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Sergei Eisenstein
History Is Made in the Dark 4: Alexander Nevsky: the Prince, the Filmmaker and the Dictator
Exploration of Narrative Devices in Documentary Propaganda Across Different
Reading Eisenstein's Capital
Avant Garde Vs. Moderism
Visual Metaphors for the People a Study of Cinematic Propoganda in Sergei Eisenstein’S Film
Eisenstein's Film Theory of Montage and Architecture
Sergei Eisenstein: ¡Que Viva México! (1930, Obra Inconclusa)
The Atheist Director and the Orthodox Tsar Sergei Eisenstein's Ivan The
Eisenstein and Tarkovsky
The Cinematic Imaginary and the Photographic Fact: Media As Models for 20Th Century Art
The Sadomasochistic (Homo)Erotics of Sergei Eisenstein's Mexico
Montage October : Dialectic of the Shot*