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Sathima Bea Benjamin
Published Papers of the Ethnomusicology Symposia
Shall We Stomp?
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
UC Riverside Electronic Theses and Dissertations
Jazz at the Crossroads)
Western Cape Jazz Legends
Recorded Jazz in the 20Th Century
Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
Mannenberg": Notes on the Making of an Icon and Anthem1
Abdullah Ibrahim in South Africa 2004
The Jazz Epistles
Soweto, the S“ Torybook Place”: Tourism and Feeling in a South African Township Sarah Marie Kgagudi University of Pennsylvania,
[email protected]
Victor Young
South African Jazz and Exile in the 1960S: Theories, Discourses and Lived Experiences
Music on KUMD, It Minnesota Repertory Theater • and the Process of Developing a Campus Was Done During the Day Because
Imaginings of Africa in the Music of Miles Davis by Ryan
Abdullah Ibrahim & Ekaya
Book Reviews
Top View
Downloads, the Bandleader Composed the Entire Every Musician Was a Multimedia Artist,” He Said
African Studies Quarterly
Thinking in Jazz
I at the Vanguard of Vinyl: a Cultural History of the Long-‐‑Playing
Carol Ann Muller ~February 2015 ~
Rhodes University/Mellon Jazz Programme
South Africa Without Apartheid
Landmarks in SA Jazz | Mannenberg
UC San Diego UC San Diego Electronic Theses and Dissertations
A STUDY of the LINKAGES BETWEEN POPULAR MUSIC and POLITICS in SOUTH AFRICA UNDER APARTHEID in the 1980S
UC Berkeley UC Berkeley Electronic Theses and Dissertations
Abdullah Ibrahim
“Colo[U]Redness”1 in Postwar Cape Town
Musical Echoes: South African Women Thinking in Jazz
The Expansion of Jazz Through the Life of a South African Singer
University of Cape Town
Copyright by Tyler David Fleming 2009
Why Jazz? South Africa 2019