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Robert Hobbs

Summer 1987 CAA Newsletter
Robert Morris, Minimalism, and the 1960S
Alice Aycock: Sculpture and Projects
The Pennsylvania State University the Graduate School College Of
Abstract Expressionism: a Concern with the Unknown Within.” in Robert Hobbs and Gail Levin
Museums and Their Objects.” in Robert Hobbs and Frederick Woordard, Eds
Felix Gonzalez-Torres's Epistemic
Robert Hobbs Joseph Kosuth's Early Works
Fame in the Abstract
Women of Abstract Expressionism
Science Fictional Transcendentalism in the Work of Robert Smithson
Robert Smithson: Sculpture
The Fall from Grace. Late Minimalism's Conception of The
Displaying Data: Micro, Macro, and Marco [Maggi] by Robert Hobbs
Passaic Boys Are Hell: Robert Smithson's Tag As Temporal and Spatial Marker of the Geographical Self
Scott A. Sherer
Kuykendall – Women of Abstract Expressionism
Charlie Pasciucco 1 New York: the New Art City

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PRESS RELEASE for IMMEDIATE RELEASE CELLBLOCK I & CELLBLOCK II Curated by Robert Hobbs
SITUATING HELEN FRANKENTHALER's WIZARD By
Duane Hanson: the New Objectivity
Merleau-Ponty's Phenomenology and Installation Art
FOR IMMEDIATE RELEASE the Thing And
Gender and Fluid: a Reconsideration of the Stain in the Painting of Helen Frankenthaler
Joseph Kosuth's Early Work." in Neither Appearance, Nor Illusion
Affluence, Taste, and the Brokering of Knowledge
P1. 1. Lee Krasner, Imperative
Colour Field’: a Reframing.” in David Moos, Ed
A Case Study of Robert Smithson's Spiral Jetty
Robert Smithson
James Turrell Is Forthcoming from the University of Mark Messersmith, Professor of Art California Press
Meredyth Spark's Differendialism: the Art of Sublime Micrologies
Land Art 1 Land Art
ALICE AYCOCK Selected CV

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