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Sanjeev Kumar
From Colonialism to Neoliberalism Programme Schedule
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Responses to 100 Best Acts Post-2009-10-11 (For Reference)
Honouring a Legend Zafri Mudasser Nofil “Kinara”, “Khushboo”, “Angoor”, “Libaas” , “Meera”, Everyone Knows Shilpa Shetty Kundra's Entrepreneurial Skills
Nation, Fantasy, and Mimicry: Elements of Political Resistance in Postcolonial Indian Cinema
Gabbar Is Back Verdict
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PORTRAYAL of SEXUAL MINORITIES in HINDI FILMS By
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Contemporary Cinema & Indian Nationalism
Synoptic Bio-Data of Dr. Sanjeev Kumar Sharma
Bollywood: Thirty Years of Indian Cinema
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Social Patterns Revealed Through Random Matrix Theory
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Divorce in Tamil Film Industry
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Bareilly College, Bareilly Date 10.11.2020 B.Sc I Maths
Sr. No. Emp. Code UAN Number EPF No. Name of Employee Father's Name 1 SM0013 100631122654 PBCHD00060480000002113 SURESH KUMAR C
Who Is the Centre of the Movie Universe? Using Python and Networkx to Analyse the Social Network of Movie Stars
8 Jul 2014 Uncovering Randomness and Success in Society
Sl No Registration Id Name Fathersname Marks Obtained Aggregate Percentage 1 159241 Animesh Singh Vivek Singh 299 300 99.667 2
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1 Bollywood 2 Method for Construction of Networks
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UNIVERSIDAD DE MURCIA Departamento De Filología Inglesa
L.V. Prasad and His Films
Sanjeev Kumar July, 2021 Dr. Sanjeev Kumar
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Tracing the Portrayal of Disability in Indian Cinema Introduction Cinema Is Considered to Be a Powerful Medium That Reflects the Happenings in a Society
Contemporary Cinema and Meerabai: a Study of Gulzar’S Meera (1979)
Emergence of Punjabi Culture in Bollywood
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Renunciation and Non-Renunciation in Indian Films 159 Family Early in His Life, He Remains Unsatisfied with His Ascetic Sojourns and His Colleagues