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Robert Sklar
Ambivalence As a Theme in "On the Waterfront" (1954): an Interdisciplinary Approach to Film Study Author(S): Kenneth Hey Source: American Quarterly, Vol
Film, Power and American History: History 225G Fall 2010 Prof
Ad Hoc American Studies: Michigan and the Hidden History of a Movement
America Radio Archive Broadcasting Books
Curriculum Vitae Thomas Schatz Mary Gibbs Jones Centennial Chair Department of Radio-Television-Film the University of Texas At
The Critical-Industrial Practices of Contemporary Horror Cinema
1 HISTORY WRITTEN with LIGHTNING a Guide to Using
Why Are Comedy Films So Critically Underrated?
Stanley Kubrick: Producers and Production Companies
Global Neorealism. the Transnational History of a Film Style
The Development of a Comedic and Cultural Trope in Postwar America
The Film Noir Backlash in Hollywood by Paul Hantiuk
New York University Bulletin 2001 VOL
Curriculum Vitae CHARLES WOLFE
ANNUAL REPORT of the Librarian of Congress for the fiscal Year Ending September 30, 2004
Americké Filmy Huga Haase
Proquest Dissertations
Memory and Popular Film
Top View
Race, Gender, and Movie Censorship in the New South, 1922--1965
Religion and Film
Introduction to Graduate Studies in the Cinema (MA Lecture Course)