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Severino Gazzelloni
Extended Techniques and Electronic Enhancements: a Study of Works by Ian Clarke Christopher Leigh Davis University of Southern Mississippi
2016 SDF 5.5X8.5 NFA Book.Pdf 1 6/24/16 7:56 AM
Vestiges of Twelve-Tone Practice As Compositional Process in Berio's Sequenza I for Solo Flute
ABSTRACT This Dissertation Explores Selections from the Flute Repertoire
Octobre 2018 27
Finale 2004B
Herberger Institute ~FOR DESIGN and the ARTS ARIZONA STATE UNIVERSITY School of Music
Artur Rubinstein Anna Moffo
Twentieth-Century Works for Flute and Piano
Prelude a L'apres-Midi D'un
Spring 2008 Flutist Quarterly
Ffflöten Festival
Tempo Flûte Sélection De Disques Et DVD Avec Flûte Publiés En 2012
Togni Togni Dovette Cogliere Nei Versi Di Maria Grazia Barelli Più Interprete Di Fiducia
Fascist Disenchantment and the Music of Goffredo Petrassi
Investigating Twenty-Five Volumes of the Flutist Quarterly: a Content Analysis
Of Instrumental Value: Flutist – Composer Collaboration in the Creation of New Music
1 the Clarinet Works of Jörg Widmann
Top View
Biografia Di Severino Gazzelloni
Severino Gazzelloni Il Flauto Protagonista Indice Sommario
Porto.Flute Festival
Severino Gazzelloni E La Neue Musik
Spring 2010 Flutist Quarterly
Contemporary Solo Works in the Modern Flute Competition: Performance Analyses of Aho’S Solo III, Hurel’S Loops I, and Ichiyanagi’S in a Living Memory
"Sequenza VII" by Luciano Berio: Background, Analysis and Performance Suggestions