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Slapstick film

  • The Creative Process

    The Creative Process

  • Moma More Cruel and Unusual Comedy Social Commentary in The

    Moma More Cruel and Unusual Comedy Social Commentary in The

  • Nyau Philosophy

    Nyau Philosophy

  • Absurd Black Humour As Social Criticism in Contemporary European Cinema

    Absurd Black Humour As Social Criticism in Contemporary European Cinema

  • Die Macht Der Dummheit

    Die Macht Der Dummheit

  • Visual and Performing Arts Framework-Complete

    Visual and Performing Arts Framework-Complete

  • Sex, Politics, and Comedy

    Sex, Politics, and Comedy

  • Knockabout and Slapstick: Violence and Laughter in Nineteenth-Century Popular Theatre and Early Film

    Knockabout and Slapstick: Violence and Laughter in Nineteenth-Century Popular Theatre and Early Film

  • Shakespeare's Romantic Comedies on Film

    Shakespeare's Romantic Comedies on Film

  • Charlie Chaplin. the Circus. 1928. Frankfurter Slapstick: Benjamin, Kracauer, and Adorno on American Screen Comedy

    Charlie Chaplin. the Circus. 1928. Frankfurter Slapstick: Benjamin, Kracauer, and Adorno on American Screen Comedy

  • European Journal of American Studies , Reviews 2015-1 Alan Bilton, Silent Film Comedy and American Culture

    European Journal of American Studies , Reviews 2015-1 Alan Bilton, Silent Film Comedy and American Culture

  • The Promise of Chaplin PAUL FLAIG

    The Promise of Chaplin PAUL FLAIG

  • The Chaplin Craze: Charlie Chaplin and the Emergence of Mass-Amusement Culture

    The Chaplin Craze: Charlie Chaplin and the Emergence of Mass-Amusement Culture

  • Charles Chaplin’S Use of Comic Irony in City Lights to Represent His Interpretation of the Society of the United States of America

    Charles Chaplin’S Use of Comic Irony in City Lights to Represent His Interpretation of the Society of the United States of America

  • Untitled Review, New Yorker, September 19, 1938, N.P., and “Block-Heads,” Variety, August, 31, 1938, N.P., Block-Heads Clippings File, BRTC

    Untitled Review, New Yorker, September 19, 1938, N.P., and “Block-Heads,” Variety, August, 31, 1938, N.P., Block-Heads Clippings File, BRTC

  • Introduction

    Introduction

  • Film History—Silent Cinema M/W 9:30-12:45 Spring 2018 (Second Eight Week) Texas A&M University - Central Texas

    Film History—Silent Cinema M/W 9:30-12:45 Spring 2018 (Second Eight Week) Texas A&M University - Central Texas

  • Film Classics

    Film Classics

Top View
  • Queer Masculinity in American Visual Culture, 1915-1955
  • Humour in All Its Forms: on Screen, on the Page, on Stage, on Air, Online…
  • Schirmer Encyclopedia of Film, Vol. 1 (Barry Keith Grant).Pdf
  • “A Room and the Right Kind of People:” the Ideology Of
  • Dr. Adam Potthast LE300 29 April 2016 the Ethics of Slapstick Humor
  • The Effect of Laughter on Evaluation of a Slapstick Movie' Howard Leventtial, University of Wisconsin, and William Mace, University of Minnesota


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