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Slapstick film
The Creative Process
Moma More Cruel and Unusual Comedy Social Commentary in The
Nyau Philosophy
Absurd Black Humour As Social Criticism in Contemporary European Cinema
Die Macht Der Dummheit
Visual and Performing Arts Framework-Complete
Sex, Politics, and Comedy
Knockabout and Slapstick: Violence and Laughter in Nineteenth-Century Popular Theatre and Early Film
Shakespeare's Romantic Comedies on Film
Charlie Chaplin. the Circus. 1928. Frankfurter Slapstick: Benjamin, Kracauer, and Adorno on American Screen Comedy
European Journal of American Studies , Reviews 2015-1 Alan Bilton, Silent Film Comedy and American Culture
The Promise of Chaplin PAUL FLAIG
The Chaplin Craze: Charlie Chaplin and the Emergence of Mass-Amusement Culture
Charles Chaplin’S Use of Comic Irony in City Lights to Represent His Interpretation of the Society of the United States of America
Untitled Review, New Yorker, September 19, 1938, N.P., and “Block-Heads,” Variety, August, 31, 1938, N.P., Block-Heads Clippings File, BRTC
Introduction
Film History—Silent Cinema M/W 9:30-12:45 Spring 2018 (Second Eight Week) Texas A&M University - Central Texas
Film Classics
Top View
Queer Masculinity in American Visual Culture, 1915-1955
Humour in All Its Forms: on Screen, on the Page, on Stage, on Air, Online…
Schirmer Encyclopedia of Film, Vol. 1 (Barry Keith Grant).Pdf
“A Room and the Right Kind of People:” the Ideology Of
Dr. Adam Potthast LE300 29 April 2016 the Ethics of Slapstick Humor
The Effect of Laughter on Evaluation of a Slapstick Movie' Howard Leventtial, University of Wisconsin, and William Mace, University of Minnesota