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Rosine Stoltz
Boston Symphony Orchestra Concert Programs, Season 40,1920-1921, Trip
The Woman Singer and Her Song in French and German Prose Fiction (Circa 1790-1848)
The Mezzo-Soprano Onstage and Offstage: a Cultural History of the Voice-Type, Singers and Roles in the French Third Republic (1870–1918)
Boston Symphony Orchestra Concert Programs, Season 39,1919
Terreur Vénitienne, Héroïsme Français Et Amours Impossibles
Beyond Prima Donna: Pauline Viardot's Collaboration on Meyerbeer's Le Prophète, Gounod's Sapho, and Berlioz's Arrange
Pendant Plus D'un Demi-Siècle, — De 1823, Époque De L
Jennifer Lane Curriculum Vitae
The Great Composers. No. XIV. Meyerbeer (Continued) Author(S): Giacomo Meyerbeer and Joseph Bennett Source: the Musical Times and Singing Class Circular, Vol
9788469798713.Pdf
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Boston Symphony Orchestra Concert Programs, Season 40,1920-1921, Trip
Pauline Viardot and Rewriting the Image of Women in Nineteenth-Century French Opera Culture
Giacomo Meyerbeer
Les Débuts Et Les Débutantes À L'opéra De Paris Sous La Monarchie
The Jardin Des Femmes As Scenic Convention in French Opera and Ballet
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
La Presse, an Annotated Index of Articles On
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Fromental Halévy and His Operas, 1842-1862
Understanding French Grand Opera Through Dance
An Overview of the Work
Catinka Heinefetter. a Jewish Prima Donna in Nineteenth-Century France
The Diva Onscreen by Dolores C Mcelroy a Dissertation Submitted In
Italian Opera in Paris and London in the 1830S and 1840S