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Shepard Tone
The Perceptual Attraction of Pre-Dominant Chords 1
Octave Theory Was Hand Crafted in Oregon
Do Androids Dream of Computer Music? Proceedings of the Australasian Computer Music Conference 2017
The Shepard–Risset Glissando: Music That Moves
Automatic Responses to Musical Intervals: Contrasts in Acoustic Roughness Predict
Barberpole Phasing and Flanging Illusions
Shepard Tones
Connectionist Representations of Tonal Music
New Music System Reveals Spectral Contribution to Statistical Learning
PHY 103 Auditory Illusions
Music-Listening Systems
Cohesion of Spectral Particles in the Music of Alvin Lucier
Could the Endless Progressions in James Tenney's Music Be Viewed
A Psychoacoustic Sound Design for Pulse Oximetry
The Composition and Performance of Spatial Music
Timbral Shepard-Illusion Reveals Perceptual Ambiguity and Context
Tritone Paradox)
PDF Hosted at the Radboud Repository of the Radboud University Nijmegen
Top View
The Physio-Emotional Effects of Audio in the Global Christian Church
Endless Series V3 User Guide
Psychoacoustical Signal Processing for Three-Dimensional Sonification
Spatial Audio
Searching for Similar Phrases in Music Audio Dan Ellis Laboratory for Recognition and Organization of Speech and Audio Dept
The 'Harmonic Series' Is an Artifact”: Ideology, Process and Perception in Georg Friedrich Haas's in Vain There Is No
From the Shepard Tone to the Perpetual Melody Auditory Illusion
Putting the Tritone Paradox Into Context: Insights from Neural Population Decoding and Human Psychophysics
Extracting and Using Music Audio Information Dan Ellis Laboratory for Recognition and Organization of Speech and Audio Dept
The “Tritone Paradox” and Spectral Dominance
Yet More About Hearing (L = Loudness, I = Intensity, K Is a Constant) So, a 10-Db Increase in Level Gives a Doubling in Loudness
Recording Studio Effects of Psychedelic Rock, 1960S and Present
Auditory Illusions
January 2012 Newsletter
Context Effects in Ambiguous Frequency Shifts: a New Paradigm to Study Adaptive Audition
Chapter 11 Audio
Perception of Musical Tonality As Assessed by the Probe-Tone Method
Profiles of Pitch Classes Circularity of Relative Pitch And
A Cognitive Approach to Medieval Mode
Ilusões Sonoras – Um Estudo Sobre a Aplicação Da Ilusão Sonora Da Escala De Shepard Em Composição Musical Digital
Read Full Article in PDF Version
Composer Releases a One Million Hour Long Song Based on Pi
Apparent Motion and the Tritone Paradox: an EEG Investigation of Novel Bistable Stimuli
Aftereffects of Spectrally Similar and Dissimilar Spectral Motion Adaptors in the Tritone Paradox
Set-Class and Chord: Examining Connection Between Theoretical Resemblance and Perceived Closeness Studia Musica 12 Sibelius Academy Helsinki
Chroma and Chords
Psychoacoustical Aspects and Musical Applications of an Infinite Phasar
Pitch Perception
Doepfer System a - 100 MCV 16 A-191
Ben Carson, Review in American Journal of Psychology, 2007
The Mathematics of Music