1989. o Someone forgot the Bible for FDR's first inauguration in 1933. A policeman offered his. o 36 of the 53 U.S. Inaugurations were held on the East Portico of the Capitol. In 1981, Ronald Reagan was the first to hold an inauguration on the West Front. Platform o First platform constructed for an inauguration: Martin Van Buren, 1837 [note: James Monroe, 1817, was inaugurated in a temporary portico outside Congress Hall because the Capitol had been burned down by the British in the War of 1812]. o First canopied platform: Abraham Lincoln, 1861. Broadcasting o First ceremony to be reported by telegraph: James Polk, 1845. o First ceremony to be photographed: James Buchanan, 1857. o First motion picture of ceremony: William McKinley, 1897. o First electronically-amplified speech: Warren Harding, 1921. o First radio broadcast: Calvin Coolidge, 1925. o First recorded on talking newsreel: Herbert Hoover, 1929. o First television coverage: Harry Truman, 1949. [Only 172,000 households had television sets.] o First live Internet broadcast: Bill Clinton, 1997. -
A Nomadology of Inamoramento De Orlando and Star Wars
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 12-19-2018 2:00 PM Romance, Politics and Minor Art: A Nomadology of Inamoramento de Orlando and Star Wars Andrea Privitera The University of Western Ontario / Università degli studi di Padova Supervisor Boulter, Jonathan The University of Western Ontario Joint Supervisor Baldassarri, Guido University of Padova Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Andrea Privitera 2018 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Comparative Literature Commons, Film and Media Studies Commons, Italian Literature Commons, and the Performance Studies Commons Recommended Citation Privitera, Andrea, "Romance, Politics and Minor Art: A Nomadology of Inamoramento de Orlando and Star Wars" (2018). Electronic Thesis and Dissertation Repository. 5921. https://ir.lib.uwo.ca/etd/5921 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstracts English While existing theories of romance (in particular, those formulated by Northrop Frye and Fredric Jameson) accurately characterize this literary mode as a highly politicized example of art, this thesis contends that the political nature of romance is broader and more complex than discussed so far. In order to offer a new and comprehensive political theory of romance, this work proposes a comparison between two historically and culturally diverse examples of romance, that is Matteo Maria Boiardo’s chivalric poem Inamoramento de Orlando and George Lucas’ space opera film Star Wars. -
2007-2008 Annual Report
07_08 ANNUAL REPORT 07_08 ANNUAL REPORT LETTER FROM EXECUTIVE DIRECTOR Dear Friends: The 2007-08 season at YBCA has once again proven to be one of Not to be overlooked, the financial figures that are here will dem- significant accomplishment. onstrate the fiscal responsibility that is the hallmark of our work at As you will see by looking through this annual report, our artistic YBCA. We take very seriously the responsibility invested in us not endeavors continue unabated. While it is always difficult to select only by the San Francisco Redevelopment Agency but also by the only a few highlights from any given season, I would certainly be foundations, individuals and corporations who believe in the work remiss if I did not point to exhibitions such as The Missing Peace: that we do and make their contributions accordingly. I am particularly Artists Consider the Dalai Lama, Anna Halprin: At the Origin of proud to note a major gift from the Novellus Systems, Inc. to name Performance and Dark Matters: Artists See the Impossible, as true the theater at YBCA. This is an amazing gift that will come to us over achievements for YBCA. Bill T. Jones/Arnie Zane Dance Company, the next ten years and will be invested in programs at YBCA. Faustin Linyekula and Ilkhom Theatre brought us extraordinary I can say without hesitation that the staff of YBCA are dedicated, performance from around the world and Marc Bamuthi Joseph, a committed and enthusiastic about the work that we do. Without their Bay Area artist with whom we have a long-standing relationship, extraordinary effort, we would not be able to accomplish as much as opened his new piece, the break/s, here at YBCA and it has gone we do. -
Captivity Narratives and the Positions of Female Captives in Soldier Blue and Dances with Wolves
1 Captivity Narratives and the Positions of Female Captives in Soldier Blue and Dances with Wolves From the beginning of European exploration and settlement in the sixteenth and seventeenth centuries through the end of the nineteenth century, Native American captivity was very much a historical reality for countless explorers and settlers living on the edge of the American frontier. It also touched the imaginations and fears of virtually everyone for whom it was a possibility. Conservative estimates place the number of captives taken by Indians in the tens of thousands. In Emma Coleman’s study and record, more than 750 New England captives were taken during the French and Indian Wars. Between 1675 and 1763, according to Alden Vaughan and Daniel Richter’s document, there were 1,641 New England settlers captured by Native Americans. It was the fact that the white settlers were carried away by the Indians during Van Winckle’s day. Native Americans took captives for revenge and replace tribal numbers diminished by war and disease. Firstly, Native Americans were angry at Europeans who stole their lands and massacred them in wars. Sometimes, adult male captives were tortured and killed in Native American ritualistic ceremonies to avenge the death of Indian warriors. However, there were undoubtedly instances of female captives being tortured and killed, and one issue that remains beneath the surface of most narratives is whether such captives were sexually violated by the Native Americans. Except in the most examples of narratives whose value as anti-Indian propaganda was being exploited by the press, most female captives either remained silent about the sexual abuse they may have experienced or commented that Native American captors respected their chastity.